Here is an overview of my online Jazz Guitar Lessons. Most of them are also connected to a YouTube video lesson which you can find here: Jens Larsen on YouTube
I’ve tried to categorize my lessons, but some of them are both about chords and soloing concepts so it is a little confusing.
Improvising and Soloing
- F Blues Guitar Survival Kit – What You Need To Know
- Half Diminished Chords – This is how to use Quartal Arpeggios
- Bebop Guitar Licks With Powerful Arpeggio Hack
- Easy Autumn Leaves Chord Melody and Quick How-to-Play!
- 3 Arpeggios from the Diminished Scale (No Triads)
- Three Ways to Add Arpeggios to Your Jazz Guitar Licks
- Rhythm Changes – How You Use Chord Substitution for New Lines
- More Melodic Guitar Solos – Three Critical Techniques without Arpeggios and Scales
- 5 Sus4 Triads and the Perfect Maj7 licks you can make with them
- Odd Meter Soloing: Getting started with 5/4 – Jazz Blues in F
- The Reason Your Jazz Guitar Licks Suck and How you fix it!
- Advanced Pentatonic Ideas you Need for Fusion and Jazz Guitar
- Better Rhythms in Your Guitar Solos
- My secret arpeggio and 3 places I use it!
- Look Mom No Root! Jazz Chord Survival Kit Part 2
- From SCALE practice to JAZZ LICKS – Work towards Music!
- Picking Techniques beyond Alternate Picking
- Guitar Solo With Only Triads – Jazz Blues
- Modern Triplet Rhythms – Essential jazz rhythms and exercises
- The Pentatonic Scale for Dorian and Lydian You Forgot to Check out
- 3 types of Rhythm Changes licks you NEED to know – Bebop Guitar Lesson
- The Triad we never talk about – but we play it all the time!
- Pentatonic Scale for Altered Chords – Modern Melodic Minor Secrets
- Things You Never Use in Your Solos – Mixolydian
- Secret to play over Diminished Chords
- Things you NEED to know in Melodic minor
- 6 Triads for a Cmaj7 Chord (well 10 actually..)
- Lydian Dominant Licks – The Best Modern Arpeggios and Structures
- Bebop Jazz Guitar Licks – Classic Bebop Sound Decoded
- 5 Great ways to use a minMaj7 arpeggio
- Quartal Harmony on a Jazz Blues
- 5 Great Jazz Licks You Need to Know With The Dominant 7thb5 arpeggio
- 3 Awesome Ways from Music Theory to Music
- Writing Jazz Licks – The Best Way To Teach Yourself Jazz Guitar
- The Craziest Arpeggios & How You Make Beautiful Jazz Guitar Sounds With Them
- 3 Bebop Concepts and how to turn them into Jazz Licks
- Melodic Minor, Altered, Tritone Subs – Guitar solo on Solar
- 5 Chromatic licks – Chromatic Enclosures
- Great Dorian m7 licks – Secret ideas from Holdsworth, Metheny and more
- How Charlie Parker Licks can help you play better Jazz Guitar
- Modal Soloing – What You Are Missing!
- Reharmonizing II V I – breaking all the rules!
- Are you using your Maj7 arpeggios on these chords?
- 4 Dominants on one Chord! – You’ll never need another arpeggio
- Best exercise for jazz guitar chord solos!
- Don’t spend too much time on this exercise!
- Don’t sound the same all the time – Minor chords
- Refreshing and Easy II V I reharmonization
- 3 Altered Scale Arpeggios that you forgot to learn!
- Modern jazz arpeggio ideas – Melodic Interval Structures
- Chromatic passing notes – Instant Bebop guitar lesson!
- Sweep Picking Cascading Arpeggios – Upper-structure Chords
- Scary Vibrato! – Using Neck Vibrato
- 1 Pentatonic Scale over 8 Chords
- 5 Jazz Blues Licks in F
- How You Really Use an Am7 arpeggio
- Standard with Pentatonics – Satin Doll
- Whole-tone scale for outside playing
- Autumn Leaves – Soloing with arpeggios
- 5 Quartal Harmony licks
- Bb Jazz Blues – The Basics
- Triads of the Diminished scale – part 1
- 10 Arpeggios over a Maj7 chord
- Minor 6th Pentatonics on an F blues
- Create your own arpeggio shapes
- Triad pairs in the altered scale
- 5 Bb Jazz Blues licks
- Target notes on a II V I
- The Wrong Tritone Scale
- Playing Outside – Side-slipping
- Bb Jazz Blues Chord Solo
- Rhythm exercise on a Jazz Blues
- Do you really know the pentatonic scale?
