Tag Archives: Chord Melody Guitar Lesson

Chord Melody – The 2 Positions You Need to Know

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We don’t think too much in positions when it comes to Chords and Chord Melody Guitar. That is something that is connected more to scales, but it does make sense to have this perspective especially if you want to work on ways to improvise in a solo guitar setting where you want to use full chords with a root.

In The first video I did on this topic I was working on one position and exploring some options there. In this video I am going to look at the other one and show you how to improvise there on a II V I giving you a way to look at the chords so that you can take a voicing and add a melody on top of that.

The 1st Position from the Previous Lesson.

This lesson is continues from a previous video I made on the topic. You can check out here: Chord Melody Solo Process

The position I discuss in that lesson is the one use in that lesson is around this set of notes:

The best way to think of this “position” (since it isn’t really a position) is as a set of root notes.

The “other” Chord Melody Position

By starting with the root of the II chord on the 6th string you get this position. Showed here with Shell-voicings.

Examples and “Chord melody Solo Scales”

The way I am going to explain this is by looking at some examples and use those to make some scale positions of notes with one main chord voicing.

The first example could be something like this:

Finding scales for each chord

The notes that can be used for each of the chord are found in the C major scale. I am leaving out notes that don’t fit the chord or it’s function.

You can find another example with the same note-pool is shown here below:

Adding an altered dominant

A similar set of chords and notes but using an altered dominant would look like this:

An example of how this is used is shown here below.

Notice that sometimes the chord voicing changes to allow for the rest of the line to be more playable. This is how I am playing the line on the Dm7 chord.

Another example of how the altered dominant can be used is shown here below. The melody here is a motif stated on the II chord and then developed on the Valt chord.

Joe Pass Chord solo book

A book, that I have used and learned a lot from is this book of transcribed chord solos. I mention it in the video.

Joe Pass – Chord solos
 http://amzn.to/2kk2zei (affiliate link)

Chord Melody Survival Kit

If you want to develop your skills with chord melody then you can check out this lesson where I break down my basic process for making a chord melody and demonstrate how to turn this into an arrangement.

The lesson includes 3 arrangements and video lessons describing how they are made.

Chord Melody Survival Kit

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Get the PDF!

You can also download the PDF of my examples here:

Chord Melody – The 2 Positions You Need to KnowDownload

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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Chord Melody – This is How To Play Solos

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You already play chord melody guitar arrangements of standards, but Improvising in a solo guitar setting where you are playing chords and an improvised melody can be really difficult and seem impossible to learn.

In this video I am going to show you how to use chords as a position to create a scale where you can improvise with and in that way solo in a Chord Melody setting.

This is one of the ways I approach improvising in a solo guitar setting and it is technically much less demanding than trying to for example harmonize every melody note. In fact you can probably get started right away, and a bonus is that practicing this will make you a lot better at making your own chord melody arrangements.

This video came about because I was making videos for my Patrons discussing how I prepared a solo gig. It was a request to demonstrate one of the approaches I use for soloing.

A Practical Approach to improvising

The best way to demonstrate my method or approach is to just give you some examples and in breaking them down showing you what the idea is.

The first example is a II V I lick in C major.

I would assume that you already know the basic chords that are shown as diagrams above the sheet music.

The way I see this II V I lick is basically as a melody using these basic chords.

Try playing this example

Building a Scale for each chord voicing

The way I see the available notes for the Dm7 and G7 vocings I have the two “scales” associated with both chords.

Notice that I actually have two voicings for G7 but again these two voicngs are (for me at least) variations on the same voicing. Probably centered around the 7th and 3rd on the D and G string.

Variations of voicings

One way to build vocabulary is to have several options for the combinations of voicings. In this video I am doing this by using different Dm7 voicings.

The example below is using a different type of chord voicing.

Here the notes available with the Dm7 is a little different and is shown here below.

Variations and more chords 

The example here below is using several voicings on the G7. Again the focus is on using voicings that are variations of the same chord. You can see that it is that thinking that I use on the G7 chord.

The line is using a variation of the previous Dm7 chord, now with a 3rd in the melody instead of the 9th,

I also added some more interesting rhythms to the line and really use a chord to emphasize the top-note of the melody on the G7.

Chord Melody Survival Kit

If you want to develop your skills with chord melody then you can check out this lesson where I break down my basic process for making a chord melody and demonstrate how to turn this into an arrangement.

The lesson contains 3 arrangements and video lessons describing how they are made.

Chord Melody Survival Kit

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Sign up for my newsletter – Get the II V I Ebook

Get the PDF!

