Tag Archives: advanced jazz guitar licks

II V I – When you want to sound different (in 8 ways)

The II V I is the most important and common chord progressions in Jazz.

But sometimes it is also nice to have some other ways of approaching this progression so that it sounds a little less predictable maybe even less like a II V I.

In this video, I am going over 8 ways to change the chords to get some new sounds, and I am only messing with the II and the I chord because I have a ton of other videos with different V chord options.

Of course, you can also take these examples and use them on a static chord if that fits the music you play better and you want to change it up a little.

Check out other videos on Reharmonization

Why Reharmonization Is For You And How To Get Started

Reharmonization – Are you getting it wrong?


0:00 Intro – Changing up the II V I sounds

0:20 8 Ways to change the sound of a 2 5 1

0:44 Example 1 – IImMAj7

0:59 What The Chords Sound Like and why that is important for solos….

2:29 Example 2 – IIø(9)

3:19 More Different Rhythms

3:36 Triplets Groupings

3:53 Example 3 – IIsus4(b9) – The Prhygian Chord

4:58 The Elephant In The Room

6:11 Example 4 – IIalt

7:04 8th note triplet groupings on altered dominants

7:45 Example 5 – Imaj7(#11)

8:47 Example 6 – Imaj7(#5)

9:29 Sneaking in Melodic Minor sounds

10:04 Triplet rhythms for medium swing – Hancock, Rosenwinkel, Mehldau

10:29 Example 7 – Imaj7(#9,#11)

11:43 Example 8 – Imaj7(#9,#5)

11:58 The Augmented Scale – That I never practiced

13:33 Like the video? Check out my Patreon Page

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New Book: Advanced Jazz Guitar Concepts!

It is here! My New Book:

Advanced Jazz Guitar Concepts

In Advanced Jazz Guitar Techniques I provide more deep insights into the techniques and theory of contemporary jazz guitar. 

You’ll discover a practical, no-nonsense guide to jazz guitar topics that have mystified even experienced jazz musicians – such as effective soloing with triad pairs, applying quartal harmony, how to use altered scales, and much more!

Master the advanced guitar techniques and melodic concepts you’ve heard in the music of everyone from Charlie Parker and Wes Montgomery, to Kurt Rosenwinkel, Michael Brecker and Mike Moreno. 

What you’ll learn:

  • How to use tritone substitution more effectively in your playing
  • Chord and scale substitution ideas to create new sounds with scales you already know
  • How to use triad pairs from the Altered Scale
  • How to combine triads, arpeggios and scale runs to create melodic, modern-sounding licks that avoid clichés
  • Intervallic patterns to introduce exciting melodic leaps into your jazz soloing
  • The Augmented and Tritone scales and how to use them

Learn More

Here’s What You Get:

  • A step-by-step jazz guitar method that starts simple and adds layers of complexity
  • Perfectly notated examples with tab and studio-quality audio to download for FREE
  • A full-length blues with a solo analysis demonstrating all the concepts at work
  • Apply your knowledge to the most common progressions in jazz

You can get the Paperback on Amazon here: Advanced Modern Jazz Guitar

You Can also order it as a PDF on the Fundamental Changes Website here: Advanced Modern Jazz Guitar

I am so proud of this book. I think it really presents some information on soloing in with a more modern sound that is not really available anywhere else but is certainly a key ingredient for a lot of the Jazz Musicians of today.

Learn Jazz – Make Music!

Best regards,