- How to improvise over a minor II V I with arpeggios
- 10 arpeggios over a Dom7th chord
- How to practice your scales and why – Positions
- Making Jazz lines sound bluesy
- 5 ways to use motifs in your II V I lines
- Soloing over a II V I with Pentatonic scales
- How to Improvise with an Arpeggio
- Improvising and using Maj7#5 chords
- Triplet Rhythms – Part 2
- 10 arpeggios over a m7 chord
- Tritone Scale
- Minor 6th Pentatonic scale
- Rhythm Changes – Part 2
- Blue Bossa – Soloing with Arppeggios
- Soloing with Chords – Part 2 Minor II V I
- Triad Pairs – Part 2
- Triplet Rhythms – Part 1
- Drop2 Voicings as Arpeggios
- 10 Altered dominant lines
- The Altered Scale: Three Approaches
- Adding Chords to Single Note Lines – Part 2
- Triad Pairs – Part 1
- Rhythm Changes – Part 1
- F Jazz Blues Soloing
- Turnarounds part 3 – I bIII7 II Valt
- How to make lines on a III bIIIdim II V progression
- How to make 10 II V I licks with a Gm7 arpeggio
- 4th mode Harmonic Minor
- How to start soloing over a II V I with arpeggios
- Adding Chords to Single Note Lines – Part 1
- Turnarounds part 2 – I bIIIdim II V
- Motif Exercises – F Jazz Blues
- Turnarounds part 1 – I VI II V
- Improvising in 3/4
- Jazz Blues Chord Solo
- Making II V I lines with Odd Note Groupings
- Pentatonics part 3 – Arpeggios and Melodic ideas
- Sus4 Triads as Upper Structures
- Lydian Mode
- Tritone Substitution
- Across the Fretboard
- Playing a Jazz Standard with Pentatonic Scales
- How to use triads in solos
- Soloing with Chords Part 1
- The Augmented Scale
- Phrygian Chords
- Pentatonics part 2 – II V progressions
- Shell Voicings as Arpeggios
- Harmonic Minor Dominant Lines
- IV minor chords in a major key
- #IVdim suspension of the I chord
- Diminished Scale on Dom7th Chords
- Get More Out of the Licks You Already Know
- Jazz Blues Soloing using arpeggios
- Triplets in groups of 4 – part 1
- Open Triads in Solos
- Minor II V I Cadences
- Quartal Harmony in Solo lines
- Pentatonics Part 1 – Maj7 Chords
- Melodic Minor – Altered Scale
- Melodic Minor – Lydian Dominants
- Dominant 7th scale choices – part 1
- Maj7b5 Chords and Arpeggios – a powerful tool for superimposition
- Target Notes
- Melodic Minor – An Introduction
- Diatonic Arpeggios – Superimposing arpeggios and altered chords
- Diatonic Arpeggios – How to use and Practice them
- Using chords in Solos
- Playing over Changes with Arpeggios
- How to convert theory and technique exercises to solo lines
- The 3rd Messiaen mode
- Triad pairs for improvisation – part 3
- Triad pairs for improvisation – part 2
- Triad pairs for improvisation – part 1
Chords and Voicings
- Autumn Leaves Chords – 5 Useful ways to unlock Extensions
- How to use Drop 2 Chords on a Jazz Blues – Bebop Skill
- Allan Holdsworth Modal chords – You can add new textures to your comping
- Passing Chords – The 3 Types You Need for Comping and Chord Solos
- You Don’t Need That Many Chord Voicings, It’s How You Use Them
- What Jimi Hendrix can teach Jazz Guitarists
- Jazz Guitar Comping Rhythms – Exercise to make your own
- Allan Holdsworth Chords – Voicings and Inversions
- Modern 3 note voicings and voice leading – How to find new voicings
- Walking Bass and Chords on a Bb Blues – Jazz Guitar Lesson
- Drop2 – Tactics to Create Cutting-Edge Jazz Guitar Harmony
- Allan Holdsworth Chords on a Jazz Standard – Advanced Modern Chord Voicings
- Jazz Counterpoint – Discover New Harmonic Ideas
- F Jazz Blues Comping – Jazz Chords and Concepts – Guitar Lesson
- Melodic Comping – Stronger than voice-leading
- The Minor Chord You Never Use
- Walking Bass and Chords – Solar
- Bossa Nova Guitar patterns 2 – Partido Alto
- Bossa Nova Guitar patterns 1 – Blue Bossa
- Triads – Easy 3 note Jazz Chords
- Jazz Chords 10 variations of a I VI II V turnaround
- C Jazz Blues with triad voicings
- How to play Jazz Chords on Guitar
- III VI II V I with Triads
- Making Jazz Chords sound Bluesy
- Using the pentatonic scale as chords
- Drop2&4 voicings – Part 1
- Find New Jazz Chords with inversions
