Category Archives: News

Updates from Jens Larsen – Jazz guitarist

New Book: Modern Jazz Guitar Concepts

It’s here! Really proud of the New book: Modern Jazz Guitar Concepts.

You can check it out on Amazon here: http://geni.us/Jens


Or on the Fundamental Changes website here: https://www.fundamental-changes.com/book/modern-jazz-guitar-concepts/ (here there is a PDF version for sale as well)

Huge Thanks to Tim and Joseph for helping shape it into a great book and some insight in Modern Jazz Guitar Vocabulary.

Funny that I can now add author to the list of things I do 😀

You can check out the book in more detail on Amazon and on the Fundamental Changes Website!

Is a Guitar Teacher Worth Your Money?

Is a Guitar Teacher worth your money? What is a good guitar teacher and do you need one? Those are some of the things I hope this video can open a discussion on.

I am also going to talk about what I think a good guitar teacher is and what the role of an instrumental teacher is. By now anybody can find songs, scales and chords with Google or YouTube, but is that really what you are paying for? Or is it really something else?

The discussions I see on this are really lacking a lot of information so I thought this video could be a good starting point.

Content

0:00 Intro – A lessons worth the money?

0:23 The Role of a Guitar Teacher Now

1:22 What You Don’t Need from a Guitar Teacher

1:44 Sources of Information

2:19 Is Information All You Need?

2:37 The Role Of The Teacher/1st Lesson

3:01 #1 What To Work On and The Order to work on it

3:45 A Good Teacher is…

4:35 Learning Process for Improvising with a Pentatonic Scale

5:21 Self-Taught with Methods

5:56 #2 Listen and Evaluate – Modal Example

6:30 Feedback with a Wider Perspective

6:46 How Useless Internet Feedback really is

7:44 What you Pay for

8:28 Feedback from somebody with more experience.

8:45 Examples of Jazz-Skills that are hard to pin-point for beginners

9:30 Other Styles of Music?

9:42 Trying to combine the info as a Teacher and a Student

9:59 Like the Video? Check out my Patreon Page!

3 ways to Solo over Chord Changes – Important Jazz Strategies

You want to Solo over Chord Changes and still play melodies that makes sense. This can be extremely difficult in the beginning. Most of us quickly realize that it is not just about hitting the right notes, it is also about the melodies that we make with those notes.

In this video I am going to go over some different strategies for making melodies over chord changes that I think you should work on and get into your playing. They will help you be much more free when you are soloing and also give you ways to practice playing over chord changes and still sound play a melodic solo.

Solo Over Chord Changes

Table of Contents

0:00 Intro – Solo Over Chord Changes

0:09 Playing Over Chords and sounding Melodic

0:29 The Three Strategies

1:20 #1 Transposing Motifs – What it is, What it helps you do

2:05 The Cliché example of this

2:28 How It Is Used In Compositions

3:00 What Transposing Motifs does not do

3:26 #2 Target Notes – How It Works and adds Forward Motion

3:54 Choosing Target Notes

4:13 Example of Line Using Target Notes

4:48 Another Set of Target Notes for the dominant

5:24 Pros and Cons of Target Notes

6:06 #3 Melodic Voice-Leading

6:51 A Basic example on a II V I

7:41 How To Practice and Use Melodic Voice-Leading

8:41 Two Examples of how it can work in a II V I line

9:33 All Three Techniques Are Useful

9:55 Like The Video? Check out My Patreon Page!

Why You Want To Write Your Own Jazz Licks

Playing Jazz is about learning a style and a language but it is also about finding your own voice.There are many reasons you want to write you own licks and work on your own vocabulary:

  • – You want it to sound good to you (and sound like you)
  • – Develop Your taste – figure out what you like and what you don’t like
  • – Learn How to Incorporate New things in to your Playing
  • – Practice coming up with Playable licks and material.

Composing Jazz Licks

In this video I will discuss these topics and while it is made with Jazz Guitar in mind it probably holds true for other instruments and styles as well.

Table of Contents

0:00 Intro – Why you want to write your own licks

1:08 Playing in time = Deadlines

1:44 Coming Up With Playable Lines

2:10 Example lick with a Drop2 voicing arpeggio

4:40 Learn How To Use New Material

5:11 Quartal Arpeggios Example

5:45 Three Variations

6:31 Develop Your Taste – Learning The Language

6:53 Listen to what you play – Did you like it?

7:23 Wes Montgomery Lick and variations

8:38 Make Vocabulary that Sounds like you want it to sound

8:56 Investigate what works together.

9:11 Example 1

9:47 Example 2

10:21 Like the video? Check out my Patreon Page

I Don’t Like Jazz Standards – Q&A with Brent from Learn Jazz Standards

Here’s a video Q&A with me and Brent Vaarstra from Learn Jazz Standards answering your questions! We cover quite a few questions and both Brent and I give our perspective on the questions which isn’t always the same.

Brent runs a great channel and PodCast with LJS he is certainly worth checking out. I have been invited as a guest teacher, but the list of interesting topics and teachers is very impressive. Learn Jazz Standards is a great resource for everybody trying to work on anything jazz.

Table of Content

0:00 Intro

0:49 I Don’t Like Jazz Standards

3:48 Sight Reading – Best Method

6:33 First Jam-session Advice

8:54 How To Remember Tunes

11:49 Short Daily Practice Routine

It was a lot of fun to do this Q&A and of course, Brent is a great guitar player and a very nice guy so check out his channel and the podcast!

