Tag Archives: Chord Melody Guitar Lesson

10 Chord Melody Intros You Need To Know

It doesn’t really matter if you are playing chord melody arrangements by yourself or if you are in a band. Being able to play a great sounding intro to a song and really set up the listener for a piece of music is very practical.

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Content: 

00:00 Intro

00:55 The Turnaround – The Perfect Intro

02:43 #IV – All of Tonal Harmony (almost..)

04:42 Modal Interchange and Beautiful Colors

06:49 Pedal point – Creating Tension

08:23 II V chain – Minor Cadence movement

10:25 Melodic Pedal Point

12:04 Start On A Tritone Substitution

14:00 Sus4 Pedal point

14:58 Lady Bird Turnaround – Modal Interchange

16:26 Phrygian Intro – Pretend to be another key

18:38 Complete Chord Melody Arrangement to Check out

18:45 Like the video? Check out my Patreon page!

 

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How To Learn Jazz Chord Melody – Study Guide

These videos will help you learn to play and create your own beautiful chord melody arrangements.

The videos cover a lot of ground with putting chords under a melody, using different Jazz chords, and even playing chord solos and improvising in a solo guitar setting.

You can check them out on YouTube here: Chord Melody – Beautiful Jazz Guitar – Learn Jazz, Make Music

Easy Autumn Leaves Chord Melody and Quick How-to-Play!

Easy Chord Melody Lesson for Autumn Leaves with transcription and tabs. A short video explaining how to play the arrangement.

Autumn Leaves is a great song to get starting playing easy chord melody arrangements on guitar.

Chord melody is the style or technique where you play the melody of the song and add chords to it. Mostly making it a complete solo guitar arrangement with both harmony and melody.

In this lesson, you will learn a chord melody arrangement of Autumn Leaves. The chords that you will use are for the biggest part simple 3-note voicings called shell-voicings and I have also included some exercises to check those out.

Get the PDF here: Easy Autumn Leaves Chord Melody

Chord Solos – How To Get Started The Easy Way

I am sure you have heard a great chord solo by Wes, George Benson or Joe Pass, and it is a great sound that seems almost impossible to get into your own playing, but if you are a little practical about how you start working on it then it may not be as difficult as you think.

In this lesson, I am going to take one area of the neck and a II V I in G major and then I will show you how to start making your own chord solo licks with a few voicings that you probably already know.

Get the PDF here: Chord Solos – How To Get Started The Easy Way

Autumn Leaves – How To Use Drop 2 For An Easy Chord Melody

This video is on a chord melody arrangement of Autumn Leaves.You will learn how it is constructed. And give you different options in terms of Jazz chords and reharmonizations that you can use in your own jazz guitar chord melody arrangements

One of the things that I learned the most from when it comes to harmony and comping was harmonizing melodies, so making chord melody arrangements. When I was starting out I harmonized everything I could. That taught me so much about how to comp with more melody and play chords under a theme.

In this video, I am going to show you an arrangement of Autumn Leaves that uses drop2 voicings and you can use this as a solo arrangement but it also works great if you are playing in a band. I am also going to add some extra tricks to give you a way to add some color to your own songs.

Get the PDF here: Autumn Leaves – Chord Melody with Drop2

3 Things You Need To Know For Chord Melody

Chord Melody is Melody with Chords, so you take a melody and then you add chords to it. This is a way to play both harmony and melody of a song and you can do a lot of different things with chord melody arrangements and really add a beautiful another dimension to the song you are playing, making it a solo performance.

This video is taking a look at some important aspects of playing and making chord melody arrangements. Focusing on some different things that most people forget to consider.

Get the PDF here: 3 Things You Need To Know For Chord Melody

Chord Solo – How To Make Melodies And Find Chords

How Do you play chord solos? It is something we hear people do all the time on our favorite Jazz Guitar records by Wes, Joe Pass or George Benson. But it seems really complicated to play a Jazz guitar Chord Solo.

