Tag Archives: jazz solo lesson

How To Make Jazz Licks From Easy Chord Shapes

When you use the chord shapes you play to make solo lines you can access a lot of very useful material. The Link also helps your solos in other ways because it makes it easier to use the chords to tie together several phrases.

In this lesson, I am going to go over this approach with some easy chord shapes and show you how you can apply this to a song and also how you can put it to use on complicated progressions like Giant Steps.

Setting up this Jazz Solo Lesson

To show you how easy this is I am going to take the first 8 bars of Take The A-train, make some easy voicings and use them to make some lines. (here we go)

Finding Voicings for a Solo

A simple way to play the chords of Take The A-train with basic jazz chords could be:

To make them more useful for solos then it makes sense to take away the root and turn them into more compact 3-note voicings:

Examples making lines on a Cmaj7

Now you have some chord voicings and you can start working on turning them into solo lines. The concept is really simple, the melody is using the notes of the chord and adding notes around it from the scale.

These two examples are just basic ways to turn the rootless Cmaj7 voicing into a line by using the voicing and some of the notes around the voicing.

Another example could be this one:

Notice how the lines are different from what you normally will end up with if you use scales and arpeggios.

Playing a Solo based on the Chords

Turning this into a complete solo is really just following the same principle

First, let’s have a look at how the lick is constructed and then I can show you how that works in connecting the lines.

Voice-leading Jazz Licks

The big advantage is that now you have a melody based around the 3-note chord and for the next chord you can use the same lick and just move it to that voicing. In that way you are voice-leading the entire thing. This is exactly what I do in example 3 on the Cmaj7-D7 chords.

Voicings as more interesting melodies

If you use this technique on a II V I with common voicings like the ones shown below, then you can get some really great fresh sounding melodies.

The melody is really just arpeggiating the Dm7 shape, but because the voicing has the 9th(E) in there then we get a nice maj7 interval in the melody.

If you think about this then it is as much a question of learning songs to improvise on and then use the chords as a way of getting some solo material as well

A Practical approach to turnarounds

A basic way to play a turnaround in C could be using the chords shown below.

This is easily turned into a lick, just playing the chord shapes and adding an occasional extra note here and there:

A Solid Strategy for Giant Steps

This is also a refreshing way to approach Giant Steps where you can get some new melodies using shapes that you already have in your fingers.

Using these shapes to play a lick could give you something like this:

With Giant Steps I think it really works well to also add melodies that are not only 8th notes, something that we play too often on changes like that.

Learning Songs to Solo on

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You can also download the PDF of my examples here:

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5 Ingredients Of The Best Jazz Phrases

This Jazz Solo Lesson is for you if all the lines in your solos are just a sequence of “now I am playing an arpeggio” then “a bit of scale”. That is of course not that exciting to listen to. There is more to jazz lines and jazz melodies than just trying to put arpeggios and scales next to each other.

In this video, I am going to show you some of the ways that you can make more interesting melodies in your solos. It is all about surprising to the listener without just being weird and hard to understand.

In hindsight, this is a lesson I really wish I had when I was starting to learn Jazz and wanted to play better lines in my solos.

Content:

0:00 Intro – Less boring and predictable Lines in Your solos

0:57 #1 Breaking up Scale melodies – Adding a lower chord tone.

2:05 Example 2

2:52 #2 Breaking up Scale melodies – Chromaticism & Chord Tones

3:56 #3 Breaking up Scale Melodies – I can fit an entire arpeggio in here!

5:34 Example 2

6:10 #4 Benson’s Top-note melodies

7:37 Simpler Example

8:24 #5 Pedal Point Strategies

9:13 II V I Example

10:00 Like the video? Check out my Patreon Page!

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If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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3 Things You Need to Improve in Your Jazz Solos

The fact that you need to improve something in your playing is not the end of the world. In this jazz solo lesson, I am going to discuss how you are able to spot problems and realize that it needs work. Then you can start looking for a good strategy to fix issues and get you on the path to becoming a better Musician.