- Play a standard with 2 types of Drop2 chords
- Building chord voicings from 3rd and 7th
- Slash Chords – All major triads over bass notes
- Rootless Voicings – Part 1 – Triads
- First II V I chord voicing sets
- Developing Basic Comping Rhythms
- Endless new ways to play the same II V I voicings
- Jazz Chord Essentials – Drop 2 voicings part 3
- Jazz Chord Essentials – Drop2 voicings – Part 2
- Jazz Chord Essentials – Drop 2 voicings – Part 1
- Jazz Chord Essentials: 4 part Quartal Harmony
- Chromatic Chords – part 1
- Chord Melody: It Could Happen To You
- Phrygian Chords
- Jazz Chord Essentials – 3 note 7th chords part 2
- Minor Blues Comping
- Jazz Chord Essentials – 3 note 7th chords part 1
- Chords and Walking Bass – part 2
- Turnarounds – Comping
- Diatonic chords of the Pentatonic Scale
- Jazz Chord Essentials: 3 part Quartal Harmony
- Chords and Walking Bass – part 1
- Jazz Chord Survival Kit
- Jazz Blues Comping
- Jazz Chord Essentials: Open Triads
- Maj7b5 Chords and Arpeggios – a powerful tool for superimposition
- Jazz Chord Essentials: Triads
- Jazz Chord Essentials: Shell Voicings
- Jazz Chord Essentials: Drop 2 Voicings Part 2
- Jazz Chord Essentials: Drop 2 Voicings Part 1
- Overview of Drop2 Voicings
- Inverting Chords to get new voicings
- Comping lesson from Lewis Nash on YouTube
Technical Exercises
- 3 Pentatonic Scale Exercises You Never Played
- 3 Great Alternate picking exercises to help you play fast
- How to practice your scales and why – String sets
- 3 scale exercises you should know
- How to practice your scales and why – Positions
- Arpeggios in positions derived from 3 notes per string scales
- Practicing Scales through Changes
- Diatonic Arpeggios – Superimposing arpeggios and altered chords
- Diatonic Arpeggios – How to use and Practice them
- How to convert theory and technique exercises to solo lines
Chord Melody – Arranging for guitar
Walking bass and Chords
- Walking Bass Jazz Guitar Lesson on All The Things You Are
- Walking Bass and Chords on a Bb Blues – Jazz Guitar Lesson
- Walking Bass and Chords – Solar
- Chords and Walking Bass – part 2
- Chords and Walking Bass – part 1
Here’s the old chronological overview:
- Why Their Jazz Blues Solos Always Sound Better Than Yours
- Why Barry Harris’ Approach Is So Much Better Than Bebop Scales!
- 3 Reasons A Guitar Teacher Is The Fastest Way To Learn
- The 3 Guitarists I Wish I Checked Out As A Jazz Beginner
- This Guy Doesn’t Need a “REAL” Jazz Guitar To Sound Amazing!
- The Best Exercise For Jazz Guitar – Advice From 7 Online Teachers
- Beautiful Jazz Chords Should Sound Like This
- The Most Important Thing To Learn From Wes Montgomery
- The Biggest Misunderstanding About Jazz Chords And How To Quickly Fix It
- I Wish Every Jazz Beginner Could Watch This!
- Save Your Chord Melody Playing With These 3 Tactics!
- This is A Perfect Jazz Solo! – Why Scofield Always Gets It Right!
- Why They Sound Better Than You Every Time!
- 5 Concepts Jazz Guitar Beginners Must Understand To Learn Faster
- This BEST Jazz Blues Solo For Bebop, Blues and Brilliant Phrasing
- The Real Reason You Are Not Getting Better At Jazz
- How Joe Pass Makes Jazz Chords Simple & Easy
- Fake Counterpoint And Jazz Chords: Both Beautiful and Practical
- Jazz Comping – A Difficult Conversation With Aimee Nolte
- I Wish I Could Play Fast Jazz Solos Using This Approach
- Important (beginner) Jazz Advice: 5 Easy Jazz Standards To Start With
- I Wish I Had Checked Out This Guy! His Solos Are Jazz 101 On Guitar
- 5 Scale Exercises That Make It Easier To Learn Jazz
- Amazing Chord Melody Without Any Chords? So Beautiful That Nobody Cares
- The Best Way To Start With Jazz Chords: 2 Positions
- If I started Jazz Guitar In 2023 then this is what I would practice
- Is Your Improvisation Practice a Waste of Time? (And How to Fix That)
- 5 Simple Tricks That Make Jazz Chords Even More Beautiful
- This is Missing In Your Comping and Nobody Is Teaching It
- Which One Is The REAL Jazz Guitar?
