Tag Archives: jazz guitar lesson beginner

Minor II V I – 3 Levels You Want To Know

When you learn chords, and especially jazz chords where there are so many variations and options, it is important that you check them out in the right order and use a strong foundation to explore all the great sounds in there. In this video, I am going to take a basic minor II V, that you probably already know, I and show you how you, step by step, can open that up and turn it into a flexible set of chords that you can use for comping and even chord soloing.

This video is going to get you beyond just playing grips, it is time that we end that once and for all, the campfire era is over.

Level 1 – The Basic Chords

If you know your basic Jazz chords then you probably know this way of playing a minor II V I with it’s somewhat awkward II chord:

The great thing about playing chords like this is that you get to hear what the harmony sounds like and that is very useful for learning a song and getting it into your ear.

This is of course very important if you want to improvise over the progression, so using these chords to become familiar with the sound, the movement of the harmony and the bass line is really useful.

If you are getting into these then make sure to also checking out how to treat them as 2 layers in comping, a bass note, and a chord. This is great for duo playing.

You can think of how you play as accents played on the drums with bass and snare which is mostly how drummers comp in a swing groove, and also what you want to lock in with when you play.

Level 2 – Rootless Chords

The basic chords are great for getting the harmony into your ears, but if you are playing in a band then it is better to leave the bass notes alone and not be exposed to angry bass players

Dave Holland 16:04 + text – Stupid Guitar Voicings with bass notes (busy two-layer comping)

Dave Holland 17:34 + text – Finally some rootless voicings!

While I may be using Dave Holland to joke around, this is an amazing band and one of my all-time favorites you can check out this concert with the link in the description: https://www.youtube.com/watch?v=uvG8B39_Alc

This is really easy because you can just think about the voicings from example 1 but only play the top part like this:

When you play the chords like this then you have quite a few more options to change the notes and create some more interesting melodies and voice-movements. You are not stuck with a fairly static chord that is “just a grip”

An example of how you can add melody would be something like this:

And of course, when you really use this it will be with a bit more rhythm, something like this:

Where there is a lot more happening than “Example 2”

and we can take this even further by adding more color to the chords

Level 3 – Bigger Chords and More Color

Since we started with 4-note chords and turned them into 3-note chords then it is worth exploring what happens if we add notes on top of these. To me, this was always about being practical so looking at what is there but only use what is easy to play and then be creative with that.

This is btw something I think is very efficient in most aspects of practicing and playing, but that is another discussion

If we take a look at what is available for the Bø you get something like this:

And for E7

and finally Am6

The way I use this is that I check out what is there and I try to get an overview of what is easy to play and then that is what I will use. You can try to expand options, but watch out that you don’t get lost in trying to check out too many chord voicings, which  is often taking up a lot of time without helping you play better.

Using these voicings to comp the minor II V I could be something like this

 

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5 Basic Jazz Chord Exercises That You Want To Know

There is something special about how we play chords in Jazz. A part of that is the jazz chords themselves but another part that is just as important is how you play those chords. This video is going over 5 basic jazz guitar exercises that you can play and get started developing your Jazz chord skills. Some of them you probably know and some of them you can add to your playing.

I am using parts of songs to demonstrate this, so going through these exercises will also help you get started learning Jazz Standards which is another important part of learning Jazz.

#1 Shell-voicings – 6 chords in 30 seconds

First, we need some chords to play. To keep it simple I am going to quickly cover some voicings and then give you an example of how you can practice them on a song. To keep it simple I am going to start with easy 3-note voicings called shell voicings. A shell voicing is a simple chord that covers the basic sound of the chord and is very playable. They consist of a root, 3rd, and 7th (or 6th) Later I will start adding some notes to these to add a little color, but it is great to start playing music with these already. If you put these to use on a song like “Afternoon in Paris”, then you get something this: You can use this exercise to get the chords into your fingers, but you won’t really get them into your playing before you start playing other songs with them, so don’t forget to try that.

#2 Great basic rhythm – Charleston

Rhythm is more important than notes in Jazz, so the rest of these exercises are going to be more on rhythm and how to rhythms that sound like Jazz. The most basic and most important rhythm to know is probably the Charleston rhythm. You can practice that with Shell-voicings through 8-bars of Satin Doll like this: In this exercise, I play two chords per bar to make it a little more difficult, but it also helps you learn to anticipate a chord which is also important for Jazz phrasing.

#3 Two layers and a little more groove

Before we start adding notes to the voicings then you want to try to get the most out of them and actually, you can split up the shell-voicing in the bass note and the chord, and then you can play some rhythms with two layers. This is especially useful for giving it a little more groove and to keep things moving when you have more than one bar of one chord like this in Take The A Train:

#4 Bossa Nova

Another great groove to play is a Bossanova groove. In this example, I am using the first 8 bars of Girl From Ipanema. To change things up and make it a little more challenging I also add a note to each voicing for a little more color. The chords I use are: And then if we add this basic Bossanova pattern then you can play Girl From Ipanema like this: Like the other exercises in this video, this is just a basic example and you can do a lot more with both extensions and rhythms. You can check out links in the video description if you want to dig deeper into this.

#5 Simple Walking Bass

Another way to become more flexible and really lay down a swing groove is to play chords and walking bass. This works really well with Shell-voicings and could be something like this:

Playing Jazz Chords – What’s next?

If you want to explore more things with Jazz Chords and how to play them then check out this collection of lessons:

Comping – Putting It All Together

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for. Please subscribe to my YouTube channel and feel free to connect with me via InstagramTwitter Google+ or Facebook to keep up to date with new lessons, concerts, and releases.

This Is A Better Strategy For Jazz Guitar

Most jazz guitar lessons will tell you that you need to know your scales all over the neck, you need to know all the arpeggios and all the chords, understand all the theory. But what nobody seems to talk about is what order you should learn this in, and does learning jazz guitar mean that you first have to learn 3-5 scales in 7 positions with 7 diatonic arpeggios each?

Content:

0:00 Intro – Can you play Jazz without 2 years of scale practice?

0:34 How Most of us get into Jazz (me included)

1:16 Wes Montgomery Practicing Scales

1:36 Jazz is not a skill

1:56 Where does it go Wrong?

3:32 What Are You missing?

4:14 How To Fix It

4:46 A more simple approach

5:32 How It Works on a Song

5:58 Quick Analysis of the Chord Progression

7:07 The Scales we need

8:02 Making it a short compact amount of material to practice in 5-10 minutes,

8:45 Like the video? Check out my Patreon page.

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.