Here is an overview of my online Jazz Guitar Lessons. Most of them are also connected to a YouTube video lesson which you can find here: Jens Larsen on YouTube

I’ve tried to categorize my lessons, but some of them are both about chords and soloing concepts so it is a little confusing.

Improvising and Soloing

• F Blues Guitar Survival Kit – What You Need To Know
• Half Diminished Chords – This is how to use Quartal Arpeggios
• Bebop Guitar Licks With Powerful Arpeggio Hack
• Easy Autumn Leaves Chord Melody and Quick How-to-Play!
• 3 Arpeggios from the Diminished Scale (No Triads)
• Three Ways to Add Arpeggios to Your Jazz Guitar Licks
• Rhythm Changes – How You Use Chord Substitution for New Lines
• More Melodic Guitar Solos – Three Critical Techniques without Arpeggios and Scales
• 5 Sus4 Triads and the Perfect Maj7 licks you can make with them
• Odd Meter Soloing: Getting started with 5/4 – Jazz Blues in F
• The Reason Your Jazz Guitar Licks Suck and How you fix it!
• Advanced Pentatonic Ideas you Need for Fusion and Jazz Guitar
• Better Rhythms in Your Guitar Solos
• My secret arpeggio and 3 places I use it!
• Look Mom No Root! Jazz Chord Survival Kit Part 2
• From SCALE practice to JAZZ LICKS – Work towards Music!
• Picking Techniques beyond Alternate Picking
• Guitar Solo With Only Triads – Jazz Blues
• Modern Triplet Rhythms – Essential jazz rhythms and exercises
• The Pentatonic Scale for Dorian and Lydian You Forgot to Check out
• 3 types of Rhythm Changes licks you NEED to know – Bebop Guitar Lesson
• The Triad we never talk about – but we play it all the time!
• Pentatonic Scale for Altered Chords – Modern Melodic Minor Secrets
• Things You Never Use in Your Solos – Mixolydian
• Secret to play over Diminished Chords
• Things you NEED to know in Melodic minor
• 6 Triads for a Cmaj7 Chord (well 10 actually..)
• Lydian Dominant Licks – The Best Modern Arpeggios and Structures
• Bebop Jazz Guitar Licks – Classic Bebop Sound Decoded
• 5 Great ways to use a minMaj7 arpeggio
• Quartal Harmony on a Jazz Blues
• 5 Great Jazz Licks You Need to Know With The Dominant 7thb5 arpeggio
• 3 Awesome Ways from Music Theory to Music
• Writing Jazz Licks – The Best Way To Teach Yourself Jazz Guitar
• The Craziest Arpeggios & How You Make Beautiful Jazz Guitar Sounds With Them
• 3 Bebop Concepts and how to turn them into Jazz Licks
• Melodic Minor, Altered, Tritone Subs – Guitar solo on Solar
• 5 Chromatic licks – Chromatic Enclosures
• Great Dorian m7 licks – Secret ideas from Holdsworth, Metheny and more
• How Charlie Parker Licks can help you play better Jazz Guitar
• Modal Soloing – What You Are Missing!
• Reharmonizing II V I – breaking all the rules!
• Are you using your Maj7 arpeggios on these chords?
• 4 Dominants on one Chord! – You’ll never need another arpeggio
• Best exercise for jazz guitar chord solos!
• Don’t spend too much time on this exercise!
• Don’t sound the same all the time – Minor chords
• Refreshing and Easy II V I reharmonization
• 3 Altered Scale Arpeggios that you forgot to learn!
• Modern jazz arpeggio ideas – Melodic Interval Structures
• Chromatic passing notes – Instant Bebop guitar lesson!
• Sweep Picking Cascading Arpeggios – Upper-structure Chords
• Scary Vibrato! – Using Neck Vibrato
• 1 Pentatonic Scale over 8 Chords
• 5 Jazz Blues Licks in F
• How You Really Use an Am7 arpeggio
• Standard with Pentatonics – Satin Doll
• Whole-tone scale for outside playing
• Autumn Leaves – Soloing with arpeggios
• 5 Quartal Harmony licks
• Bb Jazz Blues – The Basics
• Triads of the Diminished scale – part 1
• 10 Arpeggios over a Maj7 chord
• Minor 6th Pentatonics on an F blues
• Create your own arpeggio shapes
• Triad pairs in the altered scale
• 5 Bb Jazz Blues licks
• Target notes on a II V I
• The Wrong Tritone Scale
• Playing Outside – Side-slipping
• Bb Jazz Blues Chord Solo
• Rhythm exercise on a Jazz Blues
• Do you really know the pentatonic scale?