In this video, I am going to give you an example of an Easy Chord solo and then I am going to talk about how you can practice making your own solos. Another thing that you don’t want to miss is how working on this type of playing is something that can really boost your single-note solos.

Get the PDF here: Chord Solo – How To Make Melodies And Find Chords

Best exercise for jazz guitar chord solos! – Brain and fingers!

Chord solos have been a part of the Jazz Guitar skill set since the ’50s and ’60s when players like Joe Pass and Wes Montgomery used it in their music. A Chord solo is a harmonized melody line, so you don’t only improvise a melody, you also harmonize it by adding chords to it.

This might seem a little scary to start working on, but if what you want to work on is harmonizing melodies. One of the simplest melodies you can harmonize is a scale, so in this lesson, I will take an F major scale and show you how you can harmonize it with both some chords and some progressions.

Get the PDF here: Best exercise for jazz guitar chord solos! – Brain and fingers!

A more structured approach to Chord Melody

Chord Melody Survival Kit

 

Autumn Leaves – How To Use Drop 2 For An Easy Chord Melody

One of the things that I learned the most from when it comes to harmony and comping was harmonizing melodies, so making chord melody arrangements. When I was starting out I harmonized everything I could and that taught me so much about how to comp with more melody and play chords under a theme.

Often when people play chord melody arrangements then they are made to be solo guitar arrangements with bass notes under all chords (b-roll chord melody arrangement) but that is not the only way you want to harmonize a song.

In this lesson, I am going to show you an arrangement of Autumn Leaves that uses drop2 voicings and you can use this as a solo arrangement but it also works great if you are playing in a band. I am also going to add some extra tricks to give you a way to add some color to your own songs.

Chord Melody Arrangement

You probably already know that I made another chord melody arrangement of this song using the lower octave for the melody and shell-voicings. You can mix these two as well to change things up, I will link to that video in the description.

The arrangement is pretty basic, but I will show you some other things you can add in along the way as well in terms of great chords for ending a song and reharmonizing a minor II V.

You can scroll down to the end of the article to download a PDF of the entire arrangement or check it out on Patreon in this post:

https://www.patreon.com/posts/autumn-leaves-to-38986576

When To Add Chords

When you harmonize the melody then the easiest way to do so is to try to put chords under long notes that are on the heavy beat.

That is what I am doing in the first 8 bars here, the chord is on the Cm7, Bbmaj7

Notice that I play the melody on the top 3 strings because that is where you will have an easier time putting a chord under it.

Having a good overview of the fretboard and being able to move around the melody so that it is easier to add chords under it is essential for making these arrangements, but making arrangements is also a great way to really get a solid overview of the neck.

On the F7 and Ebmaj7 then there is no melody so I add those on the 4& to have a little rhythm and that also makes it easier to play the pickup

Learn the Melody and be practical

I am not really talking about the Drop2 voicings, but if you want to explore that topic more since that is something that is very useful and a very powerful tool then I will link to a playlist in the video description.

Autumn Leaves is a melody with a very strong motivic structure, in fact, it is the same motif moved through the changes. This actually makes it easier to harmonize because you can just use the logic of the melody and let that help you decide when to add chords and also which notes to harmonize. Autumn Leaves is a pretty clean example of this, but it is pretty common.

That is also how I am harmonizing the Aø D7 Gm6. Just using the same principles as in the previous section. Since the chords are not moving on the Gm then I am playing with changing between the Maj7 and the 6th

2nd A and some more chord movement

The 2nd A is really just the same as the 1st in terms of melody and you can, of course, play it the same twice, but often it is good to try to change it a bit and use that the audience already knows what is supposed to happen to surprise them a little.

In this case, I am using some secondary dominants and tritone subs for that.

The melody has a long note every other bar and you can fill that up with an extra chord that pulls towards the next one.

