Tag Archives: melodic jazz guitar solo

5 Ingredients Of The Best Jazz Phrases

This Jazz Solo Lesson is for you if all the lines in your solos are just a sequence of “now I am playing an arpeggio” then “a bit of scale”. That is of course not that exciting to listen to. There is more to jazz lines and jazz melodies than just trying to put arpeggios and scales next to each other.

In this video, I am going to show you some of the ways that you can make more interesting melodies in your solos. It is all about surprising to the listener without just being weird and hard to understand.

In hindsight, this is a lesson I really wish I had when I was starting to learn Jazz and wanted to play better lines in my solos.

Content:

0:00 Intro – Less boring and predictable Lines in Your solos

0:57 #1 Breaking up Scale melodies – Adding a lower chord tone.

2:05 Example 2

2:52 #2 Breaking up Scale melodies – Chromaticism & Chord Tones

3:56 #3 Breaking up Scale Melodies – I can fit an entire arpeggio in here!

5:34 Example 2

6:10 #4 Benson’s Top-note melodies

7:37 Simpler Example

8:24 #5 Pedal Point Strategies

9:13 II V I Example

10:00 Like the video? Check out my Patreon Page!

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The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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You Need To Practice Developing Phrases in Your Solos

If you listen to great jazz musicians, and it doesn’t matter if it is Joe Pass, Barney Kessel, Pat Metheny or Kurt Rosenwinkel. They play jazz phrases and connect them, making their solo one long piece of music not a bunch of licks.

So you should probably ask yourself if your solos are just you playing something on this chord and then something else on the next chord.

That is what makes it a solo and what makes it really great, and you really don’t want to sound like your solo is you throwing licks on a chord progression.

Let’s fix that!

The Song and the raw materials

The Song I am using is Strayhorn’s Satin Doll. Mainly because it has a lot of II V progressions which makes it easy to move things around on and you can use the same arpeggio shapes often while soloing.

I have made other very useful lessons on Satin Doll with chords and soloing that you should consider checking out:

Drop 2 Magic On Satin Doll – This Is How To Use Jazz Chords

Satin Doll – Easy Jazz Chords (and a little beyond)

Standard with Pentatonics – Satin Doll

Barney Kessel – How To Make A Bebop Solo Catchy

Arpeggios! (Just ask Mr Metheny)

The Material I am using in this lesson is almost exclusively arpeggios.

To practice the arpeggios in an easy way you can check out this exercise:

Developing phrases #1 – Reduction

The example below uses reduction in groups of two bars, so the main statement is the first bar of Dm7 G7, Em7 A7 and on Am7 D7. For each of those statements the following phrase is a reduced development, so a variation on the original phrase with fewer notes.

Developing phrases #2 – Change Direction

Another way to develop phrases is to by reversing the direction of a part of the phrase.

This is seen below between the first bar of Dm7 G7 and the inverted ending of the first bar of Em7 A7.

Another similar relationship is found between the Dm7 G7 bars (one is descending the other ascending) this is the other way around between the two bars of Em7 A7.

Developing phrases #3 – Displace the Rhythm

Example 3 is based around one motif that is then developed through out the example. The basic idea is using the 5th and 7th of the m7 chord to encircle the 3rd of the dominant.

I play the basic motif in the first bar and from there on is mover around and developed in the following bars.

Developing phrases #4 – Inverting a melody

The example below is using a zig-zag shape in the melodies. All the melodies are changing direction in each phrase. The first one is up-down, the mirror of this is very clear 2 bars later. I use the same type of development in the Am7 D7, Abm7 Db7 bars.

Motif exercises

You can develop your ability to work with motivic development by taking a simple motif through the changes. In many ways, Satin Doll is a great song to practice this on.

You can move a motif through the song like this:

Experiment with constructing arpeggio melodies

I have often found it extremely useful to work on just making variations of basic arpeggio melodies.

The exercise here below is a transcription of some melodies only using Dm7 and G7 arpeggio notes.

Getting more out of Arpeggios on a Jazz Standard

Get a free E-book

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Get the PDF!

You can also download the PDF of my examples here:

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts, and releases.

3 Things You Need to Improve in Your Jazz Solos

The fact that you need to improve something in your playing is not the end of the world. In this jazz solo lesson, I am going to discuss how you are able to spot problems and realize that it needs work. Then you can start looking for a good strategy to fix issues and get you on the path to becoming a better Musician.

This Jazz Solo Lesson is a little philosophical and going over 3 very common problems that I come across with students and with my own playing. I also discuss some of the strategies that you can apply to help solve the problem.

Content:

0:00 Intro

0:12 Improving and learning is a part of playing Jazz

0:28 3 Common Problems and how you deal with them

0:52 #1 Overplaying

1:34 Good Taste?

2:15 A Solution (and Wes Montgomery)

2:58 Ideas for Exercises

3:28 #2 Timing – A problem with a few nuances

4:10 Authentic Re-enactment of bad timing

4:44 Ideas for Exercises and ways of working

5:40 #3 Playing The Changes

6:00 Identifying the problem

6:25 Ideas for exercises

7:24 Like The Video? Check Out My Patreon Page

Get your Timing and Practice sessions together

Rhythm is the most important part of Jazz, and a big part of having good rhythm is your ability to play in time and feel time. Check out some solid exercises in this playlist:

Metronome Practice – Tips and Tricks for Jazz Learning

If you want to check out more advice and ideas for your practice sessions and your journey to learn jazz guitar then check out this playlist:

Learn Jazz Guitar – Thoughts and Advice on how and what to practice

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.