This Allan Holdsworth Solo Lesson takes a look at the scales and arpeggios he is using in a few phrases from the Sixteen Men Of Tain solo. I love Holdsworths playing and it is really interesting to try to figure out what is going on because his melodic language is pretty much unique.
The video breaks down 4 phrases and talks about how they are constructed using different scales sounds such as Lydian Augmented and 2 different Messiaen Modes.
Of course this is an interpretation and an analysis based on what I know about him and what I think he is playing, but if you don’t agree then feel free to leave a comment!
What jazz scales you use over a chord tells you something about the sound of what you play in terms of extensions and alterations. In this video I am demonstrating the sound of 7 scales that you can put to use over a Cmaj7 type chord. Ranging from the good old major scale to a few atonal and more exotic scale choices. A big chunk of what is available in Jazz Theory I guess 🙂
For each scale I also give some suggestions for what arpeggios or pentatonic scales might be useful for that sound.
List of content: 0:08 Intro 1:32 Major Scale Improvisation 1:53 Major Scale, extensions and arpeggios 3:28 Lydian Improvisation 4:04 Lydian Scale, Target notes, extensions, pentatonic scales 5:18 Lydian #9 Improvisation 5:38 Lydian #9, sound, chord construction, arpeggios and triad pairs 7:55 Lydian Augmented Improvisation 8:24 Lydian Augmented Scale, Special Pentatonic, Cmaj7#5 and arpeggios 10:55 Don’t Study modes Rant! 12:18 Augmented Scale Solo 12:43 Augmented Scale, construction and Triad sets 15:53 Messiaen Mode Improvisation 16:26 Messiaen Mode: Construction, arpeggios, Minor Fragments 21:56 Lydian Augmented #9 22:38 How to find scales for a chord? 23:29 Lydian Augmented #9 – Arpeggios, triad pairs and ideas 25:48 Practicing using these scales – Target or Defining notes of the sound 27:27 Did I leave out any Scale options?