Website Lessons
Here is an overview of my online Jazz Guitar Lessons. Most of them are also connected to a YouTube video lesson.
I’ve tried to categorize my lessons, but some of them are both about chords and soloing concepts so it is a little confusing.
Improvising and Soloing
F Blues Guitar Survival Kit – What You Need To Know
Half Diminished Chords – This is how to use Quartal Arpeggios
Bebop Guitar Licks With Powerful Arpeggio Hack
Easy Autumn Leaves Chord Melody and Quick How-to-Play!
3 Arpeggios from the Diminished Scale (No Triads)
Three Ways to Add Arpeggios to Your Jazz Guitar Licks
Rhythm Changes – How You Use Chord Substitution for New Lines
More Melodic Guitar Solos – Three Critical Techniques without Arpeggios and Scales
5 Sus4 Triads and the Perfect Maj7 licks you can make with them
Odd Meter Soloing: Getting started with 5/4 – Jazz Blues in F
The Reason Your Jazz Guitar Licks Suck and How you fix it!
Advanced Pentatonic Ideas you Need for Fusion and Jazz Guitar
Better Rhythms in Your Guitar Solos
My secret arpeggio and 3 places I use it!
Look Mom No Root! Jazz Chord Survival Kit Part 2
From SCALE practice to JAZZ LICKS – Work towards Music!
Picking Techniques beyond Alternate Picking
Guitar Solo With Only Triads – Jazz Blues
Modern Triplet Rhythms – Essential jazz rhythms and exercises
The Pentatonic Scale for Dorian and Lydian You Forgot to Check out
3 types of Rhythm Changes licks you NEED to know – Bebop Guitar Lesson
The Triad we never talk about – but we play it all the time!
Pentatonic Scale for Altered Chords – Modern Melodic Minor Secrets
Things You Never Use in Your Solos – Mixolydian
Secret to play over Diminished Chords
Things you NEED to know in Melodic minor
6 Triads for a Cmaj7 Chord (well 10 actually..)
Lydian Dominant Licks – The Best Modern Arpeggios and Structures
Bebop Jazz Guitar Licks – Classic Bebop Sound Decoded
5 Great ways to use a minMaj7 arpeggio
Quartal Harmony on a Jazz Blues
5 Great Jazz Licks You Need to Know With The Dominant 7thb5 arpeggio
3 Awesome Ways from Music Theory to Music
Writing Jazz Licks – The Best Way To Teach Yourself Jazz Guitar
The Craziest Arpeggios & How You Make Beautiful Jazz Guitar Sounds With Them
3 Bebop Concepts and how to turn them into Jazz Licks
Melodic Minor, Altered, Tritone Subs – Guitar solo on Solar
5 Chromatic licks – Chromatic Enclosures
Great Dorian m7 licks – Secret ideas from Holdsworth, Metheny and more
How Charlie Parker Licks can help you play better Jazz Guitar
Modal Soloing – What You Are Missing!
Reharmonizing II V I – breaking all the rules!
Are you using your Maj7 arpeggios on these chords?
4 Dominants on one Chord! – You'll never need another arpeggio
Best exercise for jazz guitar chord solos!
Don't spend too much time on this exercise!
Don't sound the same all the time – Minor chords
Refreshing and Easy II V I reharmonization
3 Altered Scale Arpeggios that you forgot to learn!
Modern jazz arpeggio ideas – Melodic Interval Structures
Chromatic passing notes – Instant Bebop guitar lesson!
Sweep Picking Cascading Arpeggios – Upper-structure Chords
Scary Vibrato! – Using Neck Vibrato
1 Pentatonic Scale over 8 Chords
5 Jazz Blues Licks in F
How You Really Use an Am7 arpeggio
Standard with Pentatonics – Satin Doll
Whole-tone scale for outside playing
Autumn Leaves – Soloing with arpeggios
5 Quartal Harmony licks
Bb Jazz Blues – The Basics
Triads of the Diminished scale – part 1
10 Arpeggios over a Maj7 chord
Minor 6th Pentatonics on an F blues
Create your own arpeggio shapes
Triad pairs in the altered scale
5 Bb Jazz Blues licks
Target notes on a II V I
The Wrong Tritone Scale
Playing Outside – Side-slipping
Bb Jazz Blues Chord Solo
Rhythm exercise on a Jazz Blues
Do you really know the pentatonic scale?