- The Mistake Everyone Makes Learning Jazz Guitar
- This Jazz Blues Solo is Perfect And Nobody Is Talking About It
- 3 Ways To Fix Your Chord Progressions To Be More Interesting & Beautiful
- The Biggest Problem With Scale Positions and How They Can Ruin Your Progress
- 5 Of My Favorite Bebop Shortcuts To Fix Your Jazz Phrasing
- The Problem With My Vintage Gibson
- How To Use Outside Playing – A Few Secrets And Some Important Advice
- 3 Goals That Block Your Progress Learning Jazz Guitar
- The Most Important Scale For Jazz
- Make Your Jazz Chords Sound Amazing (for normal people)
- 3 Reasons You Will Regret Not Working On Chord Soloing
- The Most Beautiful Jazz Chords And How You Use Them
- The Best Advice I Ever Had For Playing Fast Tempos
- Pentatonic Chords are Magic! Amazing New Way To Use The Scale!
- Why Chord Substitutions Are Holding You Back!
- Stop Being Lazy With Your Triads (Jazz Guitar Secrets)
- You don’t NEED a Guitar amp!
- How The Pros Think About Chord Progressions (and you probably don’t)
- Why Barry Harris has the Best Method for Chromatic Notes
- The Diminished Chords – Why They Are Great!
- The 5 Skills That Make You Great At Comping
- No Bending In Jazz, Please!
- The Basic Jazz Chords That You Can Expand into Amazing Sounds
- How Chord Melody Will Help You Master Important Skills
- 3 Stupid Mistakes You Should Avoid When Learning A Jazz Standard
- Is Reading Music Important For Learning For Jazz?
- Jazz Chords – Drop2 is a Powerful Tool
- The Real Secret About Chromatic Phrases And Great Jazz Licks
- Jazz Chords – Easy To Advanced in 5 Levels
- This Solo Exercise Changed Everything
- 5 Things That Stop You From Learning Jazz
- 7 Guitar Skills That Pay Off Forever
- The Truth About Avoid Notes and Target Notes
- Overlooked Barry Harris Wisdom That Is Amazing Advice For Jazz
- Most Important Skills For Jazz Chord Tones on a II V I
- Jazz Chords – You Can Make It Simple And Unlock Amazing Sounds
- 3 Music Theory Exercises That Actually Help You Play Better
- Get Scale Practice Right And It Will Boost Your Playing
- 10 Levels of Turnarounds – Unlock Amazing Jazz Chord Progressions
- How to Make Jazz Chords Sound Great For Any Progression
- Bebop Without Scales And Why You Need This Skill
- 5 Licks That Will Help You Understand Jazz Guitar
- Triads – You Are Missing 3 Skills In Getting The Most Out Of Them
- Minor Chords – Unlock Some Beautiful Jazz Chords In Your Music
- Is This Jazz Guitar Method Fantastic and Terrible At The Same Time
- What Is Effective Jazz Practice And Are You Wasting Your Time
- An Amazing Exercise For Jazz Chords (And Your Playing In General)
- This Is Ruining Your Jazz Solo – A Powerful Bebop Breakthrough
- Great Jazz Tone On A $250 Amp?
- 3 Things that Ruin Your Jazz Practice And Stops Your Progress
- Jazz Chords And The Best Way To Think About Them
- My 7 Best Jazz Licks with Only Four Notes
- The 10 Bebop Skills You Want To Master
- 5 Habits To Help You Learn Jazz Faster
- New Beautiful Jazz Chords With This Powerful Triad Strategy
- 10 Classic Charlie Parker Licks That Will Make You A Better Player
- A Simple Jazz Blues Approach That Makes You Sound Better
- 3 Reasons Wes Montgomery Is Amazing And Worth Checking Out
- For Any Jazz Lick You Need To Understand These 3 Things
- 5 Reasons You Fail To Learn Jazz Standards And Simple Ways To Fix Them
- The 5 Types of Dominant Chord You Want To Know
- An Overlooked Skill That Will Give Your Jazz Solos A Massive Boost
- The Great Thing About Pentatonic Scales For Jazz And How To Use Them
- From Basic Jazz Chords To Beautiful Comping
- The Great $400 Guitar I Used On 5 albums
- Jazz Blues – How To Solo Only Using Triads And Why It Is Powerful
- These Scale Exercises Are Immediately Great Jazz Licks
- The Most Important Music Theory And How It Helps You Play Better
- Jazz Beginner – 5 Myths That Waste Your Time
