Tag Archives: scale practice guitar

Practicing Scales – This Is Something Not To Miss

The way most of us were taught scales and practice scales is centered around positions. That is a good approach and you should work on knowing all the positions, but it is certainly not the only thing to check out.

In this lesson, I am going to show you some examples of things that sound great, are easy to play and are not in positions, and then also talk about how you practice towards playing like that.

Triads on a String Set

This is an example of something that clearly is pretty easy to play when you stick to the same string set. This type of melody is also something that is very repetitive and a specific sound, but later in the lesson, I will show you some other more open examples of this.

If you look at the advantages you can see that:

  • The Right Hand is consistent
  • Phrasing and the Polyrhythm is easy to bring out
  • It is using the same type of melody: Triads

Fake Metal version

Let’s first look at how this doesn’t work in a position and then I will also talk a little bit about how this should combine with positions and isn’t really instead of.

You can play this in a position as well, that would be something like this:

But here it is a lot less natural to get the consistent phrasing and just difficult to play. And this is a really clear example of something that works a lot better along the neck.

Positions – The Final Frontier

If you play a phrase like this then there is one thing that you do need to be aware of is that you have to be able to keep playing where you end up.

Even though it is cool for Star Trek (0:46) B-Roll To boldly go where no-one has gone before it is not practical for guitar solos if you end up in a place where you don’t know what to play.

So you do want to know your positions and have that overview of the neck as well.

Practicing Efficient Things

So what do you practice to play something like the first example (B-roll of Example 1a maybe slow mo?)

It is not enough to just work on the scale on one string like this:

But as you can see the example is made from diatonic triads from 2 scales: G major and D altered.

So you can practice those like this:

and the altered scale is also really useful, like this:

For these exercises, I am really consistent with my right hand, and as you will see that is one of the big benefits of playing like this: It gets easy and consistent for the right hand.

Besides playing the arpeggios you also get to dive into the diatonic harmony of the scales which is really useful for having more things you can use in solos

And once you know the exercises then it becomes a lot easier to work on other similar licks like this one:

Besides the triads, there is another similar type of melody which is 10 times as easy to play if you give the right-hand priority I will get to that later but first let’s look at another way where moving around the neck gives you more options when it comes to creating strong melodies.

Motivic Shifting

This phrase is on a Dm7 Bb7 Cmaj7, so Subdominant, minor subdominant, tonic in C major.


 

The melody is a motif on the Dm7 and the motif is repeated and developed on the Bb7 to then resolve to C. Using that you can have a Dm melody and an Fm melody on the Bb7.

Because the phrase is shifting the motif up the neck then it is easy to keep the phrasing and in that way make the motivic development clearer while still changing things and adding to it. If you played it in one position then you would lose some of the phrasings and also make it much more complicated to move the motif.

 

Strict Arpeggio Tricks

Another place where you can benefit from having using a specific way to play arpeggios and move around the neck is to stick with a pattern similar to what I am doing in this example:

Here the Cmaj7 and Am7 arpeggios are played as 1-1-2 arpeggios which makes it easy to put them after each other.

1-1-2 Arpeggios are arpeggios with the four notes spread out so that the first two strings have 1 note and the last string has 2 notes.

To explore stuff like this it can be really useful to practice your arpeggios in diatonic 3rd distance like this

 

Get the PDF and GuitarPro on Patreon:

You can get the PDF and GuitarPro files on Patreon here:    

https://www.patreon.com/posts/practicing-this-42194782

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

Sign up for my newsletter – Get the II V I Ebook

Get the PDF!

You can also download the PDF of my examples here:

Jazz Guitar Insiders Facebook Group

Join 6000+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments, or suggestions for topics then, please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+, or Facebook to keep up to date with new lessons, concerts, and releases.

When Do You Know A Scale?

If you play Jazz Guitar then you will often be confronted with learning and practicing scales. The major scale, pentatonic scale or a jazz scale like melodic minor.

A big part of the vocabulary and the material that you use when you are improvising is linked to scales in some form or other and it is common to practice scales on a daily basis.
But of course, you want to also make sure that you can actually make music with it and think a little bit about how and what you practice

Content:

0:00 Intro

0:23 Jazz and Scales – What you Need and How to Learn It

1:00 #1 Learn To Play The Scale

1:07 Start with a Scale Position

1:47 How To Play The Scale – what is important

2:26 Connecting Positions

2:52 Next Level After Positions

3:26 #2 Music Theory

3:40 Learn The Notes(!)

4:14 The Basic Things You Need To Know

4:50 Finding the material available with Music Theory

6:08 #3 Making Music With The Scale

6:11 It’s not all exercises

7:23 Cmaj7 in G major example

8:14 Cmaj7(#11) identifying triads that are good upper-structures9:00 Like the video? Check out my Patreon Page

How To Learn and Practice Scales for Jazz Guitar

How do you practice and learn scales for Jazz Guitar? These videos go over different approaches and practice strategies with exercises for scale practice.

When you learn a scale on guitar because you want to use it to play jazz guitar and improvise then there are many things you need to know and some things that can make your practice more efficient. These videos will give you ideas on how to work on this and build a scale practice routine or strategy that fits your way of working.

You can check out more information over this topic in this playlist:

How To Learn and Practice Scales for Jazz Guitar

Get a free E-book

If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter:

https://jenslarsen.nl/sign-up-for-my-newsletter/

Get the PDF!

The PDF with examples for this video is available through Patreon. You can check out my Patreon Page here: https://www.patreon.com/jenslarsen

Jazz Guitar Insiders Facebook Group

Join 1500+ Other Jazz Guitarists 🎸Join us in the Facebook Jazz Guitar Group Community: http://bit.ly/InsidersFBGroup

If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.

Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter, or Facebook to keep up to date with new lessons, concerts, and releases.