• How to improvise over a minor II V I with arpeggios
• 10 arpeggios over a Dom7th chord
• How to practice your scales and why – Positions
• Making Jazz lines sound bluesy
• 5 ways to use motifs in your II V I lines
• Soloing over a II V I with Pentatonic scales
• How to Improvise with an Arpeggio
• Improvising and using Maj7#5 chords
• Triplet Rhythms – Part 2
• 10 arpeggios over a m7 chord
• Tritone Scale
• Minor 6th Pentatonic scale
• Rhythm Changes – Part 2
• Blue Bossa – Soloing with Arppeggios
• Soloing with Chords – Part 2 Minor II V I
• Triad Pairs – Part 2
• Triplet Rhythms – Part 1
• Drop2 Voicings as Arpeggios
• 10 Altered dominant lines
• The Altered Scale: Three Approaches
• Adding Chords to Single Note Lines – Part 2
• Triad Pairs – Part 1
• Rhythm Changes – Part 1
• F Jazz Blues Soloing
• Turnarounds part 3 – I bIII7 II Valt
• How to make lines on a III bIIIdim II V progression
• How to make 10 II V I licks with a Gm7 arpeggio
• 4th mode Harmonic Minor
• How to start soloing over a II V I with arpeggios
• Adding Chords to Single Note Lines – Part 1
• Turnarounds part 2 – I bIIIdim II V
• Motif Exercises – F Jazz Blues
• Turnarounds part 1 – I VI II V
• Improvising in 3/4
• Jazz Blues Chord Solo
• Making II V I lines with Odd Note Groupings
• Pentatonics part 3 – Arpeggios and Melodic ideas
• Sus4 Triads as Upper Structures
• Lydian Mode
• Tritone Substitution
• Across the Fretboard
• Playing a Jazz Standard with Pentatonic Scales
• How to use triads in solos
• Soloing with Chords Part 1
• The Augmented Scale
• Phrygian Chords
• Pentatonics part 2 – II V progressions
• Shell Voicings as Arpeggios
• Harmonic Minor Dominant Lines
• IV minor chords in a major key
• #IVdim suspension of the I chord
• Diminished Scale on Dom7th Chords
• Get More Out of the Licks You Already Know
• Jazz Blues Soloing using arpeggios
• Triplets in groups of 4 – part 1
• Open Triads in Solos
• Minor II V I Cadences
• Quartal Harmony in Solo lines
• Pentatonics Part 1 – Maj7 Chords
• Melodic Minor – Altered Scale
• Melodic Minor – Lydian Dominants
• Dominant 7th scale choices – part 1
• Maj7b5 Chords and Arpeggios – a powerful tool for superimposition
• Target Notes
• Melodic Minor – An Introduction
• Diatonic Arpeggios – Superimposing arpeggios and altered chords
• Diatonic Arpeggios – How to use and Practice them
• Using chords in Solos
• Playing over Changes with Arpeggios
• How to convert theory and technique exercises to solo lines
• The 3rd Messiaen mode
• Triad pairs for improvisation – part 3
• Triad pairs for improvisation – part 2
• Triad pairs for improvisation – part 1

Chords and Voicings

• Autumn Leaves Chords – 5 Useful ways to unlock Extensions
• How to use Drop 2 Chords on a Jazz Blues – Bebop Skill
• Allan Holdsworth Modal chords – You can add new textures to your comping
• Passing Chords – The 3 Types You Need for Comping and Chord Solos
• You Don’t Need That Many Chord Voicings, It’s How You Use Them
• What Jimi Hendrix can teach Jazz Guitarists
• Jazz Guitar Comping Rhythms – Exercise to make your own
• Allan Holdsworth Chords – Voicings and Inversions
• Modern 3 note voicings and voice leading – How to find new voicings
• Walking Bass and Chords on a Bb Blues – Jazz Guitar Lesson
• Drop2 – Tactics to Create Cutting-Edge Jazz Guitar Harmony
• Allan Holdsworth Chords on a Jazz Standard – Advanced Modern Chord Voicings
• Jazz Counterpoint – Discover New Harmonic Ideas
• F Jazz Blues Comping – Jazz Chords and Concepts – Guitar Lesson
• Melodic Comping – Stronger than voice-leading
• The Minor Chord You Never Use
• Walking Bass and Chords – Solar
• Bossa Nova Guitar patterns 2 – Partido Alto
• Bossa Nova Guitar patterns 1 – Blue Bossa
• Triads – Easy 3 note Jazz Chords
• Jazz Chords 10 variations of a I VI II V turnaround
• C Jazz Blues with triad voicings
• How to play Jazz Chords on Guitar
• III VI II V I with Triads
• Making Jazz Chords sound Bluesy
• Using the pentatonic scale as chords
• Drop2&4 voicings – Part 1
• Find New Jazz Chords with inversions
