Category Archives: News

Updates from Jens Larsen – Jazz guitarist

This Is The Exercise That Shows If You Are A Beginner

There is one exercise that you want to do to develop a lot of essential skills for playing jazz guitar. A way of practicing where you use and develop both musical and technical skills in your playing in a way that really internalizes them and helps you make music. Be warned: It is a Metronome Exercise!

In this video, I am going to explain why you should practice with the metronome on 2 & 4 and go over all the things you train in doing so: Timing, Ear-training, swing-feel, and playing changes

Content:

0:00 Intro

0:40 Practicing Songs The Right Way

1:19 Internalizing – It’s more than just timing

1:51 #1 Develop Your Internal Time Feel

2:46 #2 Develop your Swing Feel

3:00 Ear-training for Groove

3:33 Example – Just in Time

4:05 Example – Hearing A Groove

4:33 #3  Hear the harmony and the form of a song

5:00 Hearing the Harmony of a Blues

5:33 Getting Started With Metronome Practice

5:59 #4  Play clearer lines that spell out the changes

6:17 Why You Need To Spell Out The Changes

6:30 Blues In C – Hearing The Changes

7:19 Do You Practice with A Metronome?

7:38 Like The Video? Check out my Patreon Page

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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How To Get The Most Out Of Transcribing

The amount of improvement you can book by transcribing guitar solos or Jazz Solos and learning to play them is quite amazing. In this video, I am going to talk about how you can use the solos you transcribe to improve your Phrasing, Learn New Vocabulary, Connect your phrases and add a better build up to your solo.

Making your own transcriptions is a huge part of learning jazz, but often it is not so much about writing down the solo and a lot more about playing them and figuring them out by ear!

Content:

0:00 Intro

0:27 Transcribing – What You Learn

0:47 Transcribing – Do You Write It Down?

1:12 It depends on the focus and what you want to learn

1:44 #1 Learn To Play The Solo With The Recording

1:55 Phrasing!

2:27 How To Start Sounding Like Jazz, not Just Notes

2:39 Smart Phone – Swing Feel! ūüôĀ

3:15 Are These the biggest benefits?

3:27 #2 Learn New Vocabulary – Analyze The lines

4:01 Analyzing Lines and Melodies

4:53 #3 Analyze the Phrases

5:09 Zoom Out – Understand the Phrases

5:23 Wes Montgomery Example

6:47 A General Thing for Wes Solos that we miss

7:38 #4 Analyze the Form of The Solo

7:48 Zoom out (More)

8:05 The Form Of The Solo

8:16 Wes as an Example

8:37 Other things used in a larger form9:18 Like The Video? Check out My Patreon Page

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The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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The Best Way To Use Lydian and 5 Musical Ideas

You should have the Lydian Mode or Lydian Scale in your vocabulary. It is a beautiful and great sound that you can work into your guitar playing in a musical way as a great extra color.

When we think of Lydian then it is only about the #4 or #11 and you can’t make great melodies with just one note, so in this video, I am going over how to 5 ways you can make some great Lydian melodies and add those to your playing. That way you can really get started working on using The Lydian sound like a great extra color in your guitar solos

The Lydian Mode is often what I hear beginners say that they use because they think it sounds great to say that and actually they are just looking for a scale where they can run up and down the scale without thinking about it.

Content:

0:00 Intro

0:41 How You Should Use Lydian

0:54 A Bit of Context in a Chord Progression

1:38 Where to use it and How Often?

1:50 Example #1

1:54 A Great Pentatonic Solution for Lydian

2:47 Example #1 Slow

2:53 The Difficulty thing about how we think about Lydian

3:23 Example #2

3:28 A Lydian Triad Pair

4:54 Example #2 Slow

5:01 Example #3

5:06 A real Lydian Arpeggio?

6:01 Example #3 Slow

6:06 Example #4

6:10 Shifting Up An Arpeggio a 1/2 step

7:32 Example #4 Slow

7:56 Example #5

8:01 A great Sus4 triad and how to move it around in a melody,

9:36 Example #5 Slow

9:43 Like The Video? Check out my Patreon Page

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

That is not a Musical Exercise, I don’t like it!

You hear exercises being described as unmusical very often. But how much sense does it make to label a jazz guitar exercise as unmusical? When we practice then it is maybe more about looking at the skill we are improving than whether an exercise is musical or not?

In this video, I am discussing this and also going over some common misconceptions about different types of guitar practice like metronome practice.

Content:

0:00 Intro

0:19 Avoid Un-musical exercises?

