Tag Archives: jazz blues guitar solo lesson

How to Use the Blues in a Jazz Solo

There is something special about the Jazz Blues Guitar sound and that type of phrasing! The blues is a very important part of Jazz, but it can be difficult to get those bluesy phrases to work on a jazz song, the way Joe Pass or George Benson do.

In this video, I am going to show you how to do that, a common mistake we make and also talk the different ways great guitarists like George Benson, Joe Pass, and Emily Remler use blues phrases in jazz solos.

Other videos on Joe Pass, George Benson, and Emily Remler

George Benson – This is The Best Jazz Blues Solo I know

Emily Remler – How To Reinvent a Standard

Joe Pass – How to Keep Solos Interesting

Content

0:00 Intro

0:17 Blues Phrases from George Benson, Joe Pass, and Emily Remler

0:34 Example #1

0:47 Benson’s Major Blues Sound

1:38 Play Blues From The Key of the Piece

1:58 The Blues As Leading Notes

2:48 Altered Dominant? Blues!

3:21 Example #1 Slow

3:38 Benson’s Blues Approach

4:04 Pat Martino On Benson 

4:20 Example #2

4:29 Joe Pass – Watch What Happens

5:24 Joe Pass’ Minor Blues

6:43 Example #2 Slow

6:55 Blues In Major and in Minor songs

7:19 Example #3

7:32 Using Blues in a Minor Key

8:11  Emily Remler – Softly As In A Morning Sunrise

8:53 From Blues to Triplet Groupings

9:20 Example #3 Slow

9:36 The Things You Want to Do To Use Blues in Jazz Solos

10:22 Like The Video? Check out my Patreon Page!

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The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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5 Jazz Blues Licks – How to use Transcribed ideas

In this video, I go over 5 longer Jazz Blues Licks that incorporate different ideas that I took from transcriptions of great guitarists such as Grant Green, George Benson, Charlie Parker(not really a guitarist, but he wished he was), Wes Montgomery, and John Scofield.

These examples really highlights how I work with material that I have transcribed, and most of them are in fact in videos I have done on these artists.

How I use transcribed licks

For me using larger chunks of a solo from somebody else was never really working. I always preferred to work with small phrases or even the concept behind a phrase and then use that to make my own version of that idea.

In these examples, I am mostly using small bits and pieces of other guitarists licks. This is mainly because the relation to the original would maybe be too unclear.

Grant Green and his great triad lick

This first example uses an opening phrase that is quite common with Grant Green. He uses this 2nd inversion triad in both Miss Ann’s Tempo and I’ll Remember April.

For the rest the line is using some of the great ideas that we use in Blues influenced jazz with the sliding leading notes and especially approaching the 3rd from a half step below.

Another typical jazz line is the use of the G augmented triad to help pull towards the C7.

George Bensons Major Blues Genius

A comment on my recent video on George Benson went on and on about how his use of major pentatonic lines was dreadful. A very strange idea since most of the guys (like Parker and Coltrane) use this sound a lot. And besides that I can’t imagine not wanting to be able to play Blues phrases with the soul of Benson.

The quote in this phrase is in the middle of the line. It starts in bar 2 and continues into bar 3. In the original(in F) he playes the upbeat in quarter notes. Here I turned that into 8th ntoes.

The phrase in bar 4 is a Parker line similar to one of his lines in his original version of Billie’s Bounce.

Kenny Burrel and Wes Montgomery

The first phrase (another major pentatonic 🙂 ) is from Kenny Burrell. The descending 6th at the end is really beautiful. On the C7 I am using a double stop trill that you can hear both Benson and Montgomery use. Wes plays a whole chorus in No Blues off Smoking at the Half note with this phrase. Here I am putting it on the IV chord rather than the I where both Benson and Wes use it.

Scofield’s Amazing Arpeggio Ideas and slides

This example is beginning with a lick that is not exactly taken from a Scofield solo but is more “in the vein of” The way he uses different types of legato techniques to create a really nice flow is beautiful, even if it is a little tricky to play.

The phrase in bars 3 and 4 is more of a direct quote from Scofield but the 2nd half is my take on developing the original as a motif. Here I take the opportunity to also turn it into a more altered sound.

Imitating Wes is always worthwhile

This example is a take on a Wes line from his (unbelievable) solo on Four on Six off the Smoking at the half note album. The original is on 4 bars of G minor, but here I have taken it to G major keeping the basic shape and changing the notes around.

What to take away from this lesson

I think these examples describe how I work with material that I have transcribed. Some of the examples I might really play in a solo and some that I might work with while practicing to develop them into more personal takes on the lines.

Developing your own material is important (and fun) so I’d suggest you do the same.

Supercharge your Blues playing!

If you want some more jazz blues examples then check out this WebStore lesson:

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Get the PDF!

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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F Jazz Blues – Study Guide

This study guide will give you a row of lessons to check out how to solo on an F Jazz Blues. The material will cover basic and advanced chords and voicings, arpeggios, scales and also some of the things to check out if you want to work on being able to play better melodies in your solos.

The 12 bar blues is an essential part of the Jazz Repertoire. The F Jazz Blues is probably the most common key. Famous pieces like Straight No Chaser, Billie’s Bounce and Au Privave are most know themes played in F. 

Your Feedback is very valuable

Remember that the guides are here to help you so if you have suggestions for this or other guides then let me know! I might have missed something or you have another idea for something that is important to check out! Feel free to send me an e-mail or message via social media.

I have also collected the videos in a Playlist on Youtube if you prefer that:

Playlist: F Jazz Blues YouTube Playlist

The Jazz Blues Survival Kit: Basic Scales and Chords + an Etude

The first three lessons deal with a basic chord vocabulary and how to use it when playing important chord progressions and jazz standards

Expanding your chord vocabulary

Where the basic clear voicings are presented in the previous section you can move on to a higher level by checking out these two lessons. 

The first is directly continuing with the material from the Survival kit and the second is introducing Drop2 voicings.

Arpeggios and Soloing

The best place to begin with soloing and expanding on it when approaching the blues from a bebop perspective is probably to check out the arpeggios. Being able to play the harmony is very important and a very solid foundation to build on.

The Blues in Jazz also has a specific language that is worth checking out. Adding this on top or next to your bop vocabulary is very useful. This video goes over 5 examples of lines mixing these two traditions.

Developing Phrasing for both chords and solos

Playing Chords does require more than just knowing what chord to play where. Some of the other parts of phrasing chords on a blues are dealt with in this lesson. The lesson is not using an F blues as an example, but the information in it will greatly help you get a good hard-bop blues vibe.

More Modern sounds

There are also more modern approaches that you can apply to an F Blues. Quartal Harmony and Pentatonic sounds are very common devices in Modern Jazz.

Chord Solos

Chord Solos is a must in mainstream jazz and this lesson goes over how to work on playing chord solos on an F blues by demonstrating a chorus and giving some exercises to develop your own chord vocabulary that is aimed at playing chord solos

Learn more about Jazz Blues

If you are looking for more extensive turtorials and examples you can check out some of the examples in my WebStore in the Blues category

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

More Resources

If you want to have more resources available then you can also check out these lessons from my webstore with longer examples, exercises and analysis of material on an F Jazz Blues