Category Archives: News

Updates from Jens Larsen – Jazz guitarist

Beautiful Chromatic Sounds And how to add them to Jazz Chords

When you solo in Jazz you use chromatic passing notes and enclosures all the time, it is really a part of the sound, and actually this is true for Jazz chords as well. There are many ways to use chromaticism in your comping or chord melody and it is a great way to add more movement and color to what you play.

In this video, I am first going to show you one way of adding chromatic passing chords that is pretty visual and easy to use and then later I am going to start creating chromatic melodies in the chords and this is a great way to get to know your chords a lot better and also gives you a lot of great-sounding options to add to your playing.

Get the PDF on Patreon:

You can get the PDF and GuitarPro files on Patreon here:  

https://www.patreon.com/posts/beautiful-sounds-38832611


Content:

00:00 Intro

00:47 Chromatic Passing Chords – Look where you are going

01:36 You can also move down a half-step

01:46 G7= G7(13) and Cmaj7 = C6?

03:02 Chromatic Chords in Context

03:43 Beyond Shifting Chord Shapes

05:14 Analyzing the voice-leading example

05:48 The Bebop Trick

06:58 Two Types of contrary motion

08:27 Suspending notes in the chord

09:40 Passing Chords And How To Sound Amazing With Them

 

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Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 5000+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then, please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases. 

Skills You Need To Develop – Important Jazz Exercises

You need to learn scales, arpeggios, and vocabulary to play solos and to get it to sound like Jazz, but there are other aspects of improvising a solo that you need to develop as well if you want to sound good.

This week, the focus is on some of the other essential skills you need to develop to become good at improvising Jazz. So it is not really about scales, arpeggios, and vocabulary. I take a standard and go over some of the exercises you can start to do to really learn how to become a better soloist.

The focus is on playing solos that:

  • Play real phrases
  • Make the solo one piece of music
  • Play what you hear

It takes more than just scales and arpeggios to play a great Jazz Solo

Get the PDF on Patreon:

You can get the PDF and GuitarPro files on Patreon here:    https://www.youtube.com/watch?v=yWECieJqQB0


Content:

00:00 Intro

00:22 The Song

00:34 #1 – Limit Yourself – 2 or 3 notes

01:14 Choosing notes for a solo

02:47Tips for doing the exercise

03:22 Challenge your Creativity

03:50What you improve in your playing

04:52 #2 – Motivic Development

05:59 Basic practice

06:42 Motivic Development on a song

07:10 Digging into the Harmony

07:21 Melodic Voice-leading

07:47 Rhythmic Displacement = Motivic Development

08:20 What You Learn

08:58 #3 – Improvise with chord tones

09:44 Two variations

09:47 #1 Arpeggios within one octave

10:27 #2 One Position

11:06 How to play over chord changes and make sense 


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Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 5000+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then, please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.  

 

 

How To Create Beautiful Chord Progressions

Functional Harmony is almost a secret weapon when it comes to reharmonizing or creating great sounding chord progressions. In Jazz, we sometimes forget that just understanding basic harmony is a very strong tool for creating new sounds, and in this video, I will show you how you can mess around with a simple II V I and get some fantastic results.

Get the PDF on Patreon:

You can get the PDF and GuitarPro Files:

https://www.patreon.com/posts/how-to-create-38458914

 

Content:

00:00 Intro

01:07 Diatonic Chords in major

02:14 Progression #1 – bVImaj7

02:49 Minor diatonic chords and Modal Interchange

05:00 Progression #2 – Tritone substitution

06:12 Don’t limit yourself to substitutions

07:03 Progression #3 – Ending in the Wrong Key

09:00 Understanding Modulation a Pivot Chords

09:34 Progression #4 – Another Dominant Alternative

11:20 Reharmonization with only Maj7 chords

11:34 Like the video? Check out my Patreon page.

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Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 700+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then, please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

 

Add Beautiful Colors And Fills To Your Comping

When you are comping Jazz songs then it is good to also change the textures you play, not always full chords but also fills and small polyphonic ideas. In this lesson, I am going to show you how to use intervals and counterpoint as a way of comping and as a way to add a new sound to the way you play chords. It will help you when you are comping but will also be great in a solo or in a chord melody arrangement.