How to improvise over a minor II V I with arpeggios
10 arpeggios over a Dom7th chord
How to practice your scales and why – Positions
Making Jazz lines sound bluesy
5 ways to use motifs in your II V I lines
Soloing over a II V I with Pentatonic scales
How to Improvise with an Arpeggio
Improvising and using Maj7#5 chords
Triplet Rhythms – Part 2
10 arpeggios over a m7 chord
Tritone Scale
Minor 6th Pentatonic scale
Rhythm Changes – Part 2
Blue Bossa – Soloing with Arppeggios
Soloing with Chords – Part 2 Minor II V I
Triad Pairs – Part 2
Triplet Rhythms – Part 1
Drop2 Voicings as Arpeggios
10 Altered dominant lines
The Altered Scale: Three Approaches
Adding Chords to Single Note Lines – Part 2
Triad Pairs – Part 1
Rhythm Changes – Part 1
F Jazz Blues Soloing
Turnarounds part 3 – I bIII7 II Valt
How to make lines on a III bIIIdim II V progression
How to make 10 II V I licks with a Gm7 arpeggio
4th mode Harmonic Minor
How to start soloing over a II V I with arpeggios
Adding Chords to Single Note Lines – Part 1
Turnarounds part 2 – I bIIIdim II V
Motif Exercises – F Jazz Blues
Turnarounds part 1 – I VI II V
Improvising in 3/4
Jazz Blues Chord Solo
Making II V I lines with Odd Note Groupings
Pentatonics part 3 – Arpeggios and Melodic ideas
Sus4 Triads as Upper Structures
Lydian Mode
Tritone Substitution
Across the Fretboard
Playing a Jazz Standard with Pentatonic Scales
How to use triads in solos
Soloing with Chords Part 1
The Augmented Scale
Phrygian Chords
Pentatonics part 2 – II V progressions
Shell Voicings as Arpeggios
Harmonic Minor Dominant Lines
IV minor chords in a major key
#IVdim suspension of the I chord
Diminished Scale on Dom7th Chords
Get more out of the licks you already know
Jazz Blues Soloing
Triplets in groups of 4 – part 1
Open Triads in Solos
Minor II V I Cadences
Quartal Harmony in Solos
Pentatonics part 1 – Maj7 Chords
Melodic Minor – Altered Scale
Melodic Minor – Lydian Dominants
Dominant 7th Chord Scales – part 1
Maj7b5 – chords and arpeggios
Target Notes
Melodic Minor – An Introduction
Diatonic Arpeggios – Superimposing and altered chords
Diatonic Arpeggios – how to use and practice them
Using chords in solos
Playing over changes with arpeggios
How to convert theory and technique exercises to solo lines
The 3rd Messiaen mode
Triads and Triad pairs in improvisation Part 3
Triads and Triad pairs in improvisation Part 2
Triads and Triad pairs in improvisation Part 1
Chords and Voicings
Autumn Leaves Chords – 5 Useful ways to unlock Extensions
How to use Drop 2 Chords on a Jazz Blues – Bebop Skill
Allan Holdsworth Modal chords – You can add new textures to your comping
Passing Chords – The 3 Types You Need for Comping and Chord Solos
You Don't Need That Many Chord Voicings, It's How You Use Them
What Jimi Hendrix can teach Jazz Guitarists
Jazz Guitar Comping Rhythms – Exercise to make your own
Allan Holdsworth Chords – Voicings and Inversions
Modern 3 note voicings and voice leading – How to find new voicings
Walking Bass and Chords on a Bb Blues – Jazz Guitar Lesson
Drop2 – Tactics to Create Cutting-Edge Jazz Guitar Harmony
Allan Holdsworth Chords on a Jazz Standard – Advanced Modern Chord Voicings
Jazz Counterpoint – Discover New Harmonic Ideas
F Jazz Blues Comping – Jazz Chords and Concepts – Guitar Lesson
Melodic Comping – Stronger than voice-leading
The Minor Chord You Never Use
Walking Bass and Chords – Solar
Bossa Nova Guitar patterns 2 – Partido Alto
Bossa Nova Guitar patterns 1 – Blue Bossa
Triads – Easy 3 note Jazz Chords
Jazz Chords 10 variations of a I VI II V turnaround
C Jazz Blues with triad voicings
How to play Jazz Chords on Guitar
III VI II V I with Triads
Making Jazz Chords sound Bluesy
Using the pentatonic scale as chords
Drop2&4 voicings – Part 1
Find New Jazz Chords with inversions
Play a standard with 2 types of Drop2 chords
Building chord voicings from 3rd and 7th
Slash Chords – All major triads over bass notes
Rootless Voicings – Part 1 – Triads
First II V I chord voicing sets
Developing Basic Comping Rhythms
Endless new ways to play the same II V I voicings
Jazz Chord Essentials – Drop 2 voicings part 3
Jazz Chord Essentials – Drop2 voicings – Part 2
Drop 2 voicings – Part 1 – Jazz Chord Essentials
Jazz Chord Essentials: 4 part Quartal Harmony
Chromatic Chords – part 1
Chord Melody: It Could Happen To You
Phrygian Chords
Jazz Chord Essentials – 3 note 7th chords part 2
Minor Blues Comping
Jazz Chord Essentials – 3 note 7th chords part 1
Chords and Walking Bass – part 2
Turnarounds – Comping
Diatonic chords in the pentatonic scale
Jazz Chord Essentials – 3 part Quartal Harmony
Chords and Walking Bass – part 1
Jazz Chord Survival Kit
Jazz Blues Comping
Jazz Chord Essentials: Open Triads
Maj7b5 – chords and arpeggios
Jazz Chord Essentials: Triads
Jazz Chord Essentials – Shell voicings
Jazz Chord Essentials – Drop 2 voicings – Part 2
Jazz Chord Essentials – Drop 2 voicings – Part 1
Drop 2 Voicings for guitar
Inverting chords to get new voicings
Jazz comping video from Lewis Nash
Technical Exercises
3 Pentatonic Scale Exercises You Never Played
3 Great Alternate picking exercises to help you play fast
How to practice your scales and why – String sets
3 scale exercises you should know
How to practice your scales and why – Positions
Practicing Scales Through Chord Changes
Diatonic Arpeggios – Superimposing and altered chords
Diatonic Arpeggios – how to use and practice them
How to convert theory and technique exercises to solo lines
Chord Melody – Arranging for guitar
Walking bass and Chords
All Lessons
Here’s the old chronological overview: