Tag Archives: jazz guitar practice routines

Guitar Practice – Top 5 Super Useful Apps

You want to make the most of your limited practice time, and there are a lot of useful apps out there which can help you make your guitar practice more fun and more efficient. The one that is maybe the most useful and overlooked is in fact free, and you already have it on your phone.

The first part of this video is on the 5 Apps I use and then I also have some really solid recommendations at the end.

#5 Tuner

Guitar Tuner, Bass, Violin, Banjo & more | DaTuner - YouTube

Always good to have a backup tuner if you forget or lose your tuner. Also just passing it to a student in a lesson for them to tune.

The one I use is called DaTuner and it is free, there is a premium version without all the ads but since I use this more as a backup then I didn’t check out what it does and if it does that well beyond removing the ads.

My impression is that there are a lot of different tuner apps and they all do the same thing pretty well, and having a free one is always reassuring.

Later in the video, I am also going to give you the best tip for using your phone while practicing.

#4 iReal

iReal Pro offers an easy-to-use tool to help musicians of all levels master their art. The app simulates a real-sounding band that can accompany you as yo… | Muziek

It is a bit strange to recommend iReal because I find that it often does as much damage as it does good. So let me say up-front that I am really not a fan of the midi backing track sound of iReal and I am pretty sure that is not good for your swing feel.

Another thing I am not happy with is that you have chords for songs, but the melody is not there and the changes are often not fantastic. Of course, this is because of copyrights that make it impossible to include the actual song, so you can’t really blame the app.

And still, this is a great app to have for a session or gig where a song is called that you don’t know, or if a student brings wants to play a song you never played, and you can make your own harmony and share playlists if you are doing a cafe gig like opening a jam session or something else with no rehearsal.

#3 Metronome

How to Install Pro Metronome on PC for Windows and MAC

I don’t use the tuner or iReal all the time but they are on my phone. I do use my metronome app every day. There are a ton of metronome apps and a lot of them are free. For this app, I do have the Premium version but I don’t think I really use it for that. The only thing I did was make a preset so that you enter the tempo and the metronome is on 2&4, but that is hardly making use of all it can do. Always having a metronome is really practical, and this one can also go really slow which I use quite often.

What Apps Do You Recommend?

If there is an App that you really like to use that I did not talk about here, then leave a comment and help us discover it! If you know my videos you probably guessed that the next app would be high on the list.

#2 DrumGenius

APP - Drumgenius: the Jazz Rhythm Encyclopedia Created by Bassist Mauro Battisti

DrumGenius is a fantastic app, it is a lot of fun to play with and the different drum loops are extremely well made. It could use a few more straight-ahead medium and medium up swing loops, but for the rest it is great, and I also used it a lot for examples in my videos.

Another “secret weapon” that I sometimes use is soloing using the clave section of that app so you can solo over a blues in 4/4, but have the metronome in 5/4 or some other pattern for reference for timekeeping. That is a really useful exercise.

#1 Teach Yourself Guitar

Samsung's Camera app updated to version 10.5.03.1 (September 24, 2020) - Sammy Fans

The app on your phone that is really a game-changer for your playing is actually just something that is already in there and that you expect to be there: The Camera.

Having a recording device that is that easy to access and that helps you practice something and then sit back and listen to what you played without having to play at the same time and is incredibly effective for improving your playing. If there is one habit you want to build then it should be to record a short solo whenever you practice, and then sit down without your instrument and listen to what you play and figure out exactly what you want to improve.

That is is a video is really a bonus because it is mostly about the audio, but the way phones work then this is so easy to use that it is a shame not to use it like this.

Incredibly Useful Advice for Using a Phone for Practice

One thing that is pretty important when you are practicing and also using your phone is that you do so in flight mode. It is impossible to concentrate if you get notifications from Instagram, YouTube, and Facebook all the time when I upload a video, and if you don’t get interrupted it is 10 times as effective

Honorable Mentions

My top 5 in this video are based on the apps that I use regularly right now in my practice and that are on my phone, so it may change with time. I do feel that there are some really great apps out there that I recommend to my students and have used myself or use in periods.

