Tag Archives: maj7 chords

3 Unusual Maj7 Chords And How To Use Them

You want to have different choices when it comes to chords, also Maj7 chords. There is no need to play the same things all the time.

In this video, I am going to show you voicings and lines that demonstrate how you can use some other sounds on maj7th chords. Often we only focus on what to play on the V chord, but there are some really great sounds to explore when it comes to the good old (boring?) maj7 chord.

This will really help you add some more ideas and sounds to your vocabulary, whether you are using it for soloing, composing or arranging.


0:00 Intro
0:37 You Need Maj7th chords for everything
0:53 Example #1 – Maj7(13#5)
1:02 Lydian Augmented with a Twist
1:24 Understanding this Chord
2:00 Creating the Voicing and using it
2:28 Example #2 a line using this sound
2:36 Stealing an idea from Rosenwinkel
2:57 A great Triad Pair
3:21 Example #3 – Maj7(#9#11)
3:30 Modern Jazz or is it?
3:55 The Maj7(#9#11) – A polychord
4:05 Constructing the Chord Voicing
4:32 The Chord Progression
4:54 Example #4 – Placing it in a Scale5:03 Assigning a Scale to the Chord
5:17 Using the Poly-Chord as a triad pair
6:14 Example #5 – Synthetic Maj7th Chords: Maj7(#5#9)
6:24 Augmented Scale Chords
6:41 The Chord and the Progression
7:07 Chord Voicing and interpretation
7:16 Example #6 –  
7:24 A Basic II V resolving to a weird I chord
7:50 The 3 Magic Triads in the Augmented Scale
8:17 Like the video? Check out my Patreon Page!

Check out this lesson for more information on The Augmented Scale:

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Maj7 Chords – 7 Great Solo ideas!

Maj7 Chords are one of the most important tonic chord types. This video will show you 7 different ideas that you can use when improvising over Maj7 chords. The concepts I cover are using different arpeggio types, triad pairs and super-imposed pentatonic scales both common and more exotic.

Content of the video

0:00 Intro – Maj7 Chords and ideas

1:18 Example 1 – Solo

1:40 Interesting versions of Cmaj7 and Em7 arpeggios

2:29 Using arpeggios and making them less boring

3:38 Example 2 – Solo

4:04 Pentatonic scale from the 3rd of the chord

4:34 Different sounds from different phrasings

5:05 Less Rock/Blues sounding ideas

5:58 Example 3 – Solo

6:23 Triad pairs: G & Am

6:54 Analyzed relative to the C root

7:27 Melodic approach from triad pairs and that specific sound

8:23 Example 4 – Quartal Arpeggios

8:48 The “new” sound of Quartal melodies in a solo

9:17 two ways to check them out over a chord

9:50 Some technical ideas for playing quartal arpeggios

10:53 Example 5 – Solo

11:16 Am6 pentatonic – Robben Ford on a Maj7 chord

11:50 Constructing an Am6 pentatonic scale

12:35 Simple ideas from this type of phrasing.

12:55 Example 6 – Solo

13:20 Am & Bm – Lydian Triad pair.

13:57 Phrasing using Spread Triads and inversions

14:43 Example of a line using the triad pairs

14:58 Example 7 – Solo

15:22 Emaj(b6) Pentatonic scale on a Cmaj7 chord

15:42 Where it comes from

16:15 How to construct and play the Emaj(b6) Penta scale.

17:07 Phrasing and making lines with the scale

17:40 Do you have other good suggestions you like to use? Leave a comment!

18:32 Like the video? Check out my Patreon Page!