The Q&A Video on Learn Jazz Standards

Learn Jazz Standards: https://www.youtube.com/user/Learnjazzstandards
LJS Website and Podcast: https://www.learnjazzstandards.com/

My Guest appearance on LJS Podcast: https://www.youtube.com/watch?v=eLSTWhMheU8

All The Things You Are – Harmonic Analysis

All The Things You Are is a great standard that we all need to have in our repertoire. In this video I am going to go over a thorough All The Things You Are Harmonic Analysis. Talking about how the song is constructed with Form, modulations, chord movement and scales for improvisation.

I also dedicate a part of the video to discuss pivot chords and how they work in modulation, and some of the subtleties we loose when we start turning the chords into jazz chords.

Being able to analyze harmony is a huge help in learning jazz standards and becoming a better improviser.

Table Of Contents:


0:00 Intro – All The Things You Are

1:44 The AABA Form

4:50 Analyzing First and Second A

6:55 Mediant Modulations

8:41 The Bridge

11:57 The Last A

13:20 IV IVm III bIIIdim

15:22 A few thoughts on #IV chords

17:26 Overview of the Keys of ATTYA

17:59 Modulations and Pivot Chords in Jazz

26:40 Scales for the chords

35:44 What we loose by adding extensions to the chords

37:41 Like the video? Check Out My Patreon Page!

Music Theory – The 3 things you want to Know

A thing that is never mentioned when it comes to Music Theory is that there is a basic knowledge you want to obtain and then the rest gets easier. There are things that you need to know and work on that will make the rest very simple when combining Music Theory, Jazz Guitar and Practice.

In this video I am going to talk about three things you can learn or train for your music theory that will help you build a foundation to have an easier time understanding chord progressions, extensions and voice-leading. I am also going to relate this to what you need if you are improvising over chords, since that is what I am using the theory for.

Instead of looking at voice-leading upper-structure triad pairs in Utopian b7 minor then you can easily build the basic knowledge to make all the other stuff easy to understand.

Table of Contents

0:05 Intro

0:45 #1 – Learn Your Scales

1:09 Why we use scales in improvisation

2:11 Learning the Scales – What to learn

2:58 How To Practice

3:31 #2 – Diatonic Chords and Harmony

4:04 Building Chords in a Major Scale

4:52 Diatonic chords makes it easier to Learn Songs

5:33 What You Want to Learn

6:10 Practice Tips

6:22 How To Play Changes (in 30 seconds)

7:10 #3 Relating Notes To The Root

7:42 Adding Extensions to an Ebmaj7

8:36 Why You Want to know the Extensions in the Scale

9:06 Extensions for another Chord – How it Sounds

9:56 Putting the 3 Things together in one overview

10:30 Like the Video? Check out my Patreon Page

How To Solo Over Fast Moving Chord Changes – Jazz Guitar

It is difficult to Solo Over Chord Changes, and especially if you are also playing a song with a lot of chord changes and a high tempo.

In this video I am going to discuss 4 things to keep in mind and how to practice so that you get better at improvising over chord changes. These are all important things that you need if you want to know how to solo over chord changes and play more difficult songs like Rhythm Changes, Giant Steps, Very Early etc.

Table Of Contents

0:00 Intro – Improvising over Fast Chord Changes

0:42 Splitting it up into smaller goals or topics

1:15 #1 – Technique

1:48 The Double Time Mistake

2:09 Practice Technique towards playing fast

3:02 #2 Know The Song Extremely Well

3:43 Checking if you do and working out the problems

3:56 #3 The Right Way To Practice

4:20 The right Tempo and the right type of playing

5:19 #4 Think Ahead

5:49 A Solid Method to work with this: Target Notes

6:21 Other Approaches to Train Thinking Ahead

7:09 Want to learn Giant Steps?

7:17 Like The Video? Check out my Patreon Page

Pat Metheny Is Not About The Notes, Are You?

This is not only a Pat Metheny Lesson. It is also a short discussion and a practical example of how most things that we hear in great solos are not complicated scales or concepts, but much more masterful and melodic improvisations with basic scales and arpeggios.

In the solo I go over some fragments from the Pat Metheny How Insensitive live from the Secret Story live dvd. It is a fantastic solo.

The solo can be found here: https://www.youtube.com/watch?v=y9SPR9eUIbk

And a transcription is available here: https://kupdf.net/download/pat-metheny-how-insensitive_598dfa35dc0d60e927300d1a_pdf

Table of Contents:

0:00 Intro

0:17 No Magic Just Playing The Song

0:40 Getting lost in Theory and Scale Choice

1:21 Pat Mehteny – The How Insensitive Solo

1:49 Why Pat Metheny is a great example for this

2:05 Not only The Lick

2:17 How much do scales really matter?

3:18 Example using Locrian Nat. 2

3:30 Example Using Locrian

3:50 Example Bringing out the Locrian Nat 2 sound

4:19 Solo Fragment 1

4:27 Playing Dm blues or Playing the Changes?

5:19 Solo Fragment 2

5:28 Scale Sequences and Triad Groupings

6:01 Breaking down the line

7:52 What makes this a great solo?

8:15 Keeping the Melody and the key in mind

8:47 Melodic Ideas

9:08 Dm Pentatonic scale?

9:57 Like the video? Check out my Patreon Page!

Very Early Guitar Solo – Fake Fake Fake B – Excerpt from a Jam

Here’s a part of a jam session with two friends. We are playing Bill Evans’ fantastic Jazz Waltz: Very Early – Guitar solo and then out theme..

As you can tell by the ending this is a jam session and not a rehearsal or a real band, but I really liked how it sounded and thought the ending was funny.