Here I am adding Gb7 before F7, E7 before Ebmaj7 and Eb7 before D7, so I am using a tritone substitution as an extra color in the arrangement.

As you will see, I am using some of these concepts in the B-part too, but also a few other nice ways to introduce movement. I have thought about using Autumn Leaves as a way to demonstrate reharmonizations going over 4 or 5 versions, let me know in the comments if that could be an interesting video. Later in the video, I also go over some options for different interesting changes.

B-part – Problem Solving Taking the easiest solution

In the B part, there are a few places where you need to figure out how to harmonize the melody in a nice way without making it too difficult, and actually the first chord is already getting us into trouble – Aø explain the solution

the rest is similar to the first A.

Cm7 F7 Bbmaj7 Ebmaj7 – the same as in the 2nd A but with another melody note (C) – Moving from Bbmaj7 to Ebmaj7 – D using a major triad as a chromatic approach to the Ebmaj7 while keeping the D in the melody

Chromatic passing chords – (its’ actually Free Jazz!)

You can do a lot by interpreting the chords and add new sounds using harmonization. In this lesson, I will give you some suggestions for the last part of the song.

The one that is the easiest to use, and similar to what you already found earlier in the lesson.

Aø Eb7 D7 – again using Eb7

You can extend this by turning it into a complete chromatic II V example. Here I am also changing the Aø to an Am7 to get another brighter color there.

And another version that makes it an even longer parallel II V progression, quite similar to Wes’ Four on Six.

A more radical, but still beautiful harmonization is to use the bass movement of a II V, but then move in parallel using other chords. This can be a little more tricky to get to work, but when it does then it is very beautiful as shown below:

Different types of chords for the last note.

One way that I like to end the song is this below, really getting the beautiful sound of the tonic minor major sound. It does require me to change the melody.

Another option that is very common and the favorite of many bass-players is to play a C7. Essentially the C7 is just a Gm6 with a C in the bass, and also the IV in the melodic minor scale.

The Neapolitan subdominant is a great option for the final note in a song. This makes the final note (which is usually the root) the maj7th in the chord. The neapolitan is the bIImaj7, so in this case an Abmaj7.

The Jim Hall/Ron Carter solution is to end the song on a Db7, which is, in fact, turning the tonic chord into a secondary dominant to go back. This works because the first chord of the song is the IV chord: Cm7, but this is a great way to keep the form moving and take us to the next chorus. It is also a very different sound compared to the original Gm6 option.

Digging into Chord Melody

Chord Melody Survival Kit

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How To Make A Set Of Solid Jazz Chords on Autumn Leaves

You need to play the chords and you also need to improvise and play some great Riffs when you are comping. This video builds a set of Autumn Leaves Chords that connects different Jazz Chords to give you something you can use to improvise with.

A lot of the time when you practice you think you need to learn completely new things, but often it is much more efficient to make new connections and find better ways to use what you already know. And become much more flexible if you can mix the different things you know like drop2 and shell-voicings for example. So That is also the way I am going to build the material in this lesson.

https://youtu.be/WpX7rSn4h24

I am using Autumn Leaves as an example because that is a very common standard and covers a lot of ground with chords, so it is a perfect example for teaching jazz chords in a guitar lesson.

Autumn Leaves Chords – Basic Shell-Voicings

Let’s start with a set of basic Shell-voicings for the first 8 bars of Autumn Leaves. If you want more information on Shell-voicings then check out this very old lesson (in fact my first YouTube Lesson) The basic construction of a Shell-voicing is either 1 7 3 (as on Cm7) or 1 3 7 (as on F7).

The first place to go is to take the shells and leave out the root, so the lowest note:

Rootless Shell-voicings or Guide-Tone Chords

In this lesson, you don’t need to use the root, and you also want to be more flexible to add more things on top of the voicings so let’s take away the bass note:

Adding notes to create 3-note chords

Now we have two-note voicings that are easy to add extra material to. The first step is to add the notes on the next string, so the B string.

