Category Archives: News

Updates from Jens Larsen – Jazz guitarist

Fretboard Visualization – How To Develop A Complete Overview

Using limitations to check and develop your Fretboard Knowledge.

In this video I am going to go over a way to practice that teaches you how to find material and use it everywhere on the neck when you are improvising. One thing is to practice all the things you need like scales and arpeggios in all positions. You also have to make sure that you get it to a point where you can use it in music. And ironically the best way to become free all over the neck is it to limit yourself to limit yourself to one position while playing a song.

For me this was an essential way of building my ability to move around the fretboard freely. I have, by now, spend a lot of time with this and still keep coming back to it to work out a bit on tunes I am studying. You can always find new things here and develop further.

Content:

0:00 Intro

0:22 Limit Yourself to remove your limitations

0:53 The Exercise – Practice to be Practical

1:28 The Four step process

1:51 #1 The Song/Progression

2:35 #2 Choose the Position

3:08 Be realistic and practical with position playing

3:14 Prepatory Exercises

4:33 Think in Long term goals

5:03 #3 Playing the Song

5:42 Solving problems you come across

5:57 How to Look for basic material

6:44 Be Practical!

7:54 #4 Creating Variations and New Material

8:43 Practicing while making music

9:00 Improvising only with Scale Movement

9:45 Like the video? Check out my Patreon Page

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Jazz Guitar Insiders Facebook Group

Join 600+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.


6 Types of Easy 3-Note Arpeggios That You Need To Know

You should always try to learn new melodies that you can use in your solos. And in Jazz, Arpeggios are a great place to start.

In this video I will go over 6 different types of 3-Note Arpeggios which are really useful because they are 3 notes, so they are easy to study and also very easy to use in solos giving you a lot of material that you can use when improvising over a song.

An Arpeggio is a Melody and a Great Building Block

What a lot of people miss is that an arpeggio is really just a short melody. We think about what the notes are and what alterations and extensions it is over the chord, but you often forget to listen to it and just realize that knowing this arpeggio is really knowing a very strong melody that you can use in your solos.

If you play jazz and especially more modern jazz then knowing these structures is really something you need as a part of your vocabulary and you will find it everywhere in the playing of people like Kurt Rosenwinkel, Jonathan Kreisberg and Lage Lund.

The way I made this video is that I played a short solo on minor blues that I will take apart and talk about all the different arpeggios, give you some exercises and ideas on how to use it.

Content:

0:00 Intro – Arpeggios are Melodies!

0:52 The Minor Blues Example

1:42 Phrase #1 The Essential Triads

2:25 A few thoughs on Triads and Finding Triads for a chord

2:50 Practicing Triads and Inversions

3:26 Phrase #2 Quartal Arpeggios and Altered Dominants

5:11 How To Practice Quartal Arpeggios

5:51 Phrase #3 Shell-Voicings

6:43 Break up the groove with 4-note groupings

7:24 Exercise for Shell-voicings

7:42 Phrase #4 Quintal Arpeggios and Sus4 Triads

8:17 Sus4 Triads8:37 Quinatal Arpeggios Exercise / Message in a Bottle

9:04 Sus4 Triads on a 2-string set

9:40 The Two “Weird” Sus4 Triads (That Joe Henderson Knew)

10:25 Phrase #5 – Spread Triads

11:05 What are Spread Triads or Open-Voiced Triads

12:09 Technical exercises with Spread Triads

12:51 Phrase #6 – The Major b5 Triad (That you didn’t know you knew)

14:37 Move the b5 triads through the scale (as a 1 3 4 structure)

14:55 Thoughts on moving Interval Structures Through a Scale

16:02 Like the Video? Check out my Patreon Page!

Music Theory on Guitar Hour Podcast

I was a guest on the guitar hour podcast this week. 😎 

We are having fun disucssing some heavy Jazz Harmony with Dan Smith, David Beebee, Tom Quayle and myself!

It’s always great fun to hang out with these guys! I am hoping to get them on the channel as well!

The Topics

How to understand harmony, analyze chords and assign scales to them.

But also what types of tunes it works on and taking the melody into consideration.

Hope you like it!

Check it out here: https://buff.ly/2Sbtjz7 

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

How to Solve the “I Have no Practice Motivation” Problem

It is very difficult to keep motivated and figure out how to practice guitar so that you feel like staying with it. This is especially true if you practice and learn something complicated like Jazz Guitar. But you also know that you have to be consistent and dedicated to book improvements in your playing and develop you skills. If you don’t practice you probably will just end up in a vicious circle that will stop you playing all together.