• Play a standard with 2 types of Drop2 chords
• Building chord voicings from 3rd and 7th
• Slash Chords – All major triads over bass notes
• Rootless Voicings – Part 1 – Triads
• First II V I chord voicing sets
• Developing Basic Comping Rhythms
• Endless new ways to play the same II V I voicings
• Jazz Chord Essentials – Drop 2 voicings part 3
• Jazz Chord Essentials – Drop2 voicings – Part 2
• Jazz Chord Essentials – Drop 2 voicings – Part 1
• Jazz Chord Essentials: 4 part Quartal Harmony
• Chromatic Chords – part 1
• Chord Melody: It Could Happen To You
• Phrygian Chords
• Jazz Chord Essentials – 3 note 7th chords part 2
• Minor Blues Comping
• Jazz Chord Essentials – 3 note 7th chords part 1
• Chords and Walking Bass – part 2
• Turnarounds – Comping
• Diatonic chords of the Pentatonic Scale
• Jazz Chord Essentials: 3 part Quartal Harmony
• Chords and Walking Bass – part 1
• Jazz Chord Survival Kit
• Jazz Blues Comping
• Jazz Chord Essentials: Open Triads
• Maj7b5 Chords and Arpeggios – a powerful tool for superimposition
• Jazz Chord Essentials: Triads
• Jazz Chord Essentials: Shell Voicings
• Jazz Chord Essentials: Drop 2 Voicings Part 2
• Jazz Chord Essentials: Drop 2 Voicings Part 1
• Overview of Drop2 Voicings
• Inverting Chords to get new voicings
• Comping lesson from Lewis Nash on YouTube

Technical Exercises

• 3 Pentatonic Scale Exercises You Never Played
• 3 Great Alternate picking exercises to help you play fast
• How to practice your scales and why – String sets
• 3 scale exercises you should know
• How to practice your scales and why – Positions
• Arpeggios in positions derived from 3 notes per string scales
• Practicing Scales through Changes
• Diatonic Arpeggios – Superimposing arpeggios and altered chords
• Diatonic Arpeggios – How to use and Practice them
• How to convert theory and technique exercises to solo lines

Chord Melody – Arranging for guitar

• Easy Autumn Leaves Chord Melody and Quick How-to-Play!

• Chord Melody for Guitar – Part 1

Walking bass and Chords

• Walking Bass Jazz Guitar Lesson on All The Things You Are
• Walking Bass and Chords on a Bb Blues – Jazz Guitar Lesson
• Walking Bass and Chords – Solar
• Chords and Walking Bass – part 2
• Chords and Walking Bass – part 1

Here’s the old chronological overview:

• How Joe Pass Makes Jazz Chords Simple & Easy
• Fake Counterpoint And Jazz Chords: Both Beautiful and Practical
• Jazz Comping – A Difficult Conversation With Aimee Nolte
• I Wish I Could Play Fast Jazz Solos Using This Approach
• Important (beginner) Jazz Advice: 5 Easy Jazz Standards To Start With
• I Wish I Had Checked Out This Guy! His Solos Are Jazz 101 On Guitar
• 5 Scale Exercises That Make It Easier To Learn Jazz
• Amazing Chord Melody Without Any Chords? So Beautiful That Nobody Cares
• The Best Way To Start With Jazz Chords: 2 Positions
• If I started Jazz Guitar In 2023 then this is what I would practice
• Is Your Improvisation Practice a Waste of Time? (And How to Fix That)
• 5 Simple Tricks That Make Jazz Chords Even More Beautiful
• This is Missing In Your Comping and Nobody Is Teaching It
• Which One Is The REAL Jazz Guitar?
• The Mistake Everyone Makes Learning Jazz Guitar
• This Jazz Blues Solo is Perfect And Nobody Is Talking About It
• 3 Ways To Fix Your Chord Progressions To Be More Interesting & Beautiful
• The Biggest Problem With Scale Positions and How They Can Ruin Your Progress
• 5 Of My Favorite Bebop Shortcuts To Fix Your Jazz Phrasing
• The Problem With My Vintage Gibson
• How To Use Outside Playing – A Few Secrets And Some Important Advice
• 3 Goals That Block Your Progress Learning Jazz Guitar
• The Most Important Scale For Jazz
• Make Your Jazz Chords Sound Amazing (for normal people)
• 3 Reasons You Will Regret Not Working On Chord Soloing
• The Most Beautiful Jazz Chords And How You Use Them
• The Best Advice I Ever Had For Playing Fast Tempos
• Pentatonic Chords are Magic! Amazing New Way To Use The Scale!
• Why Chord Substitutions Are Holding You Back!
