Tag Archives: harmonic analysis

How To Analyze Chords and Progressions

We Analyze Chords and Chord Progressions because it is very important to understand how the music flows and also to figure out what to play and how to play when we solo over it.

In this video I am going to take a well know Jazz Standard There Will Never Be Another You and use a step-wise method to analyze the a song. Understand the chords and the progression, and find out what scales go with the chords. This will go a bit beyond just recognizing the II V I’s and also help you really understand a lot of progressions in jazz.

As a musician I find that knowing and using music theory like this is really helpful when studying pieces and sight-reading charts. For me it helps me hear the music on the page, the changes and the color of the melody. For that Harmonic analysis is a very useful skill.

Analyze Chords – Video Content:

0:00 Intro

0:36 What we use the Analysis for

1:06 Three Step Analysis using Roman Numeral

1:29 A few approaches to find the key -The Melody

2:00 The Chord as a way of finding the key

2:27 Diatonic chords in the scale

2:56 The Diatonic chords in the progression

3:54 Adding secondary Dominants and Cadences

6:34 The 3 remaining Chords

6:46 Minor Subdominant

8:47 The Tritone substitute

9:47 The #IV

11:40 Using the analysis to assign scales

13:30 Like the video? Check out my Patreon Page!

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Overlooked SKILLS for Learning Jazz

There are two important skills you can work on to get better at playing better solos and most of the time we never talk about them because they are either forgotten or under developed. Yet they are both essential parts of what we end up playing.

In this video I will go over how you can use harmonic analysis and compositions as tools in developing your ability to play better lines and also how to increase your vocabulary. The examples make use of both Charlie Parker licks as an inspiration and a way of implementing an arpeggio in your lines.

PDF with sheets/tab for the examples available on my Patreon Page!

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0:00 Intro and why I use this method

1:16 The lay out of the video

1:28 A Phrase from the Omnibook

 

1:55 The Charlie Parker Phrase

2:52 Analysis of the components

3:31 Recognizing Stock Phrases and Arpeggios

8:41 Making new material with what is in the line

9:52 Turning it into a II V I in Bb

10:28 Variation of the II V I lick

10:45 Composing to paper? Why/Why not?

11:05 Insight into my way of analyzing?

 

11:44 The Usual Requirements and how to use them

12:27 Use what you practice!

12:43 Develop you creativity

13:30 Example: descending diatonic arpeggio

14:08 Composing a II V I with the arpeggio

14:34 Example 1

15:24 Example 2

16:08 Example 3

16:49 Example 4

18:19 It’s about the process not the lick!

 

19:27 Do you practice this way? Or an alternative?

20:54 Like the video? Check out my Patreon page!

5 Types of Chord Progressions You Need To Recognize and Be Able To Play – Harmonic Analysis

Analyzing Chord progressions is something we all do as Jazz Guitar players. We need to understand Jazz Harmony in order to play good solos and to improve our Jazz Comping.

Here’s what most people seem to get wrong: Understanding the chords in the context of the song and not just looking at what type of chord it is.

The way we apply Music Theory to our harmonic analysis of a song decides how well we understand the chord progression and helps us play better solos.

In this video I will go over 5 types of progressions that if you can use to better understand the functional harmony that you find in a jazz standard.

 

0:02 What we use Music Theory for in jazz

0:23 The II V I problem

1:21 What I want from Music Theory

2:08 Examples of why you want to think beyond “it’s a II V I”

2:13 The III VI7 II V I

2:34 Cmaj7 and Em7 both Tonic

3:26 Why Modes fail in Jazz: Phrygian

3:46 IV IVm I and IV bVII I

4:25 Why group in functions?

4:53 V I and II V I progressions

5:36 “Turnaround” the II V I

6:19 Secondary Dom7th and Cadences

8:15 IVm progressions

9:01 Common IVm chords

9:28 The two uses of IVm chords

10:56 The #IV Progressions – The basics

11:31 How #IV progressions are treated in Jazz

11:58 The #IV resolving to a Tonic

13:29 The #IV resolving to IV or IVm

14:47 No Modulations?

15:09 Modulations!

16:03 Examples of songs that modulate

17:10 The point of this way of thinking