Get the PDF on Patreon:

You can get the PDF and GuitarPro files on Patreon here:

https://www.patreon.com/posts/38217738

Content

00:00 Intro 

00:50 From Real Jazz Comping to Improvised Chords 

01:25 Reducing the Voicings – Example #1 

02:12 Reducing the Voicings – Example #2 

03:03 Intervals for fills and Block Harmony 

05:05 How to practice and explore the neck for this type of playing 

07:29 6th intervals and a Pentatonic trick 

09:14 Harmonized Arpeggios and more Pentatonic Chord Patterns 

10:44 Polyphonic Call-Response 

11:20 3-Note Voicings 

11:38 Like the video? Check out my Patreon page!

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 5000+ Other Jazz Guitarists 🎸 Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments, or suggestions for topics then, please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

This Is Why You Should Study Bebop

You have probably heard people say that you have to check out and learn Bebop in order to learn Jazz Guitar. That in itself can cause some discussion and I am not going to go into that too much in this Bebop lesson.

I think the point I want to make is more than studying bebop is a really efficient way to add what most of us consider Jazz sound to our playing. And there are some things that are just so great in Bebop that you really want to check out, so in this video, I am going to explore some amazing sounding lines that are so pure in that style and you want to know them as well.

I am also throwing in an unwelcome truth or two along the way.  

Get the PDF on Patreon:

You can get the PDF and GuitarPro files on Patreon here: 

https://www.patreon.com/posts/this-is-why-you-37990082

Content:

Content:

00:00 Intro 

00:44 Lick #1 – Bebop Voice-leading and How my solo sucked

3:03 Variation on Lick #1

3:56 What is the point of studying this

4:22 Do you have to become a Bebop monk? 

5:14 Lick #2 from Parker: Playing the arpeggio But not just running the changes 

5:50 Bebop scales – Creative vs Systematic?

7:02 Basic Arpeggios but very melodic!

7:44 Several voices in one melody

8:51 What should you practice? Maybe do what Barry Harris does!

9:54 Making A Similar Lick for Rhythm Changes 

10:45 Octave Displacement = INSTANT JAZZ!

11:01 Example 4 

11:59 Example 5 

12:26 Bebop is not about Scales 

13:09 Example 6 

14:21 Improve your phrasing and solos 

14:31 Like the video? Check out my Patreon page.

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 700+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then, please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.  

How To Make Music From Exercises And Practice Effectively

Getting from just practicing a scale or an arpeggio to the point where you can actually use it in music is quite difficult, and something that a lot of people struggle with. You want to set up your jazz guitar practice in a way that will actually help you get your exercises into your playing as something that makes your solos and improvisations better. That is what this video will teach you! In this video, I am going to go over a 3 step plan to show you how you can approach this and make sure that what you practice also makes it into your playing, and I am also going to discuss what types of exercises I think are practical and what you might better not waste your time on.

 

The Most Important Scale Exercise in Jazz

Let’s start with an exercise that you always want to work on anyway: Diatonic 7th chords. In the Key of C major, that would be this exercise: This is a great exercise that will help you connect chords to a scale and technique to the chords of a song. I have another video going into this exercise in detail which I will link to in the description so I won’t really dig into it here. There are a few practical things to get right if you are practicing something because you want to use it in your solos.

  • Don’t make the exercise too long or complicated
  • Make sure that it is something that you have a place to use
  • Don’t make it so difficult that you have to spend a year learning to play it.

#1 Don’t make the exercise too long or complicated

If you practice Triad pairs with chromatic enclosures on each triad then that is something you can only use on a piece with one chord for a really long time, and you have to think about whether that is really efficient for you.

#2 Make sure that it is something that you have a place to use

Practicing Quartal arpeggios in Melodic minor is not useful if you don’t play over chords using that sound.

#3 Don’t make it so difficult that you have to spend a year learning to play it.

If you have never practice arpeggios then don’t start with playing them with leading notes and as 8th note triplets, just start with playing arpeggios which are probably anyway more flexible.