This Jazz Solo Lesson is a little philosophical and going over 3 very common problems that I come across with students and with my own playing. I also discuss some of the strategies that you can apply to help solve the problem.

Content:

0:00 Intro

0:12 Improving and learning is a part of playing Jazz

0:28 3 Common Problems and how you deal with them

0:52 #1 Overplaying

1:34 Good Taste?

2:15 A Solution (and Wes Montgomery)

2:58 Ideas for Exercises

3:28 #2 Timing – A problem with a few nuances

4:10 Authentic Re-enactment of bad timing

4:44 Ideas for Exercises and ways of working

5:40 #3 Playing The Changes

6:00 Identifying the problem

6:25 Ideas for exercises

7:24 Like The Video? Check Out My Patreon Page

Get your Timing and Practice sessions together

Rhythm is the most important part of Jazz, and a big part of having good rhythm is your ability to play in time and feel time. Check out some solid exercises in this playlist:

Metronome Practice – Tips and Tricks for Jazz Learning

If you want to check out more advice and ideas for your practice sessions and your journey to learn jazz guitar then check out this playlist:

Learn Jazz Guitar – Thoughts and Advice on how and what to practice

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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How To Understand The Style of Jazz Solos

The Style of a Jazz Solo is about how the notes are used in melodies and against the chords.

John Coltrane and Lester Young are mostly playing the same notes, and they are more similar than different. Yet if you listen to Jazz, they are worlds apart.

In this video, I am going to take a phrase from Lester Young, Charlie Parker, John Coltrane, and Joe Henderson and then compare how they improvise in their solos.

This will give you a clear picture of why these styles sound so different and also some ideas on what and how to work on your own playing to sound the way you want to.

I am curious what you guys think!

Content:

0:00 Intro

0:12 4 Solos From Different Styles

0:27 Working on knowing different Styles of phrasing and improvising

0:41 #1 Lester Young – All Of Me

0:52 Analysing Lester – Melodies on top of the chords

2:15 Example #1 Slow

2:37 #2 Charlie Parker – Anthropology

2:41 Bebop – Forward motion and Harmony

3:50 Example #2 Slow

4:00 #3 John Coltrane – Take The Coltrane

4:08  Painting on a Chord Progression  – Abstraction on a Blues

5:36 Example #3 Slow

5:54 #4 Joe Henderson – Solid

6:07 Hardbop – New Melodies and Old Blues

7:38 Example #4 Slow

7:56 What Do You Think Is The Difference between the Styles

8:20 Like The Video? Check out my Patreon Page

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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Joe Henderson – Why He Is One of the Big 3

Joe Henderson is one of the three most influential tenor players to help shape modern Jazz in the ’60s. You probably know him from Blue Bossa and Inner Urge, but his impact on Jazz both as a composer and improviser is huge. And he is a fantastic improviser as I will show you in this video.

The solo I am using here is a later solo, but it is a great demonstration of how much Joe Henderson can do with a very simple beginners standard like Billy Strayhorn’s Take The A-train.

The song is performed as a duo with drummer Gregory Hutchinson, it is from an album with only Billy Strayhorn songs, and A-train is a great vehicle to demonstrate a few of the things that are really fantastic about Joe Hendersons playing!

Content:

0:00 Intro

0:27 Solo on Take The A Train

0:45 The Big 3: John Coltrane, Wayne Shorter and Joe Henderson!

1:05 Example #1

1:13 Subtle Motifs

2:04 Reharmonizing The A train

2:56 Example #1 Slow

3:07 Example #2

3:12 Rhythm as Tension Release

3:26 Michael Brecker Pedal Point

4:07 Pedal Point Abm7 line in A train

4:21 Example #2 Slow

4:29 Example #3

4:34 Dom7th(b5) arpeggios

4:44 Pedal Points

5:16 Example #3 Slow

5:22 Example #4

5:31 16th note Sequences

6:19 Lines with a Large Range

7:07 Example #4

7:19 Like the video? Check Out My Patreon Page!

Get a free E-book

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.