That is shown here below:

Keep in mind that I am trying to be practical and I am only adding notes that I think are useful and easy to play. You should do the same and it may differ from what I do. Keep it practical!

A Comping Example using the 2 and 3-note jazz chords

An example of what you now can do already with this simple set of voicings is shown below:

From Triads to Drop 2 Voicings

Notice that the 3-note voicings are often Triads and you can add the notes on the high E string as well and that will mostly give us Drop 2 voicings (Check out the explanation of Drop voicings here)

Adding the extra notes gives you these voicings:

Combining all the voicings

Putting this to use on the song would give you an example like this:

Combining and Embellishing Chords on a Blues

If you want to check out a more in-depth application of this on a 12-bar Blues in Bb then have a look at this WebStore lesson:

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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3 Things You Need To Know For Chord Melody

Chord Melody is Melody with Chords, so you take a melody and then you add chords to it. This is a way to play both harmony and melody of a song and you can do a lot of different things with chord melody arrangements and really add a beautiful other dimension to the song you are playing, making it a solo performance.

I am going to go over 3 things that are really important if you want to make your own chord melody arrangements and that you will also find in the arrangements and playing of people who are great at chord melody like Joe Pass and Ted Greene.

https://www.youtube.com/watch?v=32QgdXfEs0I

#1 Play The Melody on the top strings.

If you want to harmonize a melody then you need to add harmony under the melody. For the guitar This makes it more practical to play the melody on the top strings.

I would suggest aiming for having as much of the melody as possible placed on the E and B strings. That way it is a lot easier to add a chord under it and most of the time you can even use the same voicings you usually do for comping.

In example 1 I have written out the melody for body and soul on the top strings

And if you want to add chords under it you can do so in this way:

#2 Add Chords on the heavy beats

Be practical! Go for the arrangement that is playable. It will get you further and it is important that you can perform your arrangement as a piece of music, not just a technical exercise.

As an example of a melody that moves a lot here is a harmonization of Fly Me To The Moon. Notice how I only use chords when the chords are changing.

#3 Dynamics: I need to hear the melody

In many ways this is almost the most important thing to keep in mind: You are playing a melody and adding some chords when that is possible. Not playing chords and occasionally hinting at a melody that is also there.

The main thing to practice here is to get used to emphasizing the top note in the chord, a skill that you will also find very useful for comping and chord soloing.

The way to work on this is to learn to play the chords while not so much making the top note louder but more making the chord softer. This is both easier and will sound more natural. Another thing that is important is that you want to have some dynamic range to phrase the melody.

Check out an Easy Chord Melody

If you want to explore another chord melody arrangement to work on these skills then you can check out this lesson: Easy Autumn Leaves Chord Melody and Quick How-to-Play!

And of course if you really want to work on your chord melody skills:

Chord Melody Survival Kit

https://jenslarsen.nl/product/chord-melody-survival-kit/

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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Chord Melody – The 2 Positions You Need to Know

We don’t think too much in positions when it comes to Chords and Chord Melody Guitar. That is something that is connected more to scales, but it does make sense to have this perspective especially if you want to work on ways to improvise in a solo guitar setting where you want to use full chords with a root.

In The first video I did on this topic I was working on one position and exploring some options there. In this video I am going to look at the other one and show you how to improvise there on a II V I giving you a way to look at the chords so that you can take a voicing and add a melody on top of that.

The 1st Position from the Previous Lesson.

This lesson is continues from a previous video I made on the topic. You can check out here: Chord Melody Solo Process

The position I discuss in that lesson is the one use in that lesson is around this set of notes:

The best way to think of this “position” (since it isn’t really a position) is as a set of root notes.

The “other” Chord Melody Position

By starting with the root of the II chord on the 6th string you get this position. Showed here with Shell-voicings.

Examples and “Chord melody Solo Scales”

The way I am going to explain this is by looking at some examples and use those to make some scale positions of notes with one main chord voicing.

