Category Archives: News

Updates from Jens Larsen – Jazz guitarist

How to Practice Comping and Not Just Chords

Most of the time advice on Jazz Guitar Comping is about what chords to play and not how to play them. This one is about how to actually Practice Comping.

Comping is important, but since it is about playing behind somebody else it can be difficult to practice on your own. So how do you work on it? In this video I am going to show you a few ways to work on your comping and a list of things to think about when it comes to listening to your own comp.

Ways to Practice Jazz Guitar Comping

The old method: Metronome 2&4 play some comp think about how you want it to sound and imagine the band playing with you. 

This is the most important thing to practice and you want to be able to do this well, but there are other ways where you can try to work on it.

One of the ways that take advantage of some of the things we have available in this more modern tools like recording yourself and using backing tracks. I also discuss some of the things that you can learn and think about when doing this.

Content:

0:00 Intro – Getting the Wrong Answer

0:57 Different ways to practice comping and a check-list

1:13 Traditional VS Modern Methods of working.

1:41 #1 The Ancient Method of practicing

2:52 #2 Record yourself with a backing-track

3:09 Good resources and Good Drummers

3:30 Comping with drums – Learn to Listen

4:31 #3 Be Your Own Soloist

5:50 The Essential Checklist for Comping –

6:08 Over comping?

6:44 Conveying Groove and Harmony?

7:06 Is it in Style and fits the context?

8:23 Interacting with the Band

8:43 Interacting with the Soloist

9:14 Develop You Taste with Comping – Get Inspired!

10:00 My Favourites when it comes to comping

11:01 Like the video? Check out My Patreon Page!

Charlie Parker This Is The 5 Way He Uses Arpeggios

Everybody can play a Cmaj7 arpeggio, but not everybody can do it like Charlie Parker.

Knowing and using arpeggios is a part of jazz, but there are a lot of ways to create great melodies with them. In this video I am going to go over 5 ways that Charlie Parker uses arpeggios in his solos. If there is one place you want to learn this then it is probably the father of Bebop.

An you do want to have some ideas that are not just running up and down the arpeggio or up the arpeggio down the scale which is exactly what this video can show you.

We often forget that a the difficult part is not what notes to play over a chord, it is how t play them. For me this is something that I have learned from transcribing and analyzing solos like I am doing in this video.

How to learn from Charlie Parker

This video is covering the 5 ways that Parker played arpeggios, taken from his solos and then I discuss how you can put that to use in your own playing with examples where I have made Jazz Licks using the same techniques with arpeggios.

Content of the video:

0:00 Intro

0:29 It’s about how you play the arpeggio not what notes are in it

1:05 #1 The Bebop Arpeggio

1:28 What is the Bebop Arpeggio and How To Practice it

2:32 How You can use The Bebop Arpeggio in your solos

3:06 #2 Honeysuckle Rose Arpeggio

4:11 Two Ways to use the Honeysuckle Rose Arpeggio

5:27 #3 Melodic Trail off

6:45 Using Melodic off in a II V I lick

7:27 #4 Voice-Leading Arpeggios

8:44 How To Use this principle in your own lines

9:27 #5 Rhythmic Displacement

9:50 How Charlie Parker sets up the Rhythmic idea

12:03 Explaining the Poly-rhythm

12:38 Like the video? Check out my Patreon Page!

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Jazz Guitar Insiders Facebook Group

Join 600+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Fretboard Visualization – How To Develop A Complete Overview

Using limitations to check and develop your Fretboard Knowledge.

In this video I am going to go over a way to practice that teaches you how to find material and use it everywhere on the neck when you are improvising. One thing is to practice all the things you need like scales and arpeggios in all positions. You also have to make sure that you get it to a point where you can use it in music. And ironically the best way to become free all over the neck is it to limit yourself to limit yourself to one position while playing a song.

For me this was an essential way of building my ability to move around the fretboard freely. I have, by now, spend a lot of time with this and still keep coming back to it to work out a bit on tunes I am studying. You can always find new things here and develop further.

Content:

0:00 Intro

0:22 Limit Yourself to remove your limitations

0:53 The Exercise – Practice to be Practical

1:28 The Four step process

1:51 #1 The Song/Progression

2:35 #2 Choose the Position

3:08 Be realistic and practical with position playing

3:14 Prepatory Exercises

4:33 Think in Long term goals

5:03 #3 Playing the Song

5:42 Solving problems you come across

5:57 How to Look for basic material

6:44 Be Practical!