In this video I am going to go over 5 things that helps me keep motivated and inspired to practice. Things that are coming from my own experience but also from having taught a lot of students and been around a lot of jazz musicians in general.

This video will give you some ideas to keep inspired and working and also some other perspective on what playing an instrument and playing music is about. Not all of these tips are really about the practice situation but about what else you do.

Hope you like it!

Content of the video:

0:00 Intro – Staying Motivated Why it is important

1:17 #1 Is You Practice Session Fun? How To Improve it!

2:24 #2 Check out Live Music – Get Inspired!

3:43 #3 Track You Progress and Keep Track of Your Work

4:56 #4 Play With Other People

6:28 #5 Taking Lessons

7:06 What Keeps You Motivated? Leave a Comment!

7:24 Like the video? Check Out My Patreon Page!

Join The Jazz Guitar Insiders Group

If you are on Facebook you should Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

The group is almost at 500 members and we have a lot of great discussions on Jazz, Guitars and everything related to that!

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

You can also download the PDF of my examples here:

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Donna Lee – Free Solo PDF

I was invited to participate in a jazz solo collaboration on the Jazz Duets channel by Nick Holmes. It is always fun to write solos and explore harmony so here is a 1 chorus Donna Lee Guitar Solo.

The idea was for  all 4 of us to compose a 1 chorus solo of only 8th notes (I decided to leave a few spaces though) and then play it and analyze it.

You can check out the video here:

Join Us on Facebook!

If you like this type of material and want to join a few hundred other Jazz Guitar Insiders then consider joining the new FaceBook Group:

It is a great community of people interested in Jazz http://bit.ly/InsidersFBGroup

Download the Free PDF of the Donna Lee Guitar Solo

You want to download the PDF you can do so here:

The GuitarPro version of this solo is also available via Patreon.

Reharmonization – Are you getting it wrong?

Chord Substitution and Reharmonization are Jazz topics that are very often discussed together but are actually not really the same thing. This video is going to go over how I think while creating new chord progressions and how I use my reharmonization jazz skills to create several chord progressions for the same song.

The emphasis is on how to come up with chords and 5 examples of how to reharmonize a Blues in F. I also talk about how I improvise over the progressions, what to play and why.

If you only think of music as one chord at the time then you are really missing out! Reharmonization is a great example of how that which is another thing I am trying to illustrate in this video.

Content:

0:00 Intro

0:20 Improvising WITH the chords not just over them

0:39 A Better approach than just thinking substitution

1:40 The Chord is always in a context not just a Chord Symbol

2:08 Standard F Blues

2:29 Parker Blues

3:19 Reharmonization #1

4:06 Analysis of the harmony

4:45 Some Solo Tips for this progression

5:05 Example #1

5:20 Reharmonization #2

6:02 Example #2

6:18 Reharmonization #3

7:00 A Strange A7

7:32 Example #3

8:11 Reharmonization #4 – Re-interpreting Bb7

8:54 Example #4

9:08 Using Pentatonics to play Reharmonization #4

9:33 Don’t Tell The Rhythm Section!

10:01 Reharmonization #5 – Another Chromatic idea

10:35 Example #5

10:50 Method to changing the chords

11:23 This as a Chord Melody?

11:37 Like The Video? Check out My Patreon Page?

NEW Jazz Guitar Insider FB Group

If you want to be a part of the community around the YouTube Lessons then you should join me and the other Jazz Guitar fanatics in the new Jazz Guitar Insiders Group: http://bit.ly/InsidersFBGroup

Be A part of the community

And of course if you join then I hope to hear from you what you are looking for in the group or on the YT channel. 

Let’s make it a great community for jazz guitar discussions and knowledge!

A place where there are other jazz enthusiasts, where you can:

  • Get feedback on your playing
  • Ask questions and get multiple answers and Input
  • Get Recommendations for great albums or concerts
  • Opinions and experiences with Guitar or Gear

And in time maybe it can go even further, who knows…

Jazz Practice Routine How To Find The Perfect Balance

If you have to make a 30 minute Jazz Practice Routine, what should you include?

We are all different so there is not one solution that fits everybody, but you don’t want to waste time, or leave out important things to practice.