• Stop Being Lazy With Your Triads (Jazz Guitar Secrets)
• You don’t NEED a Guitar amp!
• How The Pros Think About Chord Progressions (and you probably don’t)
• Why Barry Harris has the Best Method for Chromatic Notes
• The Diminished Chords – Why They Are Great!
• The 5 Skills That Make You Great At Comping
• No Bending In Jazz, Please!
• The Basic Jazz Chords That You Can Expand into Amazing Sounds
• How Chord Melody Will Help You Master Important Skills
• 3 Stupid Mistakes You Should Avoid When Learning A Jazz Standard
• Is Reading Music Important For Learning For Jazz?
• Jazz Chords – Drop2 is a Powerful Tool
• The Real Secret About Chromatic Phrases And Great Jazz Licks
• Jazz Chords – Easy To Advanced in 5 Levels
• This Solo Exercise Changed Everything
• 5 Things That Stop You From Learning Jazz
• 7 Guitar Skills That Pay Off Forever
• The Truth About Avoid Notes and Target Notes
• Overlooked Barry Harris Wisdom That Is Amazing Advice For Jazz
• Most Important Skills For Jazz Chord Tones on a II V I
• Jazz Chords – You Can Make It Simple And Unlock Amazing Sounds
• 3 Music Theory Exercises That Actually Help You Play Better
• Get Scale Practice Right And It Will Boost Your Playing
• 10 Levels of Turnarounds – Unlock Amazing Jazz Chord Progressions
• How to Make Jazz Chords Sound Great For Any Progression
• Bebop Without Scales And Why You Need This Skill
• 5 Licks That Will Help You Understand Jazz Guitar
• Triads – You Are Missing 3 Skills In Getting The Most Out Of Them
• Minor Chords – Unlock Some Beautiful Jazz Chords In Your Music
• Is This Jazz Guitar Method Fantastic and Terrible At The Same Time
• What Is Effective Jazz Practice And Are You Wasting Your Time
• An Amazing Exercise For Jazz Chords (And Your Playing In General)
• This Is Ruining Your Jazz Solo – A Powerful Bebop Breakthrough
• Great Jazz Tone On A $250 Amp?
• 3 Things that Ruin Your Jazz Practice And Stops Your Progress
• Jazz Chords And The Best Way To Think About Them
• My 7 Best Jazz Licks with Only Four Notes
• The 10 Bebop Skills You Want To Master
• 5 Habits To Help You Learn Jazz Faster
• New Beautiful Jazz Chords With This Powerful Triad Strategy
• 10 Classic Charlie Parker Licks That Will Make You A Better Player
• A Simple Jazz Blues Approach That Makes You Sound Better
• 3 Reasons Wes Montgomery Is Amazing And Worth Checking Out
• For Any Jazz Lick You Need To Understand These 3 Things
• 5 Reasons You Fail To Learn Jazz Standards And Simple Ways To Fix Them
• The 5 Types of Dominant Chord You Want To Know
• An Overlooked Skill That Will Give Your Jazz Solos A Massive Boost
• The Great Thing About Pentatonic Scales For Jazz And How To Use Them
• From Basic Jazz Chords To Beautiful Comping
• The Great $400 Guitar I Used On 5 albums
• Jazz Blues – How To Solo Only Using Triads And Why It Is Powerful
• These Scale Exercises Are Immediately Great Jazz Licks
• The Most Important Music Theory And How It Helps You Play Better
• Jazz Beginner – 5 Myths That Waste Your Time
• How To Write Great Jazz Vocabulary And Learn From Charlie Parker
• 3 Reasons Your Comping Sucks and How To Fix It
• A Simple Way To Make Amazing Jazz Licks On A Single Chord
• Which Jazz Skills Do You Need To Play a (GREAT) Solo? (beginner To Advanced)
• The 5 Bebop Facts That Will Help You Learn Faster
• 5 Easy Solos to Learn By Ear and Boost Your Jazz Guitar Skills
• What Really Makes Your Jazz Solo Sound A Lot Better
• 5 Levels of Walking Bass And Chords – A Great Comping Approach
• 10 Patterns That Sound Great On A C7 Dominant – Beautiful Sounds
• An Amazing Recipe For Jazz Guitar Licks Everyone Should Know
• Jazz Phrasing – The 3 Simple Things That Will Make You Sound Better
• 5 Jazz Guitar Tips That Will Save You Years Of Practice
• How To Play Outside – A Few Great Jazz Solo Secrets
• Make it Easy To Learn Jazz Standards – Important Chord Progressions in Minor
• How To Explore Jazz Chords – A Better Approach
• The 5 Reasons You Are Not Getting Better At Jazz Guitar
• 3 Important Exercises for Jazz Guitar Beginners To Get Started
• Why You Need To Learn Bebop Themes If You Want To Play Jazz
• Stay Inspired In Your Practice – A Solid Jazz Solo Survival Guide
• 5 Easy Jazz Solo Exercises That You Want To Know
• Guitar Practice – Top 5 Super Useful Apps
• The Two Reasons Triads Are Amazing For Jazz Solos
• How To Go From Scales to Great Jazz Phrases
• The Solos You Want To Learn By Ear To Play Better Jazz Guitar
• Jazz Chords – A Simple But Amazing Solution You Want To Know
• A Simple Jazz Solo Skill You Want To Master
• A Better Focus For Alternate Picking – Getting The Exercises Right
• Bebop Magic – One Of The Best And Most Difficult Things About Jazz
• Chord Melody – 5 Beautiful Methods You Want To Know
• 7 Easy Jazz Standards In Minor You Need To Know
• The Best Triad Exercises – How To Get The Essentials Right
• The 3 Bebop Licks You Need To Know
• How To Make 4 Chord Vamps That Sound Great
• 3 Things That Make You Sound Better Comping A Jazz Blues
• Jazz Beginner Mistakes – How To Learn Scales
• The Most Important Melodic Minor Modes In One Song
• Jazz Blues – You Need To Know Triads!
