Tag Archives: major scale

The Exercises You Don’t Do, But You Really Need To

The Guitar Exercises we mostly talk about when it comes to learning Jazz is mostly about scales, arpeggios and hitting chord tones. In this video, I go over 3 great exercises that you can work on that will help you develop your soloing and your skills as a jazz guitarist that is not about the hippest scale or most outside arpeggio.

The exercises in this video will help you work on playing better melodies and playing a solo that tells a story, not just a bunch of licks next to each other.

Content:

0:00 Intro

0:09 What You Probably Work On

0:26 What You Should Work On

0:57 #1 Soloing with 3-Notes Per Chord

1:25 The Song and The Exercise

1:44 Getting Away From Dense Solo ideas

1:57 What You Develop with this exercise

2:25 Rhythm?

2:38 How I work with this on the progression

2:52 Choosing 3 Notes and thinking ahead

3:33 Limitation Builds Stronger Melodies

3:54 #2 Vocal Like Melodies

4:19 Maybe You Have A Better Name?

4:40 Every Note Counts

4:57 Things You Develop

5:15 The Pat Metheny Lick 😉

5:53 #3 Solo From The Melody

6:22 Improvising using the melody of the song

7:05 Back To The Roots

7:45 What You Learn From This Exercise

8:15 Limit yourself to expand your skill set.

8:35 A More Abstract way of using the melody9:02 Like The Video? Check out My Patreon Page!

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

Practice Major Scales like this and You will get more out of it!

You may think that this is a guitar technique video about major scales, but there is more to scale practice than moving your fingers. Most musicians study major scales as part of their practice routine. In this video I want to talk about what you want to learn, what you need it for and how you use it to build on when making music. Hopefully you can recognize and maybe re-shape your practice and connect things more.
 
 For a lot of you this may be a big check list that you can cross a lot of stuff off on, but it will also give you some new ideas on where to go and connect the things you already know. I may give you the advice to learn a bit of theory.
 

List of Content:

0:00 Intro – What you need to know, what is going to make you play better

0:18 It’s more than moving your fingers

0:57 Step 1 – Learn the scale on your instrument

1:07 Learn the notes of the scale

1:31 Combine The theory and the scale practice

1:50 Learn the Fretboard using the scales

2:29 How knowing the notes helps in a solo and how you use it

3:26 Step 2 – Learning the Diatonic Chords and Arpeggios

3:39 The chords are in the scale

3:58 Construction Diatonic arpeggios in the scale Cmaj7 and Dm7

4:32 What you need to know about the diatonic harmony

5:19 Knowing the notes of the chords in the scale and using that.

6:01 The 7th chords in Jazz and the Triads

6:30 Triads and how they are built

6:47 Triads in Jazz: Upper-structure triads and how they are used

6:56 Em triad as upper-structure on a G7

7:24 Step 3 – Beyond the Basics

7:44 The “Diatonic” Minor Pentatonic scales – Modern Jazz Sounds

8:11 The three Pentatonic scales

8:45 Connecting knowledge to understand the pentatonic scales

9:01 Super-imposing Pentatonic scales on Extended chords

9:32 Example of how to relate a pentatonic scale to a Cmaj7 chord

10:00 Improvising with the super-imposed scale

10:32 Quartal 3-part arpeggios

10:47 Playing the arpeggios and Quartal chords in the scale

11:02 The mysterious chords and how we use them

11:33 How to use the Quartal Arpeggios in your playing

11:56 Example of analyzing some chords against a Cmaj7

12:45 The Many other subsets, arpeggios and structures to work with

13:25 What you need to learn and use!

14:00 Do you have a favourite scale exercise or approach?

14:48 Like the video? Check out my Patreon Page!

the 3 jazz scales you need to know

Jazz Scales! The 3 You Need to practice and How You apply them to Jazz Chords

Jazz Scales can seem like a million options that you all need to learn in all positions and all chords, but there is a way to approach this that is a little easier than trying to learn all jazz scales in all modes. After all the Dorian mode is not as important as the Major or Minor key.

My Approach to Jazz Scales – Learn from the songs you play

In this video I am going to take a practical look at the chord progressions you will encounter and what scales over what chords you are going to need. I am also going to discuss how you apply the scales to the chords and practice in a more general way towards being able to use a scale over any of it’s diatonic chords.
 
Hope you like it!

List of content: 

0:00 Intro — a myriad of Jazz Scales

0:20 Practice efficiently

0:50 Finding the scales by looking at the progressions

0:59 The Major II V I Cadence: Dm7 G7 Cmaj7

1:15 The II V I and the other diatonic chords

1:44 The Major scale it’s all you need from So What to Giant Steps.

1:57 The Minor II V I Cadence: Bø E7(b9) Am6

2:09 Adding Harmonic minor and Melodic minor

2:34 Secondary dominants and cadences

2:51 Secondary cadence to IV in C major

3:07 Secondary cadence to III in C major

3:27 IV minor variations

4:26 Diminished Chords the two types

4:40 Dominant diminished chord

5:04 Subdominant diminished chord

5:44 What is covered so far

6:06 The tritone substitute: Dm7 Db7 Cmaj7

6:23 The Backdoor dominant: Fmaj7 Bb7 Cmaj7

6:48 Double diminished or German Augmented 6th: Fmaj7 Ab7 Cmaj7

7:23 Cadences with other dominant choices: Altered and Harmonic minor

8:11 The three scales and where we need them — cutting away what we don’t need.

8:55 Getting this into your practice routine!

9:12 Scale practice suggestions and knowing the scales

9:40 Example of what works and what doesn’t work when improvising over an Fmaj7 in C major

10:59 The Bonus from practicing like this!

11:20 Learning the rest of the scales

11:58 Do you work with this system or do you have a better one?

12:36 Like the video? Check out my Patreon Page!

7 Jazz Scales for Cmaj7 – Vital Guide to Modern Jazz Guitar Sounds

 
What jazz scales you use over a chord tells you something about the sound of what you play in terms of extensions and alterations. In this video I am demonstrating the sound of 7 scales that you can put to use over a Cmaj7 type chord. Ranging from the good old major scale to a few atonal and more exotic scale choices. A big chunk of what is available in Jazz Theory I guess 🙂
 
For each scale I also give some suggestions for what arpeggios or pentatonic scales might be useful for that sound.
 

List of content:
0:08 Intro
1:32 Major Scale Improvisation
1:53 Major Scale, extensions and arpeggios
3:28 Lydian Improvisation
4:04 Lydian Scale, Target notes, extensions, pentatonic scales
5:18 Lydian #9 Improvisation
5:38 Lydian #9, sound, chord construction, arpeggios and triad pairs
7:55 Lydian Augmented Improvisation
8:24 Lydian Augmented Scale, Special Pentatonic, Cmaj7#5 and arpeggios
10:55 Don’t Study modes Rant!
12:18 Augmented Scale Solo
12:43 Augmented Scale, construction and Triad sets
15:53 Messiaen Mode Improvisation
16:26 Messiaen Mode: Construction, arpeggios, Minor Fragments
21:56 Lydian Augmented #9
22:38 How to find scales for a chord?
23:29 Lydian Augmented #9 – Arpeggios, triad pairs and ideas
25:48 Practicing using these scales – Target or Defining notes of the sound
27:27 Did I leave out any Scale options?