9 Surprising Pentatonic scale secrets on a Blues

Pentatonic Scales and Modern Jazz go hand in hand just like guitar and pentatonic scale do. In this video I am going to try to bring the two together using a 12 bar blues and demonstrating 9 ways you can apply pentatonic scales to this chord progression. The ideas are not only going to be on which scale to use on which chord, but more about finding a series of pentatonic scales that you can use to create other movements on top of the jazz blues.

Pentatonic Scale use on a Blues (without sounding Bluesy..)

The blues is a great progression to explore reharmonizations and super-imposed pentatonic scales. There are a lot of very standard chord changes that can be approached in many interesting ways. Most of the examples are using several scales to demonstrate other ways to move throught the changes, but there are also a few surprising scale choices for a chord here and there.

Content:

0:00 Intro

0:17 12 Bar Blues and -9 Pentatonic Scale ideas from Wes and Others

1:04 Example 1

1:30 Altering the F major Pentatonic

2:33 Example 2

3:00 Wes’ Pentatonic trick applied to an F blues

3:55 Example 3

4:22 Altered Dom7th Pentatonic + A Charlie Parker observation

6:12 Example 4

6:39 The Altered Dom7th and II V I trick

7:37 Counterpoint ideas on a cadence

8:27 Example 5

8:53 Borrowing a bit of Parker Blues and Parallel Harmony

11:04 Example 6

11:31 Borrowing a bit more Parker Blues

12:28 The Tri-Tone II V and it’s Pentatonic

12:49 Example 7

13:15 Minor pentatonic and m6 pentatonic motifs

14:32 Scale ideas that help connect phrases

15:10 Example 8

15:36 Blues sounds and Tri-Tone II V’s

16:44 Example 9

17:11 Lydian Major Pentatonic, the Lydian b7 pentatonic sound

18:29 Using Pentatonic ideas to create melodic concepts and add a story to your solo

18:59 Do you have a great Pentatonic idea? Leave a comment!

19:46 Like the video? Check out my Patreon Page!

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