• What Really Makes It Sound Like Jazz?
• Beautiful Jazz Chords That Make You Less Boring
• Comping A Jazz Standard – This Is How To Get Started
• Melodic Minor – How To Make Minor Blues Sound Amazing
• Jazz Blues – 3 Easy Techniques That Make You Sound Better
• Triplets Can Make Your Jazz Solo Sound Amazing
• How To Make One Arpeggio Into 25 Great Jazz Licks
• Easy Way To Make Your Jazz Chords Sound More Interesting
• Why This Is The Most Important Scale Exercise In Jazz
• 5 Jazz Chords You Need To Use More
• Simple Things To Play On A C7 That Sound Great
• How To Make Your Comping Rhythms More Interesting
• Practicing Scales – This Is Something Not To Miss
• II V I – You Need To Practice This For Solos
• Chord Solos – You Can Make It Easy Like This
• Arpeggios – Things To Get Right From The Beginning
• How To Make Your Own Bebop Licks
• Coltrane Patterns -Why They Are Amazing
• Bossa Nova Guitar Patterns – 5 Levels You Need To Know
• 3 Simple Bebop Tricks You Can Make Great Jazz Licks With
• Minor II V I – 3 Levels You Want To Know
• 25 Arpeggios That Sound Amazing On A G7 And How To Use Them
• Simple And Easy Approach To A Minor 2 5 1
• Autumn Leaves – How To Use Drop 2 For An Easy Chord Melody
• Triads And How To Make Great Lines With Them On a m7 Chord
• A Great New Sound In Your Jazz Solo
• How To Make It Sound Like Jazz – Great Embellishments
• The Most Important Solo Tools For a Half Diminished Chord
• Chord Solos – How To Get Started The Easy Way
• 5 Pentatonic Scales That Are Great On A Maj7
• 5 Basic Jazz Chord Exercises That You Want To Know
• 5 Exercises That Will Boost Your Technique And Practice
• Jazz Blues Chords – How To Make It Sound Like Jazz
• The Magic Arpeggio Solves A LOT Of Problems
• Harmonic Minor Is Amazing On These 3 Chords
• This Is A Great And Easy Recipe For Jazz Licks
• The Most Important Solo Tools For A Maj7 Chord
• Rootless Jazz Chords – This Is What You Want To Know
• Tritone Substitution Is a Really Great Hack
• How To Make Jazz Blues Licks – The Best Ingredients
• Jazz Phrasing Techniques – How To Get A Better Jazz Flow
• How To Make Jazz Licks From Easy Chord Shapes
• Passing Chords And How To Sound Amazing With Them
• Amazing Little Solo Exercise That You Don’t Want To Miss
• How To Learn Drop 2 Jazz Chords The Right Way
• Jazz Chord Magic On Take The A Train – This Is How To Use Triads
• This Will Make Your Jazz Licks 10x Better
• 7 Great Jazz Licks And Why You Need To Know Basic Arpeggios
• This is Why Melodic Minor Is Awesome
• Great Chord Sequences And How To Use Them In A Solo
• Fretboard Challenge! 12 Licks in a Single Position
• 3-note Jazz Chords -This is Why and How To Use Them
• You Need To Practice Developing Phrases in Your Solos
• Comping Rhythms – 10 Examples You Need To Know
• Triads – How To Use This Powerful Tool In Your Jazz Solos
• The Real Magic of Jazz Chords – Easy & Amazing
• How To Sound Like Jazz – It Is All Phrasing
• Chord Fills and a Great Pentatonic Trick on the Guitar
• Drop 2 Magic On Satin Doll – This Is How To Use Jazz Chords
• Bebop Soloing – The Licks You Need To Check Out
• How To Use Arpeggios In Jazz – Important Skills
• Drop2 Voicings – How To Make Them Musical Building Blocks
• Chord Solo – How To Make Melodies and find chords
• Jazz Blues – How To Get The Phrasing Right
• Jazz Chords – Here Is Why You Want To Make Inversions
• How To Make Jazz Licks More Exciting
• 3 Easy Bebop Licks – How To Sound Like Jazz
• The Magic Chord – 10 ways to Use this Amazing Jazz Chord
• Did You Do This With Your Favourite Jazz Lick?