- How To Write Great Jazz Vocabulary And Learn From Charlie Parker
- 3 Reasons Your Comping Sucks and How To Fix It
- A Simple Way To Make Amazing Jazz Licks On A Single Chord
- Which Jazz Skills Do You Need To Play a (GREAT) Solo? (beginner To Advanced)
- The 5 Bebop Facts That Will Help You Learn Faster
- 5 Easy Solos to Learn By Ear and Boost Your Jazz Guitar Skills
- What Really Makes Your Jazz Solo Sound A Lot Better
- 5 Levels of Walking Bass And Chords – A Great Comping Approach
- 10 Patterns That Sound Great On A C7 Dominant – Beautiful Sounds
- An Amazing Recipe For Jazz Guitar Licks Everyone Should Know
- Jazz Phrasing – The 3 Simple Things That Will Make You Sound Better
- 5 Jazz Guitar Tips That Will Save You Years Of Practice
- How To Play Outside – A Few Great Jazz Solo Secrets
- Make it Easy To Learn Jazz Standards – Important Chord Progressions in Minor
- How To Explore Jazz Chords – A Better Approach
- The 5 Reasons You Are Not Getting Better At Jazz Guitar
- 3 Important Exercises for Jazz Guitar Beginners To Get Started
- Why You Need To Learn Bebop Themes If You Want To Play Jazz
- Stay Inspired In Your Practice – A Solid Jazz Solo Survival Guide
- 5 Easy Jazz Solo Exercises That You Want To Know
- Guitar Practice – Top 5 Super Useful Apps
- The Two Reasons Triads Are Amazing For Jazz Solos
- How To Go From Scales to Great Jazz Phrases
- The Solos You Want To Learn By Ear To Play Better Jazz Guitar
- Jazz Chords – A Simple But Amazing Solution You Want To Know
- A Simple Jazz Solo Skill You Want To Master
- A Better Focus For Alternate Picking – Getting The Exercises Right
- Bebop Magic – One Of The Best And Most Difficult Things About Jazz
- Chord Melody – 5 Beautiful Methods You Want To Know
- 7 Easy Jazz Standards In Minor You Need To Know
- The Best Triad Exercises – How To Get The Essentials Right
- The 3 Bebop Licks You Need To Know
- How To Make 4 Chord Vamps That Sound Great
- 3 Things That Make You Sound Better Comping A Jazz Blues
- Jazz Beginner Mistakes – How To Learn Scales
- The Most Important Melodic Minor Modes In One Song
- Jazz Blues – You Need To Know Triads!
- What Really Makes It Sound Like Jazz?
- Beautiful Jazz Chords That Make You Less Boring
- Comping A Jazz Standard – This Is How To Get Started
- Melodic Minor – How To Make Minor Blues Sound Amazing
- Jazz Blues – 3 Easy Techniques That Make You Sound Better
- Triplets Can Make Your Jazz Solo Sound Amazing
- How To Make One Arpeggio Into 25 Great Jazz Licks
- Easy Way To Make Your Jazz Chords Sound More Interesting
- Why This Is The Most Important Scale Exercise In Jazz
- 5 Jazz Chords You Need To Use More
- Simple Things To Play On A C7 That Sound Great
- How To Make Your Comping Rhythms More Interesting
- Practicing Scales – This Is Something Not To Miss
- II V I – You Need To Practice This For Solos
- Chord Solos – You Can Make It Easy Like This
- Arpeggios – Things To Get Right From The Beginning
- How To Make Your Own Bebop Licks
- Coltrane Patterns -Why They Are Amazing
- Bossa Nova Guitar Patterns – 5 Levels You Need To Know
- 3 Simple Bebop Tricks You Can Make Great Jazz Licks With
- Minor II V I – 3 Levels You Want To Know
- 25 Arpeggios That Sound Amazing On A G7 And How To Use Them
- Simple And Easy Approach To A Minor 2 5 1
- Autumn Leaves – How To Use Drop 2 For An Easy Chord Melody
- Triads And How To Make Great Lines With Them On a m7 Chord
- A Great New Sound In Your Jazz Solo
- How To Make It Sound Like Jazz – Great Embellishments
- The Most Important Solo Tools For a Half Diminished Chord
- Chord Solos – How To Get Started The Easy Way
- 5 Pentatonic Scales That Are Great On A Maj7
- 5 Basic Jazz Chord Exercises That You Want To Know
- 5 Exercises That Will Boost Your Technique And Practice
- Jazz Blues Chords – How To Make It Sound Like Jazz
- The Magic Arpeggio Solves A LOT Of Problems
