A title like this is of course extreme, but I do really think that this way of working and improving your jazz solo is both underused and misunderstood, and that is a pity because it is very effective and in fact, it is also a part of The Jazz education tradition.
If you can practice in a way that makes you learn faster and sound better then what do you have to lose?
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00:22 How To Really Learn A Lick
02:31 Composing Is About The Process!
04:32 Cornerstone of Barry Harris’ method
06:16 Hearing Strong Melodies
07:24 Analyze Licks with Your Ears
08:44 This Is Why You Should Study Bebop
09:03 Like the video? Check out my Patreon page!
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