Category Archives: News

Updates from Jens Larsen – Jazz guitarist

3 Things You Need to Improve in Your Jazz Solos

The fact that you need to improve something in your playing is not the end of the world. In this jazz solo lesson, I am going to discuss how you are able to spot problems and realize that it needs work. Then you can start looking for a good strategy to fix issues and get you on the path to becoming a better Musician.

This Jazz Solo Lesson is a little philosophical and going over 3 very common problems that I come across with students and with my own playing. I also discuss some of the strategies that you can apply to help solve the problem.

Content:

0:00 Intro

0:12 Improving and learning is a part of playing Jazz

0:28 3 Common Problems and how you deal with them

0:52 #1 Overplaying

1:34 Good Taste?

2:15 A Solution (and Wes Montgomery)

2:58 Ideas for Exercises

3:28 #2 Timing – A problem with a few nuances

4:10 Authentic Re-enactment of bad timing

4:44 Ideas for Exercises and ways of working

5:40 #3 Playing The Changes

6:00 Identifying the problem

6:25 Ideas for exercises

7:24 Like The Video? Check Out My Patreon Page

Get your Timing and Practice sessions together

Rhythm is the most important part of Jazz, and a big part of having good rhythm is your ability to play in time and feel time. Check out some solid exercises in this playlist:

Metronome Practice – Tips and Tricks for Jazz Learning

If you want to check out more advice and ideas for your practice sessions and your journey to learn jazz guitar then check out this playlist:

Learn Jazz Guitar – Thoughts and Advice on how and what to practice

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

How To Learn a Jazz Standard – Important Exercises

Learning Jazz Standards is essential to learning jazz, in fact learning the repertoire is everything with any genre of music. There are of course many ways to go about this, but since it is important and you want to learn a lot of songs then it is also useful to do this in an efficient way.

The first time I started to learn a Jazz Standard it took me about two months, and there are better ways to do that how I did it. And that is what this video is about.

If you want to check out my other video on the 10 first Jazz Standards to learn, you can do so here: The First 10 Jazz Standards You Need To Know

If you want to check out some more videos on the topic of studying songs then check out this short playlist: Learning Jazz Standards

Content:

0:00 Intro

0:07 Learning Jazz is Learning Jazz Songs

0:28 Take a better approach than I did

0:44 A Method or a Checklist

1:10 #1 Pick A song

2:02 #2 Listen

2:29 Learning By Ear and using vocal recordings

2:54 #3 Analyze the Song

3:35 Join the FB Community

3:54 #4 Playing The Song

4:13 Play the music, not only exercises

4:31 #5  Pick a Position

5:12 #6 Learn The Melody By Heart

6:04 #7 Play The Chords

6:44 #8 Learn The Arpeggios

8:01 #9 Other Exercises

8:50 Like the Video? Check out My Patreon Page

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Jazz Guitar Insiders Facebook Group

Join 700+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

The Scale is NOT That Important – This is!

This isn’t really a jazz scale lesson. A lot of teaching and a lot of online discussions are about what scales to use on what chords, and of course it is important and also the topic of one of my most viewed videos: 3 Scales To Play Jazz

But in this video, I am going to talk about how we may be overemphasizing the scales and not thinking about what we really need and give you some examples of how a lot of the artists we admire may not be thinking in scales or modes that much, and what we should think about instead.

Focus on the song not the scales

When you are improvising you are playing lines that need to match the underlying chord sequence and relate to it. The scale you use will contain the chord, but sometimes it is not that important what else is in there.

First I am going to talk about how a lick or a solo follows the changes and then about how that makes some of the notes in the scale a lot less important.

Content:

0:00 Intro

0:11 Jazz Scales are not everything

0:30 Follow the examples of great players

0:43 How Solos Relate to the Chords

0:58 Example #1 – A lick that spells out the sound of a Gm7 chord

1:30 Why and how is it related to the chord

2:02 Example #2 – A Lick that uses the Gm7 with other chords

2:27 Hear the harmony without any backing

2:46 Splitting the Scale in Chord Tones and Extensions

3:14 Example #3 – Chord tones vs Extensions

3:48 Example #4 – Gm7 line that is thinking Chord Tones and leading notes, not just a Scale

4:17 Examples of Licks that are constructed only thinking chord tones and not the scale

4:31 George Benson Example and Analysis

5:02 How Pat Metheny suggest you work on this

5:39 Focus on the Chords and make strong melodies don’t worry too much about scales

6:06 What is important about a scale?6:19 Like The Video? Check out My Patreon Page!

How To Explore Scales in a useful way

If you want to see how you should approach scales in a way that you can use in music then check out this lesson:

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

Jazz Tone on Any Amp

Getting a good sound and finding the right jazz tone amp settings can be quite difficult. But you can get most amps to give you a pretty convincing jazz tone, as you will see in this video where I am joined by Joram Pinxteren at Legacy Studios where we test a wide array of amps and talk about the difference between the speaker and amp designs.

