Tag Archives: practice jazz guitar

The Two Things You Need To Practice More

In most Jazz practice routines there are two things that you probably don’t focus on as much as you should. In this video, I am going to go over what the problem is and give you some suggestions on how to solve that problem, and I think it is more a matter of how you think about practicing and structure your practice routine than anything else.

Get the PDF of the exercises and examples on Patreon

You can download the PDF and the GuitarPro file here: The Two Things You Need To Practice More

Content:

0:00 Intro – Getting more efficient with practice.

0:28 Flexibility – Remember the goal you want to achieve

0:52 The Progression and the basic exercise

3:32 How to open it up

4:31 Taking it further

5:23 Open up Technique Practice

5:51 A quote from Kurt Rosenwinkel

6:12 Application

6:25 From Scale Practice to Michael Brecker with Magic

6:41 Making using the material a priority in practice sessions

7:00 A Step-wise Plan

8:21 Limitation is efficient

9:45 The Worst Mistake When You Study Jazz

10:01 Like the video? Check out my Patreon page?

The Wrong Way To Practice Something New

When you practice Jazz Guitar, then the most fun part of practicing is to work on new things you can add to your playing and enjoy using it while playing music. But often the way you start working on new material actually also stops you from getting it into your playing, and that is what I want to discuss in this video, and of course, give you a few easy ways to fix it.

Other useful articles on Practicing and Learning

This is a Good 10-minute Practice Routine

Avoid Long Practice Plans – This is what you should focus on

Jazz Practice Routine How To Find The Perfect Balance

Content

0:00 Intro

0:30 Setting Yourself up to Fail?

1:20 Using it in a Solo

1:51 The Solo

2:42 Analyzing the solo

5:55 Using it on a Single Chord

6:25 Cmaj7

7:00 Am7

7:50 Bb7(#11) (or E7 altered?)

9:04 Like the Videos? Check out my Patreon page.

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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The Worst Mistake When You Study Jazz

It is probably mostly a problem you are teaching yourself but organizing your Jazz Practice and getting the right things in there is something that is often going wrong. At the same time, this is so incredibly easy to avoid and all you need to do is take a step back and look at what you are trying to learn without getting lost in the details.

I say it all the time: Learn Jazz, Make Music but for you to make music you need to focus on learning some pieces to make music with and that is very often not on the list when people start practicing and studying Jazz.

Other Important Practice Lessons

This is a Good 10-minute Practice Routine

Avoid Long Practice Plans – This is what you should focus on

Guitar Practice – How To Be Your Own Teacher

Content

0:00 Intro

0:26 Forgetting What You Want to Learn? 

0:42 It may seem ok, but it isn’t

1:15 Skills for Jazz

1:40 Exercises are not Music

2:19 What you will miss and what you should be doing

2:38 Playing Real Music

3:07 Jazz Harmony is more than II V I and Turnarounds!

3:37 How many II V’s in a Jazz Standard?

4:30 How To Really Learn Jazz

5:10 What is playing Jazz, what is the goal.

5:53 Is this missing in online education?

6:12 Like the video? Check out my Patreon Page

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts, and releases.

You Need To Practice Developing Phrases in Your Solos

If you listen to great jazz musicians, and it doesn’t matter if it is Joe Pass, Barney Kessel, Pat Metheny or Kurt Rosenwinkel. They play jazz phrases and connect them, making their solo one long piece of music not a bunch of licks.

So you should probably ask yourself if your solos are just you playing something on this chord and then something else on the next chord.

That is what makes it a solo and what makes it really great, and you really don’t want to sound like your solo is you throwing licks on a chord progression.

Let’s fix that!

The Song and the raw materials

The Song I am using is Strayhorn’s Satin Doll. Mainly because it has a lot of II V progressions which makes it easy to move things around on and you can use the same arpeggio shapes often while soloing.

I have made other very useful lessons on Satin Doll with chords and soloing that you should consider checking out:

Drop 2 Magic On Satin Doll – This Is How To Use Jazz Chords

Satin Doll – Easy Jazz Chords (and a little beyond)

Standard with Pentatonics – Satin Doll

Barney Kessel – How To Make A Bebop Solo Catchy

Arpeggios! (Just ask Mr Metheny)

The Material I am using in this lesson is almost exclusively arpeggios.

To practice the arpeggios in an easy way you can check out this exercise:

Developing phrases #1 – Reduction

The example below uses reduction in groups of two bars, so the main statement is the first bar of Dm7 G7, Em7 A7 and on Am7 D7. For each of those statements the following phrase is a reduced development, so a variation on the original phrase with fewer notes.