The first example could be something like this:

Finding scales for each chord

The notes that can be used for each of the chord are found in the C major scale. I am leaving out notes that don’t fit the chord or it’s function.

You can find another example with the same note-pool is shown here below:

Adding an altered dominant

A similar set of chords and notes but using an altered dominant would look like this:

An example of how this is used is shown here below.

Notice that sometimes the chord voicing changes to allow for the rest of the line to be more playable. This is how I am playing the line on the Dm7 chord.

Another example of how the altered dominant can be used is shown here below. The melody here is a motif stated on the II chord and then developed on the Valt chord.

Joe Pass Chord solo book

A book, that I have used and learned a lot from is this book of transcribed chord solos. I mention it in the video.

Joe Pass – Chord solos
 http://amzn.to/2kk2zei (affiliate link)

Chord Melody Survival Kit

If you want to develop your skills with chord melody then you can check out this lesson where I break down my basic process for making a chord melody and demonstrate how to turn this into an arrangement.

The lesson includes 3 arrangements and video lessons describing how they are made.

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Get the PDF!

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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Chord Melody – This is How To Play Solos

You already play chord melody guitar arrangements of standards, but Improvising in a solo guitar setting where you are playing chords and an improvised melody can be really difficult and seem impossible to learn.

In this video I am going to show you how to use chords as a position to create a scale where you can improvise with and in that way solo in a Chord Melody setting.

This is one of the ways I approach improvising in a solo guitar setting and it is technically much less demanding than trying to for example harmonize every melody note. In fact you can probably get started right away, and a bonus is that practicing this will make you a lot better at making your own chord melody arrangements.

This video came about because I was making videos for my Patrons discussing how I prepared a solo gig. It was a request to demonstrate one of the approaches I use for soloing.

A Practical Approach to improvising

The best way to demonstrate my method or approach is to just give you some examples and in breaking them down showing you what the idea is.

The first example is a II V I lick in C major.

I would assume that you already know the basic chords that are shown as diagrams above the sheet music.

The way I see this II V I lick is basically as a melody using these basic chords.

Try playing this example

Building a Scale for each chord voicing

The way I see the available notes for the Dm7 and G7 vocings I have the two “scales” associated with both chords.

Notice that I actually have two voicings for G7 but again these two voicngs are (for me at least) variations on the same voicing. Probably centered around the 7th and 3rd on the D and G string.

Variations of voicings

One way to build vocabulary is to have several options for the combinations of voicings. In this video I am doing this by using different Dm7 voicings.

The example below is using a different type of chord voicing.

Here the notes available with the Dm7 is a little different and is shown here below.

Variations and more chords 

The example here below is using several voicings on the G7. Again the focus is on using voicings that are variations of the same chord. You can see that it is that thinking that I use on the G7 chord.

The line is using a variation of the previous Dm7 chord, now with a 3rd in the melody instead of the 9th,

I also added some more interesting rhythms to the line and really use a chord to emphasize the top-note of the melody on the G7.

Chord Melody Survival Kit

If you want to develop your skills with chord melody then you can check out this lesson where I break down my basic process for making a chord melody and demonstrate how to turn this into an arrangement.

The lesson contains 3 arrangements and video lessons describing how they are made.

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

You can also download the PDF of my examples here:

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Join 600+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Easy Autumn Leaves Chord Melody and Quick How-to-Play!

Autumn Leaves is a great song to get starting playing easy chord melody arrangements on guitar. This famous jazz standard is both a great melody and a fairly easy option to play an easy chord melody.

In this lesson I will go over a chord melody arrangement of Autumn Leaves that I made. arrangement. The chords I am using are for the biggest part simple 3-note voicings called shell-voicings and I have also included some exercises to check those out.

You can scroll down and download the PDF of the Arrangement at the end of the page.