- Harmonic Minor Is Amazing On These 3 Chords
- This Is A Great And Easy Recipe For Jazz Licks
- The Most Important Solo Tools For A Maj7 Chord
- Rootless Jazz Chords – This Is What You Want To Know
- Tritone Substitution Is a Really Great Hack
- How To Make Jazz Blues Licks – The Best Ingredients
- Jazz Phrasing Techniques – How To Get A Better Jazz Flow
- How To Make Jazz Licks From Easy Chord Shapes
- Passing Chords And How To Sound Amazing With Them
- Amazing Little Solo Exercise That You Don’t Want To Miss
- How To Learn Drop 2 Jazz Chords The Right Way
- Jazz Chord Magic On Take The A Train – This Is How To Use Triads
- This Will Make Your Jazz Licks 10x Better
- 7 Great Jazz Licks And Why You Need To Know Basic Arpeggios
- This is Why Melodic Minor Is Awesome
- Great Chord Sequences And How To Use Them In A Solo
- Fretboard Challenge! 12 Licks in a Single Position
- 3-note Jazz Chords -This is Why and How To Use Them
- You Need To Practice Developing Phrases in Your Solos
- Comping Rhythms – 10 Examples You Need To Know
- Triads – How To Use This Powerful Tool In Your Jazz Solos
- The Real Magic of Jazz Chords – Easy & Amazing
- How To Sound Like Jazz – It Is All Phrasing
- Chord Fills and a Great Pentatonic Trick on the Guitar
- Drop 2 Magic On Satin Doll – This Is How To Use Jazz Chords
- Bebop Soloing – The Licks You Need To Check Out
- How To Use Arpeggios In Jazz – Important Skills
- Drop2 Voicings – How To Make Them Musical Building Blocks
- Chord Solo – How To Make Melodies and find chords
- Jazz Blues – How To Get The Phrasing Right
- Jazz Chords – Here Is Why You Want To Make Inversions
- How To Make Jazz Licks More Exciting
- 3 Easy Bebop Licks – How To Sound Like Jazz
- The Magic Chord – 10 ways to Use this Amazing Jazz Chord
- Did You Do This With Your Favourite Jazz Lick?
- 10 Great Chromatic Ideas in Jazz Licks (Easy to Weird)
- You Need To Practice This If You Want To Play Jazz
- How To Learn Jazz Guitar – Suggestions To Begin Studying
- 10 Easy Jazz Licks – How To Sound Like Jazz
- The Great Thing About Jazz And Arpeggios
- Rootless Jazz Chords – 15 Beautiful Examples You Need To Know
- What Makes This Sound So Good and How To Play Like That
- Altered Scale – The Most Important Things to Know
- How To Solo Over Chord Changes The Right Way
- 15 Minor II V I – Beautiful Jazz Chords You Need To Know
- How To Make A Set Of Solid Jazz Chords on Autumn Leaves
- How To Add Bebop Embellishments To Your Licks
- Do this Every Time you Learn a New Jazz Chord
- How to Improve your vocabulary of Jazz Rhythms
- 3 Things You Want To Know In All Keys And Positions
- How to Use the Blues in a Jazz Solo
- 25 Jazz Guitar Exercises – How To Improve Skills In A Musical Way
- 3 Great Ways To Use Arpeggios In A Solo
- Great And Simple Way To Make New Jazz Licks
- John Scofield – Some of the Greatest Double Time Lines I Know
- This Is How You Should Use Scale Exercises
- How to Use Chromatic Ideas in Jazz Licks The Right Way
- 3 Things You Need To Know For Chord Melody
- Joe Pass – How to Keep Solos Interesting
- Do This To Improve Your Fretboard Knowledge
- Sonny Rollins – Things You Need To Know About Jazz Blues
- Triads – How To Make Them Jazz Chords
- Herbie Hancock – This is What Modal Jazz Really is
- The 3 Things You Need To Add To A Lick To Make It Sound Like Jazz
- Joe Henderson – Why He Is One of the Big 3
- Jazz Chords – The 3 Levels You Need To Know
- How To Stop Just Playing Scales In Your Jazz Solos
- Oscar Peterson – How To Play Piano Blues Licks on the Guitar
- The Most Important Scale Exercise In Jazz
- Block Chords – The Ultimate Jazz Guitar Challenge
- Grant Green Amazing Bebop On The Guitar
- Minor II V I – Getting The Most Out Of The Basics
- Bill Evans – How To Get Your Rhythms To The Next Level
- Jazz Rhythm – The Most Important Aspect of Jazz
- Doug Raney – The Best Solo If You Want To Learn Bebop?
