Tag Archives: Jazz Scale

Major Scales – This Is What You Should Practice

This question comes up again and again: “How do I practice the major scale” and it is important to get this right so you don’t waste time working on scales or miss important exercises. In this video, I am going to show you what I think you should include in your practice and also show you why with some musical examples. You want to get this right and not waste your time with this aspect of your routine so that you have time to learn to play as well and practicing this way will give you vocabulary too. I will also talk about why I find bebop scales to be a waste of time and bad for your creativity.

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Practice Major Scales like this and You will get more out of it!


The Most Important Scale Exercise In Jazz


Joe Pass – From the Vault: https://open.spotify.com/album/6RRyVVMofYvprSf4fJViho?si=3w9kvUXzQGihQNsfwIzr4g



0:00 Intro

0:40 Basic Scale – Positions and systems are not that important

1:39 CAGED, Berklee, 3NPS?

1:59 What Types of exercises

2:24 Diatonic 7th Chord Arpeggios – Here’s Why!

3:27 Examples from Joe Pass and Kurt Rosenwinkel

4:44 Diatonic Triads

5:01 Pat Metheny and Grant Green

6:25 Diatonic 3rds – Make it more playable

7:23 Adding Chromatic Passing Notes to your exercises and vocabulary

8:00 Bebop Scales – Be Creative not Systematic

8:56 Add some variation and open up your playing with All the other things

9:10 Like the video? Check out my Patreon page

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7 Jazz Scales for Cmaj7 – Vital Guide to Modern Jazz Guitar Sounds

What jazz scales you use over a chord tells you something about the sound of what you play in terms of extensions and alterations. In this video I am demonstrating the sound of 7 scales that you can put to use over a Cmaj7 type chord. Ranging from the good old major scale to a few atonal and more exotic scale choices. A big chunk of what is available in Jazz Theory I guess 🙂
For each scale I also give some suggestions for what arpeggios or pentatonic scales might be useful for that sound.

List of content:
0:08 Intro
1:32 Major Scale Improvisation
1:53 Major Scale, extensions and arpeggios
3:28 Lydian Improvisation
4:04 Lydian Scale, Target notes, extensions, pentatonic scales
5:18 Lydian #9 Improvisation
5:38 Lydian #9, sound, chord construction, arpeggios and triad pairs
7:55 Lydian Augmented Improvisation
8:24 Lydian Augmented Scale, Special Pentatonic, Cmaj7#5 and arpeggios
10:55 Don’t Study modes Rant!
12:18 Augmented Scale Solo
12:43 Augmented Scale, construction and Triad sets
15:53 Messiaen Mode Improvisation
16:26 Messiaen Mode: Construction, arpeggios, Minor Fragments
21:56 Lydian Augmented #9
22:38 How to find scales for a chord?
23:29 Lydian Augmented #9 – Arpeggios, triad pairs and ideas
25:48 Practicing using these scales – Target or Defining notes of the sound
27:27 Did I leave out any Scale options?