Tag Archives: bebop lines

How to Study The Bebop Language – 4 Great Approaches

In this video, I am going to talk about the Bebop Language, what that means, how to study Bebop Language. So I will go over some of the different ways you can practice and study to get this language into your ears and your playing.

Learning to play Jazz usually starts with being curious about how to get a certain sound that you have heard on a recording. And once you start exploring jazz you probably become aware that it is, in fact, a complete musical language that you need to understand and internalize. In the same way, you have internalized other languages like for example rock or blues.

This video is not a lesson going over what bebop is, it is an overview of the different ways you can study bebop and learn that language.

Content

0:00 Intro

0:29 Jazz or Bebop As A Language

0:55 “What Is Bebop Language”

2:11 Should You Learn Bebop? (And Why?)

3:09 Studying Bebop

4:28 Listen To The Music You Want To Learn

5:13 Analyzing Transcriptions

6:37 Transcribing Solo – The Most Efficient Way?

7:29 Composing – The Underrated Tool

7:38 Composition is a part of the Bebop Tradition

8:36 Like The Video? Check Out My Patreon Page! dd Bebop Embellishments to your playing!

Here’s a new lesson on how to work with bebop embellishments and other ways of adding variations to bebop or jazz lines.

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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3 Charlie Parker II V I Licks How To Play Them On Guitar

If you want to learn how to play jazz then it is probably a good idea to check out how Jazz Giants play like some Charlie Parker II V I licks!

Learning Bebop and Charlie Parker

A thing I never get tired of checking out is Charlie Parker and Bebop in general. I guess I still find it fascinating how the lines are so good and the material they are created with is really quite basic.

In this video I am going to go over 3 II V I licks. I will focus on how Charlie Parker is great at having surprising turns and leaps in his lines so they don’t sound like running up and down scales and he also still manages to get them to sound like real melodies instead of abstract interval exercises. He also often gets away with melodies that move across the bar line.

Hope you like it!

Learning from a Master improviser

These licks are clear examples of Parkers musical or melodic language and are really a great place to get some more ideas on how to come up with great lines. I especially find the way he uses displacement of different parts of the lines to open up the sound of his solo fascinating.

 

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If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter: