Chords and Walking Bass – part 1

In this lesson I’ll demonstrate how I approach playing walking bass lines and chords at the same time. This is a a way of playing that I use really a lot in situations where there’s no bass player, so mostly duo settings with a guitar player, singer or horn player.

The chords that I am using in this lesson are the shell voicings that I covered in this lesson:  Jazz Chord Essentials – Shell Voicings

Technique

The way I play this type of accompaniment is to use my right hand fingers and use my thumb for the bass line and the rest for the chords. In that way you have a different sound for the two parts and you split the hand naturally in a way that you can play two independent parts.

For me it the important part is the bass line, so I give that priority over the chords probably because I am always using it to accompany others. When I play the bass line I try to give the 2 and the 4  a slight accent and for the rest just have a legato and not too hard attack. I never spend too much energy on sustaining the chords, to me they are added colors but are not necessary to keep the flow of the music going.

The first 3 examples are a very simple II V I in C major.

Chords and Walking Bass lines - part 1 - Ex 1

In this example I am just playing the chord on the first beat of each bar, so that the combination of the bass and the chord is as simple as possible. The way I construct the bassline of these examples is very simple: The Root has to be on the one and the other notes are arpeggio notes except on the 4 where it’s a leading note for the new root if you start with this rule set you can make fairly playable and functional walking bass lines.

It is important to remember that bass lines are in fact improvised quarter note lines outlining the harmony.

Examples 2 and 3 are exercises using the same harmony but putting the chord in another place in the bar so that the chord can have more of a function in the groove.

Chords and Walking Bass lines - part 1 - Ex 2

The final example is more of a demonstration of what I might play on a blues in F so for ideas you can analyze it and of course it is also a good etude to get the hang of the sound of this type of playing.

The process for me in learning how to play like this was to sit down and figure out a few songs and then find more solutions for the whole piece so that I could start mixing it up and vary each chorus. This is probably the same way you learned playing chords on a standard too. So the try to analyze the lines that I am playing and try to move to other parts of the neck to play the same thing using the principles I talked about here.

As always you can download the examples as a pdf here:

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

You can also download the PDF of my examples here:

Chords and Walking Bass lines – part 1

Jazz Guitar Insiders Facebook Group

Join 600+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Liked it? Take a second to support Me on Patreon!