In this video I am going to go over what I think a 30 minute practice session should include. I am of course a guitarist so it will be aimed at jazz guitar practice, but I am sure the philosphy and topics will fit all instruments. Some of the topics that I think are important for a jazz practice routine would be:

Technique, Repertoire, Exercises, Vocabulary, Theory, Ear-Training,
Transcriptions

I am really curious about how your practice routine is, so if you have a routine then please leave a comment with a list of stuff you work on. This is useful for people looking for inspiration and certainly also for you to evaluate how you work. I will do the same 🙂

Content:

0:00 Intro – A 30 minute Practice Routine

1:24 Technique and Warm-up

1:32 Warm up and Synchronization – 10 minutes

2:05 Arpeggios – Right hand warm up

2:31 Working out with Spread Triads (Steve Morse)

3:00 Technique – Musical Practice

3:19 My Basic Fretboard Visualization

3:41 Practice in all 12 Keys! (are there only 12 keys?)

4:08 Diatonic Harmony 4:40 Stay Flexible and Practice open-ended

5:43 Playing Music – 10 min

6:13 Play Songs and Put it all Together

6:47 What You Focus on and Learn

7:41 Ear Training – 5 min.

7:52 Moving Melodies through the scale

8:26 Using Apps or Computer Programs

8:50 Advantages to a schedule working with Apps

9:04 Transcriptions

9:28 Figuring Songs out from Memory

9:49 Vocabulary – 5 minutes

10:00 Use Composition and Create YOUR vocabulary

10:28 Share your Practice Routine! Give us some ideas!

10:50 Like the video? Check out my Patreon Page!

Jazz Guitar Solo – This Is What I Think About

What do I think in a Guitar Solo? A Jazz Guitar Solo is not as much thinking as you may assume. In this video I improvised a solo, transcribed it and then I go over the solo discussing what I thought or about or what I might have thought about when playing the solo.

This should give you some insight into how I improvise and also maybe what you should not worry about when playing a song. Jazz is a genre of music that lends itself to over-thinking.

Some of the topics I go over is how and why I think certain things like altered dominants or motifs. I also talk about the construction and thought process behind double-time lines and some polyrhythmic ideas.

Content of the video

 0:00 Intro – What I think about in a solo

0:20 The Driving a Car Analogy

0:42 Solo and Transcription.

1:17 Out Of Nowhere – The Song and the Form

1:48 The Solo

2:43 The Beginning – How to start a solo

4:04 How Target notes are a part of my playing

5:18 Ab Blues in G major?

5:49 The Added C7(#11) chord

6:33 The Gmaj7 Gm6 trick

7:09 Bm7 E7 – Thinking an Altered Dominant

8:39 I am not Pat Martino (surprised?)

8:50 A Tonic minor sound on the II chord

10:14 The Lydian Dom7th: Eb7

11:03 Double Time Line

12:31 Using Blues G Phrases in Medium Swing

14:22 A Simple Motif through a few bars

15:53 Bm Pentatonic to C7(13)

16:33 The Bm7 chord as a II chord not a III

17:25 4th note Triplet Poly Rhythm- Groups of 2 (displaced)

18:45 The Final turnaround and the ending

19:50 Blues in Medium Swing (Joe Pass)

20:54 How Not To Think About What I do

21:15 Like the video? Check out my Patreon Page

Jazz Guitar Comping 3 Things You Want To Think About

In short you want to work on your Jazz Guitar Comping. It is probably what you spend the most time doing when you are playing in a band. It is also one of the best ways to develop your ability to interact with the people you play with which can makes your solos much much more interesting to listen to and add a complete other dimension to it.

There are ways of thinking about comping that will improve how you comp and in this video I am going to talk about how you

  • Connect with the band
  • Support the soloist better
  • Help the song become a musical story

Comping is a difficult art to teach in a lesson because it is about interacting with several people at the same time, but it is also a huge part of what you do as a jazz musician, and for me a big chunk of what I do for a living, both as a sideman and in my own band. It is also something that I love doing because the emphasis is on playing together with other people.

Jazz Guitar Comping – The Content

 0:00 Intro – Comping and what you need to learn

0:33 Overview of Focus areas

1:32 Jazz Guitarists Can’t Comp – Who to learn from

2:04 #1 Lock in With The Drummer

2:23 Understanding interaction and groove in a swing groove 

2:57 Don’t Clash with the Drummer

3:42 Is Good Comping Predictable?

3:58 Listen to great examples

4:35 #2 Listen To And Don’t Get In The Way of The Soloist

4:39 What is your goal when you are accompanying?

5:03 Interaction?

5:52 The #1 Rule of when to play!

6:38 Use your “Comping Ears” To Improve your own Soloing

7:31 #3 Give the Music Form, Dynamics and Variation

8:33 The Masters of making variation and development

9:35 Other examples of interaction and variation.

9:55 Take the Responsibility!

10:37 Any Advice? Leave a comment

10:50 Like the video? Check out My Patreon Page