Synthetic Jazz Scales and How You Can Make New Personal Scales and Sounds for Your Solos!

In this video I am going to show you how you can take any chord and easily make a completely new scale for it that you can use when you improvise. With some really cool (but also a bit strange) sounds.
The method will work for any chord and I will also discuss some of the ways that you can use Synthetic Jazz Scales to improvise including a few outside jazz licks using the scale.

Content:

0:00 Intro Solo with a Synthetic 8-note Scale

0:15 Construct a scale for any chord

0:43 The Scale construction principle – From analyzing C major

1:26 A basic construction for a Cmaj7 chord

1:43 Go for Out There or Re-make the major scale?

2:03 First example of an 8 note scale for Cmaj7

2:32 The Scale and some thoughts on diatonic harmony

2:46 Improvise with this scale – Approach no 1

3:03 Some Diatonic harmony: triads

3:39 This is like Barry Harris 6th diminished scales!

3:52 Why this is not ideal for Cmaj7

4:30 Improvise with this scale – Approach no 2

4:45 Shifting between the colors

4:58 Synthetic Lick No 1

5:46 Synthetic Lick No 2 – Opening up and mixing the chords

6:18 How to develop the 2nd approach and how it works better for the chord.

6:48 Digging into find more structures in the scale

7:24 A 7 note example from music I have played

7:51 A new perspective on Double Harmonic Major

8:19 Dbmaj7(#9#11b14)

8:26 Where I learned about this: John Ruocco

8:56 When to use this scales and why.

9:28 Do you work with creating your own scales? Are you a mad music scientist? (Am I?)

10:25 Like the lesson? Check out my Patreon Page!

 

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