Taking the exercise to a song or chord progression

I always find it surprising how few people play exercises on songs. It is such a great way to just get your scales or arpeggios into the context where you need them, and also to check if you have everything covered for the song you want to use it on. For this video, I am not going to use an entire song, I am just going to use  a basic turnaround in C Cut in – In the video I am using a very short chord progression, but it is really useful to have songs that you know really well to explore things on, and if you check then that is also something that a lot of players do. They have standards that they return to when practicing things to become comfortable and experiment with new material. Cmaj7 A7(b9) Dm7 G7(b9) In this progression, I am using the C major scale for Cmaj7 and Dm7, and I am using D harmonic minor and C harmonic minor for A7 and G7. And to add something new to our vocabulary then I am going to use the arpeggio from the 3rd of the chord. This is just to flex the music theory and fretboard knowledge a little. The Arpeggios we need: Em7 C#dim Fmaj7 Bdim   Played through the progression in a very basic way:   And to find some more material you can do the lower octave as well, even if that is not really there  for the Fmaj7 arpeggio: And of course, you can also combine the two and make an exercise that fills up the bar: For an exercise like this to be useful, you need to be able to play it easily and think about the next thing you have to play. It has to be in time and you can’t get away with stopping to think. At the same time, it doesn’t have to be super fast, a medium or slow medium tempo will work as long as it feels easy to play. Sometimes I hear students say that it is difficult to learn on a whole song, but if you want to use it in your solos then this is actually a fairly easy thing to learn.

Making music

Now we can play it on the progression and also hear how it sounds on the song, the next step is to start improvising and start to make melodies. The first thing to do is probably just to spend some time improvising with just the arpeggios. Then you can start to add the other things you use in your solos and really make the arpeggios a part of your material. In some cases, it may be useful to first compose or improvise in rubato to get the user to making melodies that mix arpeggios and use chromatic leading notes. Doing exercises like this is may seem like something you do when you want to learn arpeggios, but actually it is a great way to explore new vocabulary and really challenge your fretboard overview, things that you really want to keep developing in your playing all the time.

Take this to Jazz Standards and use it in Music

Jazz Standards – Easy Solo Boost

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Sign up for my newsletter – Get the II V I Ebook

Get the PDF!

You can also download the PDF of my examples here:

7 Ways To Make Arpeggios Sound Great In A Solo

It is difficult to combine scales and arpeggios and most of us struggle with arpeggios into music and to make it something that we really make music within our Jazz Guitar Solos. In this video, I am going to take you through a challenge, and you are going to figure out if there techniques for making lines or licks, that you don’t know or use. You can keep score and see if there is anything you want to add to your playing or develop further. So the focus is not really on learning new arpeggios but learning how to use them in your playing.

Get the PDF on Patreon:

You can get the PDF and GuitarPro files on Patreon here:   

https://www.patreon.com/posts/37744102

Content:

0:00 Intro

0:41 The Challenge

0:56 Making Lines and Inventing Names

1:10 #1 Adding Scale notes

1:45 #2 Using Related Arpeggios

2:02 Knowing A lot of Arpeggios is always good

2:21 Finding Related Arpeggios

3:55 #3 Chaining Arpeggios

5:00 #4 Cascades 

6:00 #5 Passing Chords as Arpeggios

6:56 #6 Octave-displacement

7:28 Analyzing the example

7:49 Example 2 

8:16 #7 Voice-leading

9:29 How Many Points did you get?

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 700+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then, please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Major Scales – This Is What You Should Practice

This question comes up again and again: “How do I practice the major scale” and it is important to get this right so you don’t waste time working on scales or miss important exercises. In this video, I am going to show you what I think you should include in your practice and also show you why with some musical examples. You want to get this right and not waste your time with this aspect of your routine so that you have time to learn to play as well and practicing this way will give you vocabulary too. I will also talk about why I find bebop scales to be a waste of time and bad for your creativity.

Get the PDF on Patreon:

You can get the PDF and GuitarPro files on Patreon here: https://www.patreon.com/posts/37499088

Practice Major Scales like this and You will get more out of it!

https://www.youtube.com/watch?v=GXIJdBWNyVQ&list=PLWYuNvZPqqcG_YgSiib6TzQ1sSupO84zf

The Most Important Scale Exercise In Jazz

https://www.youtube.com/watch?v=2Ze22BNftAA&list=PLWYuNvZPqqcFpoIE_ZZirjiWOp84yYbAS&index=10&t=0s

Joe Pass – From the Vault: https://open.spotify.com/album/6RRyVVMofYvprSf4fJViho?si=3w9kvUXzQGihQNsfwIzr4g

 

Content:

0:00 Intro

0:40 Basic Scale – Positions and systems are not that important

1:39 CAGED, Berklee, 3NPS?