1:05  Unmusical Exercise  Exercise #1

1:20 Unmusical like Pat Metheny

1:51 The Musical Exercise in a “Facebook video”

2:38 Skills involved

2:53 What is the point of an Exercise?

3:47  Unmusical Exercise #2

4:07 Benefits of Robotic Exercises

4:56  Unmusical Exercise  #3

5:07 How It sounds and What it is

5:40 What you learn!

6:57 Unmusical Exercise #4

7:08 Innovation is the tradition in Jazz

7:26 Just Try something!

8:01 What Is Your Opinion on Musical/unmusical exercises?

8:21 Like the video? Check out my Patreon Page!

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Jazz Guitar Insiders Facebook Group

Join 700+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Jazz Comping – How To Keep It Interesting

Jazz Comping and especially good jazz comping is not about knowing a million voicings. It is more about how you play the chords you know. The different ways you add embellishments or connect the voicings that make the difference.

In this video, I am going to go over a few different approaches and techniques that you want to add to your comping. This will help you have a wide vocabulary of techniques and options available when you a playing chords behind something else.

Content:

0:00 Intro

0:25 Focus on How you play not What You Play

0:47 Basic progression and why you should leave out the bass note

1:33 Top Note Melodies – How To Get Started

1:58 Turn you comp into a musical statement

2:47 Tying together a lot of voicings.

4:20 Arpeggiate The Chords

5:26 Chromatic Passing Chords

7:21 How To Add Fills

9:34 Inner-voice movement

11:03 Like the video? Check out My Patreon Page

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If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

The Exercises You Don’t Do, But You Really Need To

The Guitar Exercises we mostly talk about when it comes to learning Jazz is mostly about scales, arpeggios and hitting chord tones. In this video, I go over 3 great exercises that you can work on that will help you develop your soloing and your skills as a jazz guitarist that is not about the hippest scale or most outside arpeggio.

The exercises in this video will help you work on playing better melodies and playing a solo that tells a story, not just a bunch of licks next to each other.

Content:

0:00 Intro

0:09 What You Probably Work On

0:26 What You Should Work On

0:57 #1 Soloing with 3-Notes Per Chord

1:25 The Song and The Exercise

1:44 Getting Away From Dense Solo ideas

1:57 What You Develop with this exercise

2:25 Rhythm?

2:38 How I work with this on the progression

2:52 Choosing 3 Notes and thinking ahead

3:33 Limitation Builds Stronger Melodies

3:54 #2 Vocal Like Melodies

4:19 Maybe You Have A Better Name?

4:40 Every Note Counts

4:57 Things You Develop

5:15 The Pat Metheny Lick 😉

5:53 #3 Solo From The Melody

6:22 Improvising using the melody of the song

7:05 Back To The Roots

7:45 What You Learn From This Exercise

8:15 Limit yourself to expand your skill set.

8:35 A More Abstract way of using the melody9:02 Like The Video? Check out My Patreon Page!

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

Pentatonic Scale – How To Not Sound Like The Blues

The Pentatonic Scale can be great both as a way to get started playing jazz and also just some extra material that you can use as another sound if you are already playing jazz. But when you want to use The Pentatonic Scale in jazz you don’t always want to use blues licks. You want to play melodies that sound like jazz.

In this video, I am going to go over some exercises and show you how you can use them to get another sound out of pentatonic scales and create some modal and some II V I jazz lines. Pentatonic scales are a huge part of the vocabulary of people like Pat Metheny, Kurt Rosenwinkel and John Scofield.

Content:

0:00 Intro

0:15 Jazz Melodies with Pentatonic Scales

0:39 Who Uses Pentatonic Scales in Jazz

0:58 Example 1

1:02 The Basic Am Pentatonic Box

1:28 Analyzing the Example

2:14 Exercises  1

2:27 Making Variations on Exercise 1

3:23 Example 1 – slow

3:28 Using The Am Pentatonic Scale with other material

3:42 Example 2

4:02 Example 2 – slow

4:07 Example 3

4:10 What is really important about the exercises!

4:37 Exercise 2 – Construction

5:10 Exercise 2 – Demonstration

5:16 Analysis of Example 3

5:43 Example 3 – Slow

5:53 Example 4 – Using it in a II V I

6:11 Example 4 – Slow

6:36 Example 5

6:40 Flexibility in Practicing

7:04 Designing Exercises with Good Phrasing

7:18 Analysing Example 5

7:56 Exercise 3

8:38 Example 5 – Slow8:41 Like the video? Check out my Patreon Page

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

When Do You Know A Scale?

If you play Jazz Guitar then you will often be confronted with learning and practicing scales. The major scale, pentatonic scale or a jazz scale like melodic minor.