Developing phrases #2 – Change Direction

Another way to develop phrases is to by reversing the direction of a part of the phrase.

This is seen below between the first bar of Dm7 G7 and the inverted ending of the first bar of Em7 A7.

Another similar relationship is found between the Dm7 G7 bars (one is descending the other ascending) this is the other way around between the two bars of Em7 A7.

Developing phrases #3 – Displace the Rhythm

Example 3 is based around one motif that is then developed through out the example. The basic idea is using the 5th and 7th of the m7 chord to encircle the 3rd of the dominant.

I play the basic motif in the first bar and from there on is mover around and developed in the following bars.

Developing phrases #4 – Inverting a melody

The example below is using a zig-zag shape in the melodies. All the melodies are changing direction in each phrase. The first one is up-down, the mirror of this is very clear 2 bars later. I use the same type of development in the Am7 D7, Abm7 Db7 bars.

Motif exercises

You can develop your ability to work with motivic development by taking a simple motif through the changes. In many ways, Satin Doll is a great song to practice this on.

You can move a motif through the song like this:

Experiment with constructing arpeggio melodies

I have often found it extremely useful to work on just making variations of basic arpeggio melodies.

The exercise here below is a transcription of some melodies only using Dm7 and G7 arpeggio notes.

Getting more out of Arpeggios on a Jazz Standard

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Get the PDF!

You can also download the PDF of my examples here:

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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That is not a Musical Exercise, I don’t like it!

You hear exercises being described as unmusical very often. But how much sense does it make to label a jazz guitar exercise as unmusical? When we practice then it is maybe more about looking at the skill we are improving than whether an exercise is musical or not?

In this video, I am discussing this and also going over some common misconceptions about different types of guitar practice like metronome practice.

Content:

0:00 Intro

0:19 Avoid Un-musical exercises?

1:05  Unmusical Exercise  Exercise #1

1:20 Unmusical like Pat Metheny

1:51 The Musical Exercise in a “Facebook video”

2:38 Skills involved

2:53 What is the point of an Exercise?

3:47  Unmusical Exercise #2

4:07 Benefits of Robotic Exercises

4:56  Unmusical Exercise  #3

5:07 How It sounds and What it is

5:40 What you learn!

6:57 Unmusical Exercise #4

7:08 Innovation is the tradition in Jazz

7:26 Just Try something!

8:01 What Is Your Opinion on Musical/unmusical exercises?

8:21 Like the video? Check out my Patreon Page!

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Jazz Practice – Why You Need To Keep It Practical

What if the way that you practice makes sure that you don’t feel like you are practicing something that you never get to use? Jazz Practice is difficult to get right and there are some mistakes that I see people make again and again.

What if you could work in a way that you could feel that your playing was improving? Maybe it is often better to take a more practical approach and practice in a way that is really focused on fixing a problem in the music that you are playing.

If you start with the music and choose goals to fix problems you encounter while making music you are much more likely to improve and also able to feel yourself improve.

In this video, I am going to talk about how to learn jazz guitar and how to choose the right strategies for some of the problems we encounter. It is easy to get lost in empty exercises and not work on something that is directly related to the music you play, but that can quickly leave you drowning in exercises.

Content:

0:00 Intro
0:12 Solve problems in your playing?
0:38 Strategies and how to Improve specific things in your playing.
1:23 Two Types of Solutions
1:54 The Two Examples in this video: Soloing and Comping.
2:13 #1 Soloing: How to Learn New Vocabulary
2:45 Long-term Goal and solution
3:51 Short-term Approach – Specific and Fixing the problem in the song
4:49 Less information more focus on using it while making music
5:42 #2 Comping: Learning New Voicings
6:18 Long-term for Learning All Voicings and Inversions
7:22  Short-term Approach – Think about what you already play and Add to That!
8:54 Be Practical if you want to improve your playing fast.
10:33 Teachers does this as well!
10:56 Like the video? Check out My Patreon Page!

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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Don’t Waste Your Practice Time On These 3 Things

It is important to know how to practice jazz guitar so you don’t waste your time or focus on the wrong things. Here are three topics that I think too many jazz guitarists spend practice time on and think that they need to know which they really don’t. Most of this is related to a myth or misunderstanding and I think this is really worth talking a bit about because it doesn’t help you and it really works against you.

This may also be the first video I ever made telling you to not practice something instead of giving you stuff to practice.