I would like to thank Joram and Legacy studios for being so kind in working with me on this video. It was a lot of fun checking out the amps and hanging out with Joram.

You should check out his work as a mixing engineer and producer which is pretty impressive!

Content:

0:00 Intro – Going To Legacy Studios

0:28 Say Hi To Joram 🙂

0:41 And The Amps

1:04 Vox AC30

1:38 The Reverb: Lexicon LXP-1

4:07 Marshal JCM800

6:40 An Epiphany: Marshall Low-input

7:46 Roland Cube 

8:15 Closed vs Open-back Speakers

9:53 Fender Princeton – reissue

11:27 Fender Tube Compression and Reverb?

12:30 Vintage Jazz Tones of Wes or Kenny Burrel

12:55 Fender overdrive

13:40 a 10″ speaker with a lot of bass.

14:37 Lab Series L5 – BB King, Holdsworth, and no Tubes!

18:12 The Multi-filter

18:38 The Compressor

19:25 Polytone 

19:41 Conservatory Polytone Anecdotes

How To Embellish Jazz Chords With Beautiful Chromaticism

A great way to add some surprising sounds to your Jazz Chords and comping is to add chromatic passing notes in the different voices but also as complete chromatic chords.

Using Chromatic passing notes is a part of jazz and we all know how the greats like Charlie Parker and George Benson use chromaticism in their solos. But you can also use this in your comping in several different ways to get some great sounds.

In this video I am going to go over some example of how you can add chromatic passages to your chords in a few different ways: in the melody, as inner-voice movement, and as complete chromatic passing chords.

When you start using chromatic notes in the melody and in voice-leading then sometimes you are going to come across chords that may seem out really of place but make perfect sense in the context. This is where we can let the melody over-rule all the rules we know about chords.

Expand your voicing Vocabulary

If you want to check out some more voicings that you can use and add these types of voice-leading and chromatic ideas then check out this video where I go over 9 types of very useful voicings that are common in Jazz.

Jazz Chord Voicings – The 9 Different types you should know

Content:

0:00 Intro – Chromaticisim in Chords

0:34 Passing Notes, Inner-voices, and Chromatic Chords

0:43 Melody is more important than Harmony!

1:08 #1 Top Note-Melody

2:06 Example 1 Slow  

2:14 #2 Inner-voices Polyphonic Chromatic Ideas

2:58 Common ideas on a Maj7

3:18 Example 2 Slow

3:28 #3 In-complete chords and Line-Clichés

4:05 Example 3 Slow

4:12 #4 Close voicings with chromatic passing notes

4:51 Example 4 Slow

4:59 #5 Chromatic Passing Chords

5:44 Example #5 Slow

5:51 #6 A Tritone Dominant as a Chromatic Chord

7:22 Example #6 Slow

7:33 Like The Video? Check out my Patreon Page

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

New Book: Advanced Jazz Guitar Concepts!

It is here! My New Book:

Advanced Jazz Guitar Concepts

In Advanced Jazz Guitar Techniques I provide more deep insights into the techniques and theory of contemporary jazz guitar. 

You’ll discover a practical, no-nonsense guide to jazz guitar topics that have mystified even experienced jazz musicians – such as effective soloing with triad pairs, applying quartal harmony, how to use altered scales, and much more!

Master the advanced guitar techniques and melodic concepts you’ve heard in the music of everyone from Charlie Parker and Wes Montgomery, to Kurt Rosenwinkel, Michael Brecker and Mike Moreno. 

What you’ll learn:

  • How to use tritone substitution more effectively in your playing
  • Chord and scale substitution ideas to create new sounds with scales you already know
  • How to use triad pairs from the Altered Scale
  • How to combine triads, arpeggios and scale runs to create melodic, modern-sounding licks that avoid clichĂ©s
  • Intervallic patterns to introduce exciting melodic leaps into your jazz soloing
  • The Augmented and Tritone scales and how to use them

Learn More

Here’s What You Get:

  • A step-by-step jazz guitar method that starts simple and adds layers of complexity
  • Perfectly notated examples with tab and studio-quality audio to download for FREE
  • A full-length blues with a solo analysis demonstrating all the concepts at work
  • Apply your knowledge to the most common progressions in jazz

You can get the Paperback on Amazon here: Advanced Modern Jazz Guitar

You Can also order it as a PDF on the Fundamental Changes Website here: Advanced Modern Jazz Guitar

I am so proud of this book. I think it really presents some information on soloing in with a more modern sound that is not really available anywhere else but is certainly a key ingredient for a lot of the Jazz Musicians of today.

