Here is an overview of my online lessons. Most of them are also connected to a YouTube video lesson which you can find here: Jens Larsen on YouTube
I’ve tried to categorize my lessons, but some of them are both about chords and soloing concepts so it is a little confusing.
Improvising and Soloing
- Triad Pairs – Part 1
- Rhythm Changes – Part 1
- F Jazz Blues Soloing
- Turnarounds part 3 – I bIII7 II Valt
- How to make lines on a III bIIIdim II V progression
- How to make 10 II V I licks with a Gm7 arpeggio
- 4th mode Harmonic Minor
- How to start soloing over a II V I with arpeggios
- Adding Chords to Single Note Lines – Part 1
- Turnarounds part 2 – I bIIIdim II V
- Motif Exercises – F Jazz Blues
- Turnarounds part 1 – I VI II V
- Improvising in 3/4
- Jazz Blues Chord Solo
- Making II V I lines with Odd Note Groupings
- Pentatonics part 3 – Arpeggios and Melodic ideas
- Sus4 Triads as Upper Structures
- Lydian Mode
- Tritone Substitution
- Across the Fretboard
- Playing a Jazz Standard with Pentatonic Scales
- How to use triads in solos
- Soloing with Chords Part 1
- The Augmented Scale
- Phrygian Chords
- Pentatonics part 2 – II V progressions
- Shell Voicings as Arpeggios
- Harmonic Minor Dominant Lines
- IV minor chords in a major key
- #IVdim suspension of the I chord
- Diminished Scale on Dom7th Chords
- Get More Out of the Licks You Already Know
- Jazz Blues Soloing using arpeggios
- Triplets in groups of 4 – part 1
- Open Triads in Solos
- Minor II V I Cadences
- Quartal Harmony in Solo lines
- Pentatonics Part 1 – Maj7 Chords
- Melodic Minor – Altered Scale
- Melodic Minor – Lydian Dominants
- Dominant 7th scale choices – part 1
- Maj7b5 Chords and Arpeggios – a powerful tool for superimposition
- Target Notes
- Melodic Minor – An Introduction
- Diatonic Arpeggios – Superimposing arpeggios and altered chords
- Diatonic Arpeggios – How to use and Practice them
- Using chords in Solos
- Playing over Changes with Arpeggios
- How to convert theory and technique exercises to solo lines
- The 3rd Messiaen mode
- Triad pairs for improvisation – part 3
- Triad pairs for improvisation – part 2
- Triad pairs for improvisation – part 1
Chords and Voicings
- Endless new ways to play the same II V I voicings
- Jazz Chord Essentials – Drop 2 voicings part 3
- Jazz Chord Essentials – Drop2 voicings – Part 2
- Jazz Chord Essentials – Drop 2 voicings – Part 1
- Jazz Chord Essentials: 4 part Quartal Harmony
- Chromatic Chords – part 1
- Chord Melody: It Could Happen To You
- Phrygian Chords
- Jazz Chord Essentials – 3 note 7th chords part 2
- Minor Blues Comping
- Jazz Chord Essentials – 3 note 7th chords part 1
- Chords and Walking Bass – part 2
- Turnarounds – Comping
- Diatonic chords of the Pentatonic Scale
- Jazz Chord Essentials: 3 part Quartal Harmony
- Chords and Walking Bass – part 1
- Jazz Chord Survival Kit
- Jazz Blues Comping
- Jazz Chord Essentials: Open Triads
- Maj7b5 Chords and Arpeggios – a powerful tool for superimposition
- Jazz Chord Essentials: Triads
- Jazz Chord Essentials: Shell Voicings
- Jazz Chord Essentials: Drop 2 Voicings Part 2
- Jazz Chord Essentials: Drop 2 Voicings Part 1
- Overview of Drop2 Voicings
- Inverting Chords to get new voicings
- Comping lesson from Lewis Nash on YouTube
Technical Exercises
- Arpeggios in positions derived from 3 notes per string scales
- Practicing Scales through Changes
- Diatonic Arpeggios – Superimposing arpeggios and altered chords
- Diatonic Arpeggios – How to use and Practice them
- How to convert theory and technique exercises to solo lines
Chord Melody – Arranging for guitar
Here’s the old chronological overview:
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