7:54 #4 Creating Variations and New Material

8:43 Practicing while making music

9:00 Improvising only with Scale Movement

9:45 Like the video? Check out my Patreon Page

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Jazz Guitar Insiders Facebook Group

Join 600+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.


6 Types of Easy 3-Note Arpeggios That You Need To Know

You should always try to learn new melodies that you can use in your solos. And in Jazz, Arpeggios are a great place to start.

In this video I will go over 6 different types of 3-Note Arpeggios which are really useful because they are 3 notes, so they are easy to study and also very easy to use in solos giving you a lot of material that you can use when improvising over a song.

An Arpeggio is a Melody and a Great Building Block

What a lot of people miss is that an arpeggio is really just a short melody. We think about what the notes are and what alterations and extensions it is over the chord, but you often forget to listen to it and just realize that knowing this arpeggio is really knowing a very strong melody that you can use in your solos.

If you play jazz and especially more modern jazz then knowing these structures is really something you need as a part of your vocabulary and you will find it everywhere in the playing of people like Kurt Rosenwinkel, Jonathan Kreisberg and Lage Lund.

The way I made this video is that I played a short solo on minor blues that I will take apart and talk about all the different arpeggios, give you some exercises and ideas on how to use it.

Content:

0:00 Intro – Arpeggios are Melodies!

0:52 The Minor Blues Example

1:42 Phrase #1 The Essential Triads

2:25 A few thoughs on Triads and Finding Triads for a chord

2:50 Practicing Triads and Inversions

3:26 Phrase #2 Quartal Arpeggios and Altered Dominants

5:11 How To Practice Quartal Arpeggios

5:51 Phrase #3 Shell-Voicings

6:43 Break up the groove with 4-note groupings

7:24 Exercise for Shell-voicings

7:42 Phrase #4 Quintal Arpeggios and Sus4 Triads

8:17 Sus4 Triads8:37 Quinatal Arpeggios Exercise / Message in a Bottle

9:04 Sus4 Triads on a 2-string set

9:40 The Two “Weird” Sus4 Triads (That Joe Henderson Knew)

10:25 Phrase #5 – Spread Triads

11:05 What are Spread Triads or Open-Voiced Triads

12:09 Technical exercises with Spread Triads

12:51 Phrase #6 – The Major b5 Triad (That you didn’t know you knew)

14:37 Move the b5 triads through the scale (as a 1 3 4 structure)

14:55 Thoughts on moving Interval Structures Through a Scale

16:02 Like the Video? Check out my Patreon Page!

Music Theory on Guitar Hour Podcast

I was a guest on the guitar hour podcast this week. 😎 

We are having fun disucssing some heavy Jazz Harmony with Dan Smith, David Beebee, Tom Quayle and myself!

It’s always great fun to hang out with these guys! I am hoping to get them on the channel as well!

The Topics

How to understand harmony, analyze chords and assign scales to them.

But also what types of tunes it works on and taking the melody into consideration.

Hope you like it!

Check it out here: https://buff.ly/2Sbtjz7 

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

How to Solve the “I Have no Practice Motivation” Problem

It is very difficult to keep motivated and figure out how to practice guitar so that you feel like staying with it. This is especially true if you practice and learn something complicated like Jazz Guitar. But you also know that you have to be consistent and dedicated to book improvements in your playing and develop you skills. If you don’t practice you probably will just end up in a vicious circle that will stop you playing all together.

In this video I am going to go over 5 things that helps me keep motivated and inspired to practice. Things that are coming from my own experience but also from having taught a lot of students and been around a lot of jazz musicians in general.

This video will give you some ideas to keep inspired and working and also some other perspective on what playing an instrument and playing music is about. Not all of these tips are really about the practice situation but about what else you do.

Hope you like it!

Content of the video:

0:00 Intro – Staying Motivated Why it is important

1:17 #1 Is You Practice Session Fun? How To Improve it!

2:24 #2 Check out Live Music – Get Inspired!

3:43 #3 Track You Progress and Keep Track of Your Work

4:56 #4 Play With Other People

6:28 #5 Taking Lessons

7:06 What Keeps You Motivated? Leave a Comment!

7:24 Like the video? Check Out My Patreon Page!

Join The Jazz Guitar Insiders Group

If you are on Facebook you should Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

The group is almost at 500 members and we have a lot of great discussions on Jazz, Guitars and everything related to that!

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

You can also download the PDF of my examples here:

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Donna Lee – Free Solo PDF

I was invited to participate in a jazz solo collaboration on the Jazz Duets channel by Nick Holmes. It is always fun to write solos and explore harmony so here is a 1 chorus Donna Lee Guitar Solo.

The idea was for  all 4 of us to compose a 1 chorus solo of only 8th notes (I decided to leave a few spaces though) and then play it and analyze it.

You can check out the video here:

Join Us on Facebook!

If you like this type of material and want to join a few hundred other Jazz Guitar Insiders then consider joining the new FaceBook Group:

It is a great community of people interested in Jazz http://bit.ly/InsidersFBGroup

Download the Free PDF of the Donna Lee Guitar Solo

You want to download the PDF you can do so here:

The GuitarPro version of this solo is also available via Patreon.

Reharmonization – Are you getting it wrong?

Chord Substitution and Reharmonization are Jazz topics that are very often discussed together but are actually not really the same thing. This video is going to go over how I think while creating new chord progressions and how I use my reharmonization jazz skills to create several chord progressions for the same song.

The emphasis is on how to come up with chords and 5 examples of how to reharmonize a Blues in F. I also talk about how I improvise over the progressions, what to play and why.

If you only think of music as one chord at the time then you are really missing out! Reharmonization is a great example of how that which is another thing I am trying to illustrate in this video.

Content:

0:00 Intro

0:20 Improvising WITH the chords not just over them

0:39 A Better approach than just thinking substitution

1:40 The Chord is always in a context not just a Chord Symbol

2:08 Standard F Blues

2:29 Parker Blues

3:19 Reharmonization #1

4:06 Analysis of the harmony

4:45 Some Solo Tips for this progression

5:05 Example #1

5:20 Reharmonization #2

6:02 Example #2

6:18 Reharmonization #3

7:00 A Strange A7

7:32 Example #3

8:11 Reharmonization #4 – Re-interpreting Bb7

8:54 Example #4

9:08 Using Pentatonics to play Reharmonization #4

9:33 Don’t Tell The Rhythm Section!

10:01 Reharmonization #5 – Another Chromatic idea

10:35 Example #5

10:50 Method to changing the chords

11:23 This as a Chord Melody?

11:37 Like The Video? Check out My Patreon Page?

NEW Jazz Guitar Insider FB Group

If you want to be a part of the community around the YouTube Lessons then you should join me and the other Jazz Guitar fanatics in the new Jazz Guitar Insiders Group: http://bit.ly/InsidersFBGroup

Be A part of the community

And of course if you join then I hope to hear from you what you are looking for in the group or on the YT channel. 

Let’s make it a great community for jazz guitar discussions and knowledge!

A place where there are other jazz enthusiasts, where you can:

  • Get feedback on your playing
  • Ask questions and get multiple answers and Input
  • Get Recommendations for great albums or concerts
  • Opinions and experiences with Guitar or Gear

And in time maybe it can go even further, who knows…

Jazz Practice Routine How To Find The Perfect Balance

If you have to make a 30 minute Jazz Practice Routine, what should you include?

We are all different so there is not one solution that fits everybody, but you don’t want to waste time, or leave out important things to practice.

In this video I am going to go over what I think a 30 minute practice session should include. I am of course a guitarist so it will be aimed at jazz guitar practice, but I am sure the philosphy and topics will fit all instruments. Some of the topics that I think are important for a jazz practice routine would be:

Technique, Repertoire, Exercises, Vocabulary, Theory, Ear-Training,
Transcriptions

I am really curious about how your practice routine is, so if you have a routine then please leave a comment with a list of stuff you work on. This is useful for people looking for inspiration and certainly also for you to evaluate how you work. I will do the same 🙂

Content:

0:00 Intro – A 30 minute Practice Routine

1:24 Technique and Warm-up

1:32 Warm up and Synchronization – 10 minutes

2:05 Arpeggios – Right hand warm up

2:31 Working out with Spread Triads (Steve Morse)

3:00 Technique – Musical Practice

3:19 My Basic Fretboard Visualization

3:41 Practice in all 12 Keys! (are there only 12 keys?)

4:08 Diatonic Harmony 4:40 Stay Flexible and Practice open-ended

5:43 Playing Music – 10 min

6:13 Play Songs and Put it all Together

6:47 What You Focus on and Learn

7:41 Ear Training – 5 min.

7:52 Moving Melodies through the scale

8:26 Using Apps or Computer Programs

8:50 Advantages to a schedule working with Apps

9:04 Transcriptions

9:28 Figuring Songs out from Memory

9:49 Vocabulary – 5 minutes

10:00 Use Composition and Create YOUR vocabulary

10:28 Share your Practice Routine! Give us some ideas!

10:50 Like the video? Check out my Patreon Page!