Autumn Leaves – The Song and the Chord Melody Arrangement

The key that I am using for Autumn Leaves in this arrangement is G minor. This is not the key from the real book, but it is the most common key for performing the song. The form of Autumn Leaves is AAB where A is 8 bars and B is 16 bars, so it is a 32 bar form.

The arrangement is using call-response to also allow the chords to add some groove to. This also allows for using the melody in the lower octave that often sounds a little fuller.

Learning some useful Shell-voicings for the song

To learn the chord melody we need some chords to play with the melody. The melody of Autumn Leaves is mostly a pick-up with followed by a single long note on the heavy bar. You can think of the first phrase as an example. This makes it easy to add chords while the long note is sounding.

Most of the chords that I use here are shell voicings, so it is a good idea to check those out in G minor.

In the exercises below I have the diatonic chords of G minor first  with the root on the E string and then with the root on the A string. For each exercise I start with the lowest possible chord and then move up one octave.

Chord Melody – It’s about the melody!

The first place to start with chord melody is learning the melody! In fact, it would be a more appropriate name if we turned it around: Melody Chord. This is because we are playing the melody and adding the chords, not the other way around (hopefully).

In example 3, here below. I have written out the melody for the first 8 bars of the song. It is written out in the places where I want to play the melody so that I can easily fit chords under it.

Really knowing the melody well and being comfortable moving it around the neck is essential when you start making your own chord melody arrangements (which should be 20 minutes after checking out this lesson…).

Autumn Leaves Chord Melody arrangement – The A-part

The A part of this song has the same structure for all phrases: a pickup and a long note. This means that the chords can be paired together and played in between the phrases.

In that way the chord pairs become: Cm7-F7, Bbmaj7-Ebmaj7, Aø-D7 and a final Gm6 chord.

When I am playing the melody I end on a note that is included in the chord and I make sure to use a fingering where I can add the chord while sustaining that note. In this case that is as much a technical as it is a musical consideration.

As you see above I use a “real” tonic minor chord so a Gm6 which is of course also what is suggested in the original composition (and the famous Miles Davis/Cannonball Adderly version as well)

The B part

The second half of the song is a bit more complicated. Of course, the melody has to change a bit not to become boring so in the B part, there are other melodic patterns.

In the first bar of there is no room to add a chord until the 4th beat which forces a change in the pattern and the rhythm of the chords. The next 6 bars again allows for adding the chords between phrases.

On the 9th bar of the B part the melody takes up the entire bar and I add the shell voicing under it. This first yields a complete Drop3 voicing for the Aø and then the basic shell voicing.

There is no chord under the D7 and the chord is inserted on beat 3.

The faster moving progression that follows: Gm7 C7 Fm7 Bb7 is harmonized first with a drop3 Gm7 voicing and for the rest shell voicings. This makes it impossible to sustain the melody, but it still works.

The last cadence has an Eb6 with the 6th in the melody and on the last D7 the melody is so low that I chose not to have any chords at all. Since the melody is moving all the time that is not much of a problem, and as I already said: The Melody is more important!

This is a blueprint for your own chord melody arrangements

I hope you can have fun playing through my arrangement and start to make it your own with variations and changes to the chords!

For me, the most fun part of chord melody is making your own arrangements! I think you should start trying to figure out how to do so as fast as possible. You can play other peoples arrangements as well, but there is no reason why you should not be creative with your own harmonizations and voicings!

Learning to solo on Autumn Leaves is of course also a part of playing it as a Jazz Guitarist. One approach to this using the arpeggios of the song is covered in this lesson: Autumn Leaves with Arpeggios

How To Make Your Own Chord Melody Arrangements!

You can learn to make your own chord melody arrangements, and it is not even that difficult.

This lesson will help you:

  • Learn How To Make your own Chord Melody Arrangments
  • Work through a structured path to develop your playing
  • Easy to play and not relying on you knowing thousands of chords.

Chord Melody Survival Kit

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