Jazz Scales can seem like a million options that you all need to learn in all positions and all chords, but there is a way to approach this that is a little easier than trying to learn all jazz scales in all modes. After all the Dorian mode is not as important as the Major or Minor key.
My Approach to Jazz Scales – Learn from the songs you play
In this video I am going to take a practical look at the chord progressions you will encounter and what scales over what chords you are going to need. I am also going to discuss how you apply the scales to the chords and practice in a more general way towards being able to use a scale over any of it’s diatonic chords.
Hope you like it!
List of content:
0:00 Intro — a myriad of Jazz Scales
0:20 Practice efficiently
0:50 Finding the scales by looking at the progressions
0:59 The Major II V I Cadence: Dm7 G7 Cmaj7
1:15 The II V I and the other diatonic chords
1:44 The Major scale it’s all you need from So What to Giant Steps.
1:57 The Minor II V I Cadence: Bø E7(b9) Am6
2:09 Adding Harmonic minor and Melodic minor
2:34 Secondary dominants and cadences
2:51 Secondary cadence to IV in C major
3:07 Secondary cadence to III in C major
3:27 IV minor variations
4:26 Diminished Chords the two types
4:40 Dominant diminished chord
5:04 Subdominant diminished chord
5:44 What is covered so far
6:06 The tritone substitute: Dm7 Db7 Cmaj7
6:23 The Backdoor dominant: Fmaj7 Bb7 Cmaj7
6:48 Double diminished or German Augmented 6th: Fmaj7 Ab7 Cmaj7
7:23 Cadences with other dominant choices: Altered and Harmonic minor
8:11 The three scales and where we need them — cutting away what we don’t need.
8:55 Getting this into your practice routine!
9:12 Scale practice suggestions and knowing the scales
9:40 Example of what works and what doesn’t work when improvising over an Fmaj7 in C major
10:59 The Bonus from practicing like this!
11:20 Learning the rest of the scales
11:58 Do you work with this system or do you have a better one?
12:36 Like the video? Check out my Patreon Page!