A big part of the vocabulary and the material that you use when you are improvising is linked to scales in some form or other and it is common to practice scales on a daily basis.
But of course, you want to also make sure that you can actually make music with it and think a little bit about how and what you practice

Content:

0:00 Intro

0:23 Jazz and Scales – What you Need and How to Learn It

1:00 #1 Learn To Play The Scale

1:07 Start with a Scale Position

1:47 How To Play The Scale – what is important

2:26 Connecting Positions

2:52 Next Level After Positions

3:26 #2 Music Theory

3:40 Learn The Notes(!)

4:14 The Basic Things You Need To Know

4:50 Finding the material available with Music Theory

6:08 #3 Making Music With The Scale

6:11 It’s not all exercises

7:23 Cmaj7 in G major example

8:14 Cmaj7(#11) identifying triads that are good upper-structures9:00 Like the video? Check out my Patreon Page

How To Learn and Practice Scales for Jazz Guitar

How do you practice and learn scales for Jazz Guitar? These videos go over different approaches and practice strategies with exercises for scale practice.

When you learn a scale on guitar because you want to use it to play jazz guitar and improvise then there are many things you need to know and some things that can make your practice more efficient. These videos will give you ideas on how to work on this and build a scale practice routine or strategy that fits your way of working.

You can check out more information over this topic in this playlist:

How To Learn and Practice Scales for Jazz Guitar

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

Melodic Solo – What You Should Be Practicing!

We often talk about whether a solo is melodic or not, but what does that mean and how do you practice towards playing more melodic? Most Melodic Solo Guitar Lesson videos talk about which notes to play, but it is actually more important to learn to think on another level and to find ways of connecting the things that you play.

In this guitar lesson, I take a look at some of the things that can make your jazz guitar solos more melodic. Demonstrate what is and isn’t melodic and give you some exercises to work with for adding a story, stronger overall sense of melody.

If you want some more ideas for what to practice and keep in mind when planning your practice schedule then check out this post:

Content:

0:00 Intro
0:24 The Level You Need To Take Songs To
0:48 Learning How to play melodies not just notes
1:15 Listen To Yourself – Be Creative
1:46 Example – A Bad Solo
2:08 The Process of Playing a Solo
2:30 A Story in The Solo
2:55 #1 Think in Phrases
3:32 #2 Call-Response
4:01 Example – Solo using Call-Response
4:24 Two Ways of Using Call-Response
4:34 1st –  Two Voices or a Conversation
5:43 Practicing Call-Response
6:34 2nd – More Subtle call-response
6:45 The Wes Montgomery Example
7:55 Practicing The 2nd Call- Response idea
9:14 #3 Motivic Improvisation
9:42 Motives From Darth Vader to Autumn Leaves
10:26 Example – Motivic Solo
10:48 The Three Note Motif from the solo
11:50 Motifs vs Call-Response
12:24 Motif Practice
12:58 How To Practice Motivic Improvisation
13:52 Like The Video? Check out My Patreon Page!

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

3 Unusual Maj7 Chords And How To Use Them

You want to have different choices when it comes to chords, also Maj7 chords. There is no need to play the same things all the time.

In this video, I am going to show you voicings and lines that demonstrate how you can use some other sounds on maj7th chords. Often we only focus on what to play on the V chord, but there are some really great sounds to explore when it comes to the good old (boring?) maj7 chord.

This will really help you add some more ideas and sounds to your vocabulary, whether you are using it for soloing, composing or arranging.

Content:

0:00 Intro
0:37 You Need Maj7th chords for everything
0:53 Example #1 – Maj7(13#5)
1:02 Lydian Augmented with a Twist
1:24 Understanding this Chord
2:00 Creating the Voicing and using it
2:28 Example #2 a line using this sound
2:36 Stealing an idea from Rosenwinkel
2:57 A great Triad Pair
3:21 Example #3 – Maj7(#9#11)
3:30 Modern Jazz or is it?
3:55 The Maj7(#9#11) – A polychord
4:05 Constructing the Chord Voicing
4:32 The Chord Progression
4:54 Example #4 – Placing it in a Scale5:03 Assigning a Scale to the Chord
5:17 Using the Poly-Chord as a triad pair
6:14 Example #5 – Synthetic Maj7th Chords: Maj7(#5#9)
6:24 Augmented Scale Chords
6:41 The Chord and the Progression
7:07 Chord Voicing and interpretation
7:16 Example #6 Р 
7:24 A Basic II V resolving to a weird I chord
7:50 The 3 Magic Triads in the Augmented Scale
8:17 Like the video? Check out my Patreon Page!

Check out this lesson for more information on The Augmented Scale:

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.