• 10 Great Chromatic Ideas in Jazz Licks (Easy to Weird)
• You Need To Practice This If You Want To Play Jazz
• How To Learn Jazz Guitar – Suggestions To Begin Studying
• 10 Easy Jazz Licks – How To Sound Like Jazz
• The Great Thing About Jazz And Arpeggios
• Rootless Jazz Chords – 15 Beautiful Examples You Need To Know
• What Makes This Sound So Good and How To Play Like That
• Altered Scale – The Most Important Things to Know
• How To Solo Over Chord Changes The Right Way
• 15 Minor II V I – Beautiful Jazz Chords You Need To Know
• How To Make A Set Of Solid Jazz Chords on Autumn Leaves
• How To Add Bebop Embellishments To Your Licks
• Do this Every Time you Learn a New Jazz Chord
• How to Improve your vocabulary of Jazz Rhythms
• 3 Things You Want To Know In All Keys And Positions
• How to Use the Blues in a Jazz Solo
• 25 Jazz Guitar Exercises – How To Improve Skills In A Musical Way
• 3 Great Ways To Use Arpeggios In A Solo
• Great And Simple Way To Make New Jazz Licks
• John Scofield – Some of the Greatest Double Time Lines I Know
• This Is How You Should Use Scale Exercises
• How to Use Chromatic Ideas in Jazz Licks The Right Way
• 3 Things You Need To Know For Chord Melody
• Joe Pass – How to Keep Solos Interesting
• Do This To Improve Your Fretboard Knowledge
• Sonny Rollins – Things You Need To Know About Jazz Blues
• Triads – How To Make Them Jazz Chords
• Herbie Hancock – This is What Modal Jazz Really is
• The 3 Things You Need To Add To A Lick To Make It Sound Like Jazz
• Joe Henderson – Why He Is One of the Big 3
• Jazz Chords – The 3 Levels You Need To Know
• How To Stop Just Playing Scales In Your Jazz Solos
• Oscar Peterson – How To Play Piano Blues Licks on the Guitar
• The Most Important Scale Exercise In Jazz
• Block Chords – The Ultimate Jazz Guitar Challenge
• Grant Green Amazing Bebop On The Guitar
• Minor II V I – Getting The Most Out Of The Basics
• Bill Evans – How To Get Your Rhythms To The Next Level
• Jazz Rhythm – The Most Important Aspect of Jazz
• Doug Raney – The Best Solo If You Want To Learn Bebop?
• m7 Chords – How to use Quartal Harmony in a solo
• Barney Kessel – How To Make A Bebop Solo Catchy
• Melodic Minor – How to Make Beautiful Lines
• Kenny Burrell – You Want To Be Using Blues Like This
• Jazz Comping – Intervals is the (Beautiful) Simple solution
• Jimmy Raney – This Is A Great Way To Make Beautiful Lines
• Jazz Licks on a Maj7 chord – How To Sound Like Bebop
• Jim Hall – Ingredients Of The Best Solos
• 2 5 1 – How To Solo with Diatonic Arpeggios (the most important approach)
• Pat Martino – How to Play Powerful Bop Lines
• 5 Charlie Parker Licks – This is How To Play Bebop Blues
• John McLaughlin – How To use Atonal Ideas on the Blues
• Beautiful Jazz Chords That You Never Played
• Kurt Rosenwinkel – How To Make Interesting Lines
• Easy Jazz Licks – How To Use The Pentatonic Scale
• John Scofield – How To Mix Bebop And Pentatonics
• Learn A Jazz Blues Chord Melody – How to play Solo Guitar
• Chet Baker – How To Make Bebop Lyrical
• 5 Comping Exercises for Jazz Rhythm on the Blues
• Charlie Christian And The Unusually Modern Arpeggios
• 5 Jazz Blues Licks – How to use Transcribed ideas
• Wes Montgomery – How to make Simple sound Amazing
• 2 Arpeggios and How to make 15 Great Licks with them
• Allan Holdsworth – This Is How He Uses Arpeggios In A Solo
• Triads on a G7 – The Most Important Solo Tool
• Mike Moreno – How To Think Ahead in a Solo
• Chord Melody – The 2 Positions You Need to Know
• Kenny Burrell – How to Make the Blues Sound Outside
• Jazz Guitar Licks With No Scales – This Is Why Its Great
• Joe Pass – How to Make Bebop Melodic
• How to Play Fast & Difficult Jazz Guitar Phrases
• George Benson – This is The Best Jazz Blues Solo I know
• Jazz Blues Comping – Drop2 Chords You Need To Know
• Peter Bernstein – How to be Musical in a Modal Context
• Barry Harris Scale Exercise on an F Blues
• Chord Melody – This is How To Play Solos
• Ben Monder – This is How to Interpret a Standard
• Jazz Phrasing – This is what you want to know
• Emily Remler – How To Reinvent a Standard
• Economy Picking Licks – This is my solution to the Problems
• Gilad Hekselman – This is The Blues (and a lot more)
• Autumn Leaves – When You Only Use Pentatonic Scales
• Rene Thomas – Is This an Overlooked Bebop Hero?