- m7 Chords – How to use Quartal Harmony in a solo
- Barney Kessel – How To Make A Bebop Solo Catchy
- Melodic Minor – How to Make Beautiful Lines
- Kenny Burrell – You Want To Be Using Blues Like This
- Jazz Comping – Intervals is the (Beautiful) Simple solution
- Jimmy Raney – This Is A Great Way To Make Beautiful Lines
- Jazz Licks on a Maj7 chord – How To Sound Like Bebop
- Jim Hall – Ingredients Of The Best Solos
- 2 5 1 – How To Solo with Diatonic Arpeggios (the most important approach)
- Pat Martino – How to Play Powerful Bop Lines
- 5 Charlie Parker Licks – This is How To Play Bebop Blues
- John McLaughlin – How To use Atonal Ideas on the Blues
- Beautiful Jazz Chords That You Never Played
- Kurt Rosenwinkel – How To Make Interesting Lines
- Easy Jazz Licks – How To Use The Pentatonic Scale
- John Scofield – How To Mix Bebop And Pentatonics
- Learn A Jazz Blues Chord Melody – How to play Solo Guitar
- Chet Baker – How To Make Bebop Lyrical
- 5 Comping Exercises for Jazz Rhythm on the Blues
- Charlie Christian And The Unusually Modern Arpeggios
- 5 Jazz Blues Licks – How to use Transcribed ideas
- Wes Montgomery – How to make Simple sound Amazing
- 2 Arpeggios and How to make 15 Great Licks with them
- Allan Holdsworth – This Is How He Uses Arpeggios In A Solo
- Triads on a G7 – The Most Important Solo Tool
- Mike Moreno – How To Think Ahead in a Solo
- Chord Melody – The 2 Positions You Need to Know
- Kenny Burrell – How to Make the Blues Sound Outside
- Jazz Guitar Licks With No Scales – This Is Why Its Great
- Joe Pass – How to Make Bebop Melodic
- How to Play Fast & Difficult Jazz Guitar Phrases
- George Benson – This is The Best Jazz Blues Solo I know
- Jazz Blues Comping – Drop2 Chords You Need To Know
- Peter Bernstein – How to be Musical in a Modal Context
- Barry Harris Scale Exercise on an F Blues
- Chord Melody – This is How To Play Solos
- Ben Monder – This is How to Interpret a Standard
- Jazz Phrasing – This is what you want to know
- Emily Remler – How To Reinvent a Standard
- Economy Picking Licks – This is my solution to the Problems
- Gilad Hekselman – This is The Blues (and a lot more)
- Autumn Leaves – When You Only Use Pentatonic Scales
- Rene Thomas – Is This an Overlooked Bebop Hero?
- Triads – 5 Easy Exercises for Better Solos
- Pat Metheny – This is What Jazz Blues Should Be
- Minor Blues – 5 Important Sounds To Know and How to Use Them
- Adam Rogers – This is how to use Triplet Rhythms
- 5 Chromatic Licks – This Is The Way You Use Them In Your Playing
- Tal Farlow – This Is Cutting Edge Bebop
- 8 Awesome Types Of 3-Note Chord Voicings And How To Use Them
- Ed Bickert – A Jazz Guitarist You Need To Know About!
- Lydian Dominant – 10 Licks – What is the Best Arpeggio?
- Mike Stern – What is The Best Mix of Bebop and Rock?
- Herbie Hancock Voicing = Awesome Huge Arpeggio on Guitar
- Bill Frisell – How He Plays Surprising & Beautiful Things
- Finger Exercises – This is What You Should Be Doing
- John McLaughlin – This Is Not Like Other Approaches
- Diatonic Chords Exercises – The Most Useful & Important
- Kurt Rosenwinkel – This Is What Makes His Style Unique
- Triads – How To Make Jazz Licks and what to Practice
- John Scofield On A Blues This Is Why He Is Great
- Voice Leading – Breaking a Few Rules
- Jonathan Kreisberg – Strong and Creative Arpeggio Ideas
- Minor Blues Comping – How To Use Drop2 Chords
- Joe Pass on Rhythm Changes – 3 Solid Bebop Strategies
- 10 II V I Chord Embellishments – The Ultimate Guide
- Allan Holdsworth – What he plays in a solo
- How To Make Mixolydian Mode Licks – 5 New Useful Ideas
- Lage Lund – Favourite Voicing and Solid licks!
- Satin Doll – Easy Jazz Chords (and a little beyond)
- How To Use The Augmented Triad In A Jazz Blues Solo
- 3 Charlie Parker II V I Licks How To Play Them On Guitar
- This Is How You Should Practice Every Scale Exercise
- Jim Hall on Autumn Leaves – Can it get any better?