Learning Fretboard Visualization with an App

Solo - Fretboard Visualization on the App Store

A great app to get a better overview of the fretboard and practice this in a really practical way is Solo. Solo is an app made by David Beebee and Tom Quayle from the Guitar Hour podcast. This is the only app I am mentioning here that does not have a free version, but if you are looking to improve your fretboard overview then this app is worth checking out.

David and Tom included some videos showing you how to use it, and there are exercises where you can work through songs and the app listens if you play the right notes. This makes it much more fun to practice stuff like this, and certainly worth a try.

Ear-training with a Free App

Lead Vocals - Improve Relative Pitch with Functional Ear Trainer

Another app that is great for training your ears that isn’t just about training intervals but really hearing notes in a key, which I think is so much more useful is Functional Ear Trainer. This app has a premium part as well but you don’t need to get that to learn from it, and the approach taken here is basic and super solid, and very useful.

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How To Go From Scales to Great Jazz Phrases

You are practicing scales so that you know what to play in your solos, but, like me, I am sure that you are quickly realizing that running up and down the scale is a pretty boring solo. Scales is just not music. You need to learn how to take the raw material of the scale and turn that into musical phrases that you can actually use in a solo.

Scales Are Boring

This is about how you think about what you are playing, and realizing that Jazz is a language that you need to learn to speak on your instrument, but, as you will see, once you get used to that thought then that can also help practice in a much more efficient way and get to enjoy your own playing more.

You already know your scales and hopefully, you also checked out some of the essential exercises like the diatonic triads and 7th chord arpeggios in there since those are very useful for not sounding like you are just running up and down a row of notes.

 

If you don’t know those exercises then check out this lesson on practicing scales.

Jazz Beginner Mistakes – How To Learn Scales

You want to avoid playing solos that just sound like you are running up and down the scale without any direction, completely at random.

Which doesn’t really sound like something that works in a solo.

How To Play A Jazz Phrase on a Cmaj7

So how do you solve this? You need to find a way to construct lines that are not just using random scale notes and that also make sense as an interesting melody and sounds like Jazz.

To keep it simple, let’s just say that you are improvising over a Cmaj7 chord and then I will show you how to start making lines that actually work.

Instead of playing random notes then you want to play something that connects with that chord. A Cmaj7 is C E G B (chord with diagram, right side) and if we play those notes then that will work really well with the chord.

With this you can already start to make something that sounds like music:

The difference is that it is not just running up and down the arpeggio, but instead, you try to hear a melody with the notes, adding some rhythm and hearing where it ends. But it is still pretty limited, so let’s add in some more notes in there, which is easy because there are 3 more notes in the scale.

Scale Notes and Phrases

If you make a line with the arpeggio notes and then start to add in the scale notes around it then you can create something like this:

As you can see the most of the notes are still the chord tones, and the way they are placed in the melody then they still help us connect to, or hear the chord, in fact, you can remove the scale notes and still have a great sounding line:

Sounding Like Jazz – Rhythms and Accents

One of the most important parts of getting a phrase to sound like Jazz is to get some syncopated rhythm in there. You can do this by either using syncopated rhythms like this:

Or by accenting notes so that the accents give you a syncopated rhythm

You get those accented notes by having a high note on an off-beat. In the beginning, you probably need to practice making and hearing melodies like that, but then it gradually becomes a natural part of how you hear melodies and how you improvise.

Adding Some Beautiful Wrong Notes

Another thing that you hear in something like a Wes Montgomery, George Benson or a Charlie Parker solo is chromaticism, which essentially means using wrong notes to create some tension that resolves to a right note. If you just play the “right” notes then it is as if you are missing something, and if you just play the chromatic notes then that sounds like you are just playing something wrong.

It has to make sense in the melody and resolve in the right way.

