It can be difficult to come up with new ideas for your solos, but this video talks about how you can use all of the diatonic triads, arpeggios, pentatonic scales etc and find the right ones to the chord you are playing over. Not only playing just with the arpeggio, but also how to mix it with the other material.
The video has a lot of examples and explanations and also a lot of philosphy on playing over changes, superimposing arpeggios and other things like developing a personal sound and taste.
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0:49 The Maj7 and the F Major Scale
1:10 What I will check out
1:48 The Fmaj7 chord and diatonic arpeggios
2.55 Solo using Fmaj7 arpeggio
3:12 How you solo with an arpeggio when learning new ideas
3:53 Arpeggio from the 3rd
4:18 Solo using Am7 Arpeggio
4:43 Why we don’t really want the Bb in there and C7 doesn’t work
5:46 A 3rd below: Dm7
5:56 Solo using Dm7 Arpeggio
6:31 Arpeggios against another root note and the having an overview of the scale
8:20 Solo using F major triad 9:29 Am triad solo
9:51 Thoughts on making melodies with Am triad vs Fmaj7
11:01 Solo using C major triad 11:