You can also download the PDF of my examples here:

How To Play a Solo in Chord MelodyDownload

Jazz Guitar Insiders Facebook Group

Join 600+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Easy Autumn Leaves Chord Melody and Quick How-to-Play!

Autumn Leaves is a great song to get starting playing easy chord melody arrangements on guitar. This famous jazz standard is both a great melody and a fairly easy option to play an easy chord melody.

In this lesson I will go over a chord melody arrangement of Autumn Leaves that I made. arrangement. The chords I am using are for the biggest part simple 3-note voicings called shell-voicings and I have also included some exercises to check those out.

You can scroll down and download the PDF of the Arrangement at the end of the page.

Autumn Leaves – The Song and the Chord Melody Arrangement

The key that I am using for Autumn Leaves in this arrangement is G minor. This is not the key from the real book, but it is the most common key for performing the song. The form of Autumn Leaves is AAB where A is 8 bars and B is 16 bars, so it is a 32 bar form.

The arrangement is using call-response to also allow the chords to add some groove to. This also allows for using the melody in the lower octave that often sounds a little fuller.

Learning some useful Shell-voicings for the song

To learn the chord melody we need some chords to play with the melody. The melody of Autumn Leaves is mostly a pick-up with followed by a single long note on the heavy bar. You can think of the first phrase as an example. This makes it easy to add chords while the long note is sounding.

Most of the chords that I use here are shell voicings, so it is a good idea to check those out in G minor.

In the exercises below I have the diatonic chords of G minor first  with the root on the E string and then with the root on the A string. For each exercise I start with the lowest possible chord and then move up one octave.

Chord Melody – It’s about the melody!

The first place to start with chord melody is learning the melody! In fact, it would be a more appropriate name if we turned it around: Melody Chord. This is because we are playing the melody and adding the chords, not the other way around (hopefully).

In example 3, here below. I have written out the melody for the first 8 bars of the song. It is written out in the places where I want to play the melody so that I can easily fit chords under it.

Really knowing the melody well and being comfortable moving it around the neck is essential when you start making your own chord melody arrangements (which should be 20 minutes after checking out this lesson…).

Autumn Leaves Chord Melody arrangement – The A-part

The A part of this song has the same structure for all phrases: a pickup and a long note. This means that the chords can be paired together and played in between the phrases.

In that way the chord pairs become: Cm7-F7, Bbmaj7-Ebmaj7, Aø-D7 and a final Gm6 chord.

When I am playing the melody I end on a note that is included in the chord and I make sure to use a fingering where I can add the chord while sustaining that note. In this case that is as much a technical as it is a musical consideration.

As you see above I use a “real” tonic minor chord so a Gm6 which is of course also what is suggested in the original composition (and the famous Miles Davis/Cannonball Adderly version as well)

The B part

The second half of the song is a bit more complicated. Of course, the melody has to change a bit not to become boring so in the B part, there are other melodic patterns.

In the first bar of there is no room to add a chord until the 4th beat which forces a change in the pattern and the rhythm of the chords. The next 6 bars again allows for adding the chords between phrases.

On the 9th bar of the B part the melody takes up the entire bar and I add the shell voicing under it. This first yields a complete Drop3 voicing for the Aø and then the basic shell voicing.

There is no chord under the D7 and the chord is inserted on beat 3.

The faster moving progression that follows: Gm7 C7 Fm7 Bb7 is harmonized first with a drop3 Gm7 voicing and for the rest shell voicings. This makes it impossible to sustain the melody, but it still works.

The last cadence has an Eb6 with the 6th in the melody and on the last D7 the melody is so low that I chose not to have any chords at all. Since the melody is moving all the time that is not much of a problem, and as I already said: The Melody is more important!

This is a blueprint for your own chord melody arrangements

I hope you can have fun playing through my arrangement and start to make it your own with variations and changes to the chords!

For me, the most fun part of chord melody is making your own arrangements! I think you should start trying to figure out how to do so as fast as possible. You can play other peoples arrangements as well, but there is no reason why you should not be creative with your own harmonizations and voicings!

Learning to solo on Autumn Leaves is of course also a part of playing it as a Jazz Guitarist. One approach to this using the arpeggios of the song is covered in this lesson: Autumn Leaves with Arpeggios

How To Make Your Own Chord Melody Arrangements!

You can learn to make your own chord melody arrangements, and it is not even that difficult.

This lesson will help you:

  • Learn How To Make your own Chord Melody Arrangments
  • Work through a structured path to develop your playing
  • Easy to play and not relying on you knowing thousands of chords.

Chord Melody Survival Kit

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.