Learn Jazz – Make Music!

Best regards,
Jens

Drop Voicings – How to Understand The Construction

Drop Voicings like Drop 2 and Drop 3 are very common in Jazz, and as a Jazz guitarist, you want to know and use them in your comping and chord melody arrangements. Especially Drop 2 voicings are very common in the playing of Wes Montgomery, George Benson and many others. In this video, I am going to break down how these terms work and how to construct drop voicings so that you have a better understanding of the voicing technique and can create your own drop voicings.

I will go over this and also give some examples of how the different voicings sound on a II V I. In the end, it is more important how they sound. It is maybe also interesting in itself how different they sound with the same notes just different voicings.

Content:

0:00 Intro – What is a Drop2 or a Drop3 voicing

0:24 Understanding Drop Voicings and how they sound

0:37 The Difference in Sound

0:50 #1 Drop2 – Wes Montgomery and George Benson

1:23 How We Assign Numbers to Voices in a Chord

2:00 Drop2 voicings

2:09 II V I Example with Drop2

2:25 #2 Drop3 

2:57  II V I Example with Drop3

3:18 #3 Drop 4

4:00  II V I Example with Drop4

4:14 #4 Drop2&4 – Allan Holdsworth

4:57 II V I Example with Drop2&4

5:17 Drop2&3

6:05 II V I Example with Drop2&3

6:19 Different Voicing = Different Sound

6:53 Like The Video? Check out My Patreon Page!

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

Why Reharmonization Is For You And How To Get Started

Reharmonization! I imagine the word itself sets off alarms for some people thinking: “Crazy Music Theory will follow” and there are going to be the weirdest examples of chord substitutions and bass-notes over triads with extensions.

But it isn’t that bad. Reharmonization is a great way to add variation to both your solos and your interpretation of a song, for example in a chord melody arrangement.

In this video I am going to give you some basic reharmonization ideas to use, it is pretty basic and stuff you might know already but not use like this or maybe have played examples off. The video is not going to make you the best arranger of our time but it will give you some things you can put to use in a lot of places and if you are only playing the basic changes all the time then starting to work on improvising with the chords could be just the thing you should do to get to a higher level.

Content

0:00 Intro

0:24 How Do We Use Reharmonization.

0:52 Playing with the Expectations of the Listener

1:25 #1 Major instead of Minor

2:17 Example on Stella By Starlight

2:37 Solo Example 

2:50 Hearing this in context – Timing and Placement in the form

3:25  #2 Tritone Substitutes – Using Complete II V’s

3:45 Example on There Will Never Be

4:30 The Effect

4:48 Solo example

5:06 #3 Parallel Minor Chords – Dim Chords

5:15 The Two Types of Minor chords

5:47 Example 1 – Dim to m7 – Someday My Prince Will Come

6:48 Recorded examples

7:18 Solo Example

7:28 #4 Parallel Minor Chords – Harmonized Bassline

7:33 The Progression that is reharmonized.

8:23 Example on Days of Wine and Roses

8:45 Using this in Melodies and Recorded examples in solos

9:20 Solo Example

9:27 Like the Video? Check out My Patreon Page!

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

3 Scale exercises You Need To Know And Use

Any scale exercise is a melody. When you practice scale exercises you are practicing playing a lot of similar melodies that you want to have in your ears and in your fingers so you can use them when you improvise Jazz Solos. In Jazz, Scale exercises are a part of building vocabulary.

This video covers some great melodic structures that you can practice as scale exercises and add to your vocabulary. I find that them extremely useful and you will also hear them being used in a lot of especially more modern jazz solos by people ranging from Michael Brecker via Peter Bernstein to Kurt Rosenwinkel.

Content:

0:00 Intro

0:32 Practice the things you need when You solo

0:50 Modern Jazz that’s 60 years old.

1:03 #1 Sus4 Triads

1:25 The Sound Of Rosenwinkel, Brecker and Mark Turner

1:32 Example Lick with Sus4 triads

1:49 Exercises

2:41 String-set Practice

3:34 #2 Quartal Arpeggios – Modal Jazz Sounds

3:52 Chords with Quartal Structures

4:08 Kurt’s solo on I’ll Remember April

4:34 3-Part Quartal Voicings and Sus Triads

5:12 Exercises with Quartal Arpeggios

5:58 Example Lick with Quartal Arpeggios – Chromatic Shifting

6:25 #3 Shell-Voicings – Mike Moreno and Pat Metheny

7:21 Exercises for Shell-voicings

8:15 Applying Shell-voicings

8:37 Example with Shell-voicings

8:41 Bonus: From Shells to open upper-structure triads

9:18 Spreat Triad Example

9:21 Arpeggios = Melodies

9:52 Like the video? Check out My Patreon Page 

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.