Of course I would love to hear what you think, because maybe it’s different for you or maybe I am completely wrong?

Content:

0:00 Intro – Don’t Wast Your Practice Time

0:58 #1 Sight Reading – What Do You Actually Need?

1:23 The Big Myth about Sight Reading

1:53 How the real process is.

2:20 Learn Music By Ear

2:31 A More Useful Goal and Approach

3:15 #2 Voice-Leading

3:50 A Time and A Place for Everything

4:35 Don’t think just play

5:23 #3 Scales – What You Need and What You Don’t

5:54 New scales ≠ New Melodies

6:32 The Gypsy Mixolydian #4 b9 scale

6:39 What Else Are We Wating Time on?

7:01 Like The Video? Check out my Patreon Page.

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

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How to Solve the “I Have no Practice Motivation” Problem

It is very difficult to keep motivated and figure out how to practice guitar so that you feel like staying with it. This is especially true if you practice and learn something complicated like Jazz Guitar. But you also know that you have to be consistent and dedicated to book improvements in your playing and develop you skills. If you don’t practice you probably will just end up in a vicious circle that will stop you playing all together.

In this video I am going to go over 5 things that helps me keep motivated and inspired to practice. Things that are coming from my own experience but also from having taught a lot of students and been around a lot of jazz musicians in general.

This video will give you some ideas to keep inspired and working and also some other perspective on what playing an instrument and playing music is about. Not all of these tips are really about the practice situation but about what else you do.

Hope you like it!

Content of the video:

0:00 Intro – Staying Motivated Why it is important

1:17 #1 Is You Practice Session Fun? How To Improve it!

2:24 #2 Check out Live Music – Get Inspired!

3:43 #3 Track You Progress and Keep Track of Your Work

4:56 #4 Play With Other People

6:28 #5 Taking Lessons

7:06 What Keeps You Motivated? Leave a Comment!

7:24 Like the video? Check Out My Patreon Page!

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The group is almost at 500 members and we have a lot of great discussions on Jazz, Guitars and everything related to that!

Get a free E-book

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Get the PDF!

You can also download the PDF of my examples here:

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or  send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases.

Jazz Practice Routine How To Find The Perfect Balance

If you have to make a 30 minute Jazz Practice Routine, what should you include?

We are all different so there is no one solution that fits everybody, but you don’t want to waste time or leave out important things to practice.

In this video, I am going to go over what I think a 30-minute practice session should include. I am of course a guitarist so it will be aimed at jazz guitar practice, but I am sure the philosphy and topics will fit all instruments. Some of the topics that I think are important for a jazz practice routine would be:

Technique, Repertoire, Exercises, Vocabulary, Theory, Ear-Training,
Transcriptions

I am really curious about how your practice routine is, so if you have a routine then please leave a comment with a list of stuff you work on. This is useful for people looking for inspiration and certainly also for you to evaluate how you work. I will do the same 🙂

Content:

0:00 Intro – A 30-minute Practice Routine

1:24 Technique and Warm-up

1:32 Warm-up and Synchronization – 10 minutes

2:05 Arpeggios – Right hand warm-up

2:31 Working out with Spread Triads (Steve Morse)

3:00 Technique – Musical Practice

3:19 My Basic Fretboard Visualization

3:41 Practice in all 12 Keys! (are there only 12 keys?)

4:08 Diatonic Harmony

4:40 Stay Flexible and Practice open-ended

5:43 Playing Music – 10 min

6:13 Play Songs and Put it all Together

6:47 What You Focus on and Learn

7:41 Ear Training – 5 min.

7:52 Moving Melodies through the scale

8:26 Using Apps or Computer Programs

8:50 Advantages to a schedule working with Apps

9:04 Transcriptions

9:28 Figuring Songs out from Memory

9:49 Vocabulary – 5 minutes

10:00 Use Composition and Create YOUR vocabulary

10:28 Share your Practice Routine! Give us some ideas!

10:50 Like the video? Check out my Patreon Page!

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Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

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If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.

10 Commandments of Learning Jazz

Setting up an efficient Jazz Practice is both important and difficult. You have to take care to spend your time efficiently and not have unrealistic goals or expectations. This video goes over some things that you want to think about and consider when you are learning jazz or any other style of music like jazz (though it probably applies to studying other styles as well). It is coming out of my own experiences with a few suggestions from people like Allan Holdsworth and Peter Bernstein.

Having the right mindset when studying and learning music is extremely important and I am curious what you think about this 10 topics, so please chip in with thoughts and suggestions!

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