Tag Archives: how to comp on guitar

Drop 2 Magic On Satin Doll – This Is How To Use Jazz Chords

Drop 2 voicings are really useful for a lot of things in Jazz. They are essential for most jazz comping, Wes Montgomery or George Benson chords solos and other kinds of block harmony.

In this video, I am going to go over how you take a basic set of drop2 chords on the song Satin Doll and then expand them adding chromatic chords, making riffs and melodies. It will also show you how to really comp a song using melodic concepts like call response and motivic development that really are what separates you from just playing the harmony and sounding like a musical statement.

I am going to take the first 8 bars of Satin Doll and then in 5 levels add different things to the comping working on voicings, melodies, and rhythm.

Level 1 – Basic Chords

The first example is using one voicing for each chord. Keeping it simple

When you less complicated chords you can focus on great rhythms and that is also important.

Level 2 – Top-note melodies

Even though we are playing chords we still have to make musical statements. A big part of that is playing strong top-note melodies. The next step is really going to open up the possibilities for the melodies you can create.

Satin Doll and chord progression really lend itself to motivic development. There are a lot of repeating progressions like between bars 1-2 or between bars 1-2 and 3-4. This makes it easy to repeat and develop motifs.

Level 3 – Mixing voicing types

I have a lot of videos where I talk about how important it is to not get stuck in only using one chord type. You want to try to combine as many things as you can.

This example is it mixing the drop2 with 3-note voicings. The 3-note voicings are really just the drop2 but then leaving out the top string, which gives us a lot more options for melodies.

As you can see in the example below:

The II V I example mixing the different voicings is this:

Level 4 – Chromatic Passing notes

The top-note melodies we play are Jazz, so you can add a little chromaticism in there on top of the chords.

Level 5 – Chromatic Chords

With chromatic melodies, you can also harmonize them and get some great sounding chromatic passing chords.

Drop 2 Boost for your comping and chord solos

Get more examples of how to use and embellish Drop2 chords

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Drop Voicings – How to Understand The Construction

Drop Voicings like Drop 2 and Drop 3 are very common in Jazz, and as a Jazz guitarist, you want to know and use them in your comping and chord melody arrangements. Especially Drop 2 voicings are very common in the playing of Wes Montgomery, George Benson and many others. In this video, I am going to break down how these terms work and how to construct drop voicings so that you have a better understanding of the voicing technique and can create your own drop voicings.

I will go over this and also give some examples of how the different voicings sound on a II V I. In the end, it is more important how they sound. It is maybe also interesting in itself how different they sound with the same notes just different voicings.

Content:

0:00 Intro – What is a Drop2 or a Drop3 voicing

0:24 Understanding Drop Voicings and how they sound

0:37 The Difference in Sound

0:50 #1 Drop2 – Wes Montgomery and George Benson

1:23 How We Assign Numbers to Voices in a Chord

2:00 Drop2 voicings

2:09 II V I Example with Drop2

2:25 #2 Drop3 

2:57  II V I Example with Drop3

3:18 #3 Drop 4

4:00  II V I Example with Drop4

4:14 #4 Drop2&4 – Allan Holdsworth

4:57 II V I Example with Drop2&4

5:17 Drop2&3

6:05 II V I Example with Drop2&3

6:19 Different Voicing = Different Sound

6:53 Like The Video? Check out My Patreon Page!

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If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.