In this example, you have two types of chromatic phrases. Passing notes that resolve to chord tones, like this:

You can create chromatic phrases that resolve to a chord tone. Here it is connecting 7th to the 5th, G in half-steps. You can also have chromatic phrases that move around the resolution like this:

The enclosures you have here are targeting chord tones, first the 5th and then the 3rd: l (isolate enclosure of G and E)

And of course you want to end up with phrases that combine the two like this:

How You Practice Making Phrases

What you have seen until now are different options for building blocks, so small fragments that you use to build phrases with like the arpeggio, the scale, and two types of chromatic phrases. If you want to work on playing better lines then you should work on putting together phrases, but you can also learn a lot from studying how your favorite soloist plays. The way you do this is by analyzing the solo and try to figure out what building blocks are used and how the different blocks are put together.

Transcribing and analyzing phrases is really powerful because it comes from music that inspires us, and you start with what you hear.

This is not the only option, you can also work with making variations of building blocks by moving them around the scale, onto other chords or using rules not unlike what you find Barry Harris doing in his workshops.

In this video, I was only talking about using the arpeggio of a single chord, but there are many other options that you can work on. If you want to explore how you can start using different arpeggios for a chord and also how you make bebop inspired lines with them then check out this lesson on: “the most important scale exercise in Jazz”

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Get This Right About Everything You Practice

It is difficult to find time to practice and keep learning, so it is very important to not waste time with the things that you practice. Exactly what you practice is going to be different from person to person, but there are some useful questions that you can ask yourself about what you have in your guitar practice that will help you check that it will make sense to spend time on and is not a waste of time.

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Content:

00:00 Intro

00:28 Clear Goals

01:29 What Do I Need?

02:16 What Do I Learn?

02:44 The Right Way To Plan Practice

03:18 How Do I Practice Better?

03:30 Raw Material

04:02 Basic Application

04:30 Make Music With It

04:59 Going Through A Song

05:28 Use It Or Lose it!

05:58 Like the video? Check out my Patreon page!

 

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This Is A Better Strategy For Jazz Guitar

Most jazz guitar lessons will tell you that you need to know your scales all over the neck, you need to know all the arpeggios and all the chords, understand all the theory. But what nobody seems to talk about is what order you should learn this in, and does learning jazz guitar mean that you first have to learn 3-5 scales in 7 positions with 7 diatonic arpeggios each?

Content:

0:00 Intro – Can you play Jazz without 2 years of scale practice?

0:34 How Most of us get into Jazz (me included)

1:16 Wes Montgomery Practicing Scales

1:36 Jazz is not a skill

1:56 Where does it go Wrong?

3:32 What Are You missing?

4:14 How To Fix It

4:46 A more simple approach

5:32 How It Works on a Song

5:58 Quick Analysis of the Chord Progression

7:07 The Scales we need

8:02 Making it a short compact amount of material to practice in 5-10 minutes,

8:45 Like the video? Check out my Patreon page.

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Get the PDF!

The PDF for this lesson is available through Patreon in the Patreon FB group. By joining the Patreon Community you are in the company of 200 others supporting and helping shape the content on my YouTube channel.

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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The Wrong Way To Practice Something New

When you practice Jazz Guitar, then the most fun part of practicing is to work on new things you can add to your playing and enjoy using it while playing music. But often the way you start working on new material actually also stops you from getting it into your playing, and that is what I want to discuss in this video, and of course, give you a few easy ways to fix it.

Other useful articles on Practicing and Learning

This is a Good 10-minute Practice Routine

Avoid Long Practice Plans – This is what you should focus on

Jazz Practice Routine How To Find The Perfect Balance

Content

0:00 Intro

0:30 Setting Yourself up to Fail?

1:20 Using it in a Solo

1:51 The Solo

2:42 Analyzing the solo

5:55 Using it on a Single Chord

6:25 Cmaj7

7:00 Am7

7:50 Bb7(#11) (or E7 altered?)

9:04 Like the Videos? Check out my Patreon page.

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.