• Triads – 5 Easy Exercises for Better Solos
• Pat Metheny – This is What Jazz Blues Should Be
• Minor Blues – 5 Important Sounds To Know and How to Use Them
• Adam Rogers – This is how to use Triplet Rhythms
• 5 Chromatic Licks – This Is The Way You Use Them In Your Playing
• Tal Farlow – This Is Cutting Edge Bebop
• 8 Awesome Types Of 3-Note Chord Voicings And How To Use Them
• Ed Bickert – A Jazz Guitarist You Need To Know About!
• Lydian Dominant – 10 Licks – What is the Best Arpeggio?
• Mike Stern – What is The Best Mix of Bebop and Rock?
• Herbie Hancock Voicing = Awesome Huge Arpeggio on Guitar
• Bill Frisell – How He Plays Surprising & Beautiful Things
• Finger Exercises – This is What You Should Be Doing
• John McLaughlin – This Is Not Like Other Approaches
• Diatonic Chords Exercises – The Most Useful & Important
• Kurt Rosenwinkel – This Is What Makes His Style Unique
• Triads – How To Make Jazz Licks and what to Practice
• John Scofield On A Blues This Is Why He Is Great
• Voice Leading – Breaking a Few Rules
• Jonathan Kreisberg – Strong and Creative Arpeggio Ideas
• Minor Blues Comping – How To Use Drop2 Chords
• Joe Pass on Rhythm Changes – 3 Solid Bebop Strategies
• 10 II V I Chord Embellishments – The Ultimate Guide
• Allan Holdsworth – What he plays in a solo
• How To Make Mixolydian Mode Licks – 5 New Useful Ideas
• Lage Lund – Favourite Voicing and Solid licks!
• Satin Doll – Easy Jazz Chords (and a little beyond)
• How To Use The Augmented Triad In A Jazz Blues Solo
• 3 Charlie Parker II V I Licks How To Play Them On Guitar
• This Is How You Should Practice Every Scale Exercise
• Jim Hall on Autumn Leaves – Can it get any better?
• How To Play A Harmonized Bass Line On A Blues
• This Is Not Bebop, But It Is A Great Coltrane Solo
• How To Solo On bIII Diminished Chords – 3 Jazz Standards & 3 Licks
• Wes Montgomery – This is What Makes Him Amazing
• 5 Easy Ways To Sound Like Bebop on a C7
• Barney Kessel – How to mix Swing and Bebop
• How can that be an altered dominant? (The Best Hack)
• This is How Joe Pass Plays Amazing Solos
• Jazz Turnaround – How To Get Started
• Grant Green – How to Bridge Bebop and Blues
• Amazing Bebop – How to play like Sonny Stitt
• How to Play Killer Hard Bop like Pat Martino
• How to Improve your Jazz Guitar Soloing – One Skill
• The Quick Way To Learn Jazz Comping – Simple & Direct
• Rhythm Changes Chords – Hidden in the Easy Chords
• The Missing Triad in your Jazz Blues Chords – Simple and Easy
• Altered Scale – 3 Great Pentatonic Solutions (Easy And Powerful)
• Bird Blues – How to play and Understand the Chords
• Diminished Chords On Guitar – Only One Useful Extension
• Autumn Leaves Chords – 5 Useful ways to unlock Extensions
• Walking Bass Jazz Guitar Lesson on All The Things You Are
• F Blues Guitar Survival Kit – What You Need To Know
• Half Diminished Chords – This is how to use Quartal Arpeggios
• Bebop Guitar Licks With Powerful Arpeggio Hack
• How to use Drop 2 Chords on a Jazz Blues – Bebop Skill
• Easy Autumn Leaves Chord Melody and Quick How-to-Play!