- How To Play A Harmonized Bass Line On A Blues
- This Is Not Bebop, But It Is A Great Coltrane Solo
- How To Solo On bIII Diminished Chords – 3 Jazz Standards & 3 Licks
- Wes Montgomery – This is What Makes Him Amazing
- 5 Easy Ways To Sound Like Bebop on a C7
- Barney Kessel – How to mix Swing and Bebop
- How can that be an altered dominant? (The Best Hack)
- This is How Joe Pass Plays Amazing Solos
- Jazz Turnaround – How To Get Started
- Grant Green – How to Bridge Bebop and Blues
- Amazing Bebop – How to play like Sonny Stitt
- How to Play Killer Hard Bop like Pat Martino
- How to Improve your Jazz Guitar Soloing – One Skill
- The Quick Way To Learn Jazz Comping – Simple & Direct
- Rhythm Changes Chords – Hidden in the Easy Chords
- The Missing Triad in your Jazz Blues Chords – Simple and Easy
- Altered Scale – 3 Great Pentatonic Solutions (Easy And Powerful)
- Bird Blues – How to play and Understand the Chords
- Diminished Chords On Guitar – Only One Useful Extension
- Autumn Leaves Chords – 5 Useful ways to unlock Extensions
- Walking Bass Jazz Guitar Lesson on All The Things You Are
- F Blues Guitar Survival Kit – What You Need To Know
- Half Diminished Chords – This is how to use Quartal Arpeggios
- Bebop Guitar Licks With Powerful Arpeggio Hack
- How to use Drop 2 Chords on a Jazz Blues – Bebop Skill
- Easy Autumn Leaves Chord Melody and Quick How-to-Play!
- 3 Arpeggios from the Diminished Scale (No Triads)
- Allan Holdsworth Modal chords – You can add new textures to your comping
- Three Ways to Add Arpeggios to Your Jazz Guitar Licks
- Passing Chords – The 3 Types You Need for Comping and Chord Solos
- Rhythm Changes – How You Use Chord Substitution for New Lines
- More Melodic Guitar Solos – Three Critical Techniques without Arpeggios and Scales
- 5 Sus4 Triads and the Perfect Maj7 licks you can make with them
- You Don’t Need That Many Chord Voicings, It’s How You Use Them
- What Jimi Hendrix can teach Jazz Guitarists
- Odd Meter Soloing: Getting started with 5/4 – Jazz Blues in F
- The Reason Your Jazz Guitar Licks Suck and How you fix it!
- Jazz Guitar Comping Rhythms – Exercise to make your own
- Advanced Pentatonic Ideas you Need for Fusion and Jazz Guitar
- Better Rhythms in Your Guitar Solos
- Allan Holdsworth Chords – Voicings and Inversions
- My secret arpeggio and 3 places I use it!
- Look Mom No Root! Jazz Chord Survival Kit Part 2
- From SCALE practice to JAZZ LICKS – Work towards Music!
- Picking Techniques beyond Alternate Picking
- Guitar Solo With Only Triads – Jazz Blues
- Modern Triplet Rhythms – Essential jazz rhythms and exercises
- The Pentatonic Scale for Dorian and Lydian You Forgot to Check out
- 3 types of Rhythm Changes licks you NEED to know – Bebop Guitar Lesson
- Modern 3 note voicings and voice leading – How to find new voicings
- Walking Bass and Chords on a Bb Blues – Jazz Guitar Lesson
- The Triad we never talk about – but we play it all the time!
- Pentatonic Scale for Altered Chords – Modern Melodic Minor Secrets
- Drop2 – Tactics to Create Cutting-Edge Jazz Guitar Harmony
- Things You Never Use in Your Solos – Mixolydian
- Secret to play over Diminished Chords
- Things you NEED to know in Melodic minor
- 6 Triads for a Cmaj7 Chord (well 10 actually..)
- Allan Holdsworth Chords on a Jazz Standard – Advanced Modern Chord Voicings
- Lydian Dominant Licks – The Best Modern Arpeggios and Structures
- Bebop Jazz Guitar Licks – Classic Bebop Sound Decoded
- Jazz Counterpoint – Discover New Harmonic Ideas
- 5 Great ways to use a minMaj7 arpeggio
- Quartal Harmony on a Jazz Blues
- 5 Great Jazz Licks You Need to Know With The Dominant 7thb5 arpeggio
- 3 Awesome Ways from Music Theory to Music
- Writing Jazz Licks – The Best Way To Teach Yourself Jazz Guitar
- The Craziest Arpeggios & How You Make Beautiful Jazz Guitar Sounds With Them
- 3 Bebop Concepts and how to turn them into Jazz Licks
- Melodic Minor, Altered, Tritone Subs – Guitar solo on Solar
- F Jazz Blues Comping – Jazz Chords and Concepts – Guitar Lesson
- 5 Chromatic licks – Chromatic Enclosures
- Melodic Comping – Stronger than voice-leading
- Great Dorian m7 licks – Secret ideas from Holdsworth, Metheny and more
- How Charlie Parker Licks can help you play better Jazz Guitar
- Modal Soloing – What You Are Missing!
- Reharmonizing II V I – breaking all the rules!
- Are you using your Maj7 arpeggios on these chords?
- 4 Dominants on one Chord! – You’ll never need another arpeggio
- Best exercise for jazz guitar chord solos!
- Don’t spend too much time on this exercise!
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