1:59 What Types of exercises

2:24 Diatonic 7th Chord Arpeggios – Here’s Why!

3:27 Examples from Joe Pass and Kurt Rosenwinkel

4:44 Diatonic Triads

5:01 Pat Metheny and Grant Green

6:25 Diatonic 3rds – Make it more playable

7:23 Adding Chromatic Passing Notes to your exercises and vocabulary

8:00 Bebop Scales – Be Creative not Systematic

8:56 Add some variation and open up your playing with All the other things

9:10 Like the video? Check out my Patreon page

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 700+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Diminished Scale – How To Make Beautiful Lines

The Diminished scale is a scale that you have probably heard of and you know that it is a symmetrical scale and most of the time when people talk about using it then you get all these patterns that repeat. But for, the problem was always that melodies with repeating patterns like that don’t sound that great. Some people can make that work, but I always wanted a different sound with strong melodies that were not that predictable.

In this video, I am going to show you how I improvise using the diminished scale and talk a little bit about how I never really practiced the scale but focused on something else.

Get the PDF

You can get the PDF on Patreon here:

https://www.patreon.com/posts/diminished-scale-37229908

Content:

0:00 Intro

0:45 Basic: The Scale and How To Play It

1:07 F dim or G half-whole

1:55 II V I with a Dom7th(13,b9)

2:10 Symmetrical and that is great (and it sucks at the same time)

2:30 Finding Some Triads

3:14 What Colors Do You Get?

4:03 Practicing Melodies in the scale

4:25 Example Lick #1 – Triad Inversions

4:48 Example Lick #2 -G7(b9,#9,#11)

5:05 Triad Pairs – These are not all Triad Pairs

5:37 Improvisation Exercise with the 4 Triads

6:08 Minor Triads

6:43 Lick using Minor Triads

6:50 An Amazing Quartal Arpeggio (and a lick)

7:16 mMaj7 Shell-Voicings

8:01 Melodic Minor and Why It is Awesome!

8:14 Like the video? Check out my Patreon Page!

More Great Concepts for Dominant Chords

The 3 Hidden Arpeggios in Melodic Minor

Jazz Guitar Insiders Facebook Group

Join 5000+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

25 Arpeggios That Sound Amazing On A Dm7 Chord

You probably know that it is important to have a lot of options when you improvise, especially over a common chord like an m7 chord. In this video, I am going to show you a lot of arpeggios, how you can find them and how you can use them on a basic m7 chord.

The arpeggios work for this chord, but the method works for all chords. I am also going to show you how I use the arpeggios because that is, in the end, more important than knowing that they exist.

..and I will throw in a few strong and honest opinions on music and practice for free so you have something to disagree with in the comment section.

Check out more about Arpeggios

7 Great Jazz Licks And Why You Need To Know Basic Arpeggios

How To Use Arpeggios In Jazz – Important Skills

Get the PDF on Patreon

You can download the PDF and GuitarPro files for this video on Patreon here: https://www.patreon.com/posts/25-arpeggios-on-36964026

How to apply Arpeggios and Pentatonics to a song

Lady Bird – Arpeggios & Pentatonic Scales

Content:

0:00 Intro

0:41 7th Chords

1:54 The Mighty Triads

2:57 Strong And Honest Opinion: Arpeggio Choices and Modes

3:47 Sus4 Triads – The 3-note arpeggio hack (part 1)

4:59 Shell-voicings  (Thank You, Pat Metheny)

6:09 Quartal Arpeggios – The 3-note arpeggio hack (part 2)

7:18 Quartals and Sus4 triads

8:00 Strong And Honest Opinion: Inversions

8:24 Spread Triads – Make Triads Great Again

9:30 Quintal Arpeggios

10:18 Solo Tools for Maj7 Chords

10:28 Like the video? Check out my Patreon page

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

Jazz Guitar Insiders Facebook Group

Join 700+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via InstagramTwitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.