• 3 Arpeggios from the Diminished Scale (No Triads)
• Allan Holdsworth Modal chords – You can add new textures to your comping
• Three Ways to Add Arpeggios to Your Jazz Guitar Licks
• Passing Chords – The 3 Types You Need for Comping and Chord Solos
• Rhythm Changes – How You Use Chord Substitution for New Lines
• More Melodic Guitar Solos – Three Critical Techniques without Arpeggios and Scales
• 5 Sus4 Triads and the Perfect Maj7 licks you can make with them
• You Don’t Need That Many Chord Voicings, It’s How You Use Them
• What Jimi Hendrix can teach Jazz Guitarists
• Odd Meter Soloing: Getting started with 5/4 – Jazz Blues in F
• The Reason Your Jazz Guitar Licks Suck and How you fix it!
• Jazz Guitar Comping Rhythms – Exercise to make your own
• Advanced Pentatonic Ideas you Need for Fusion and Jazz Guitar
• Better Rhythms in Your Guitar Solos
• Allan Holdsworth Chords – Voicings and Inversions
• My secret arpeggio and 3 places I use it!
• Look Mom No Root! Jazz Chord Survival Kit Part 2
• From SCALE practice to JAZZ LICKS – Work towards Music!
• Picking Techniques beyond Alternate Picking
• Guitar Solo With Only Triads – Jazz Blues
• Modern Triplet Rhythms – Essential jazz rhythms and exercises
• The Pentatonic Scale for Dorian and Lydian You Forgot to Check out
• 3 types of Rhythm Changes licks you NEED to know – Bebop Guitar Lesson
• Modern 3 note voicings and voice leading – How to find new voicings
• Walking Bass and Chords on a Bb Blues – Jazz Guitar Lesson
• The Triad we never talk about – but we play it all the time!
• Pentatonic Scale for Altered Chords – Modern Melodic Minor Secrets
• Drop2 – Tactics to Create Cutting-Edge Jazz Guitar Harmony
• Things You Never Use in Your Solos – Mixolydian
• Secret to play over Diminished Chords
• Things you NEED to know in Melodic minor
• 6 Triads for a Cmaj7 Chord (well 10 actually..)
• Allan Holdsworth Chords on a Jazz Standard – Advanced Modern Chord Voicings
• Lydian Dominant Licks – The Best Modern Arpeggios and Structures
• Bebop Jazz Guitar Licks – Classic Bebop Sound Decoded
• Jazz Counterpoint – Discover New Harmonic Ideas
• 5 Great ways to use a minMaj7 arpeggio
• Quartal Harmony on a Jazz Blues
• 5 Great Jazz Licks You Need to Know With The Dominant 7thb5 arpeggio
• 3 Awesome Ways from Music Theory to Music
• Writing Jazz Licks – The Best Way To Teach Yourself Jazz Guitar
• The Craziest Arpeggios & How You Make Beautiful Jazz Guitar Sounds With Them
• 3 Bebop Concepts and how to turn them into Jazz Licks
• Melodic Minor, Altered, Tritone Subs – Guitar solo on Solar
• F Jazz Blues Comping – Jazz Chords and Concepts – Guitar Lesson
• 5 Chromatic licks – Chromatic Enclosures
• Melodic Comping – Stronger than voice-leading
• Great Dorian m7 licks – Secret ideas from Holdsworth, Metheny and more
• How Charlie Parker Licks can help you play better Jazz Guitar
• Modal Soloing – What You Are Missing!
• Reharmonizing II V I – breaking all the rules!
• Are you using your Maj7 arpeggios on these chords?
• 4 Dominants on one Chord! – You’ll never need another arpeggio
• Best exercise for jazz guitar chord solos!
• Don’t spend too much time on this exercise!
• Don’t sound the same all the time – Minor chords
• Refreshing and Easy II V I reharmonization
• 3 Altered Scale Arpeggios that you forgot to learn!
• Modern jazz arpeggio ideas – Melodic Interval Structures
• Chromatic passing notes – Instant Bebop guitar lesson!
• The Minor Chord You Never Use
• 3 Pentatonic Scale Exercises You Never Played
• Sweep Picking Cascading Arpeggios – Upper-structure Chords
• Walking Bass and Chords – Solar
• Scary Vibrato! – Using Neck Vibrato
• 1 Pentatonic Scale over 8 Chords
• Bossa Nova Guitar patterns 2 – Partido Alto
• 5 Jazz Blues Licks in F
• How You Really Use an Am7 arpeggio
• Bossa Nova Guitar patterns 1 – Blue Bossa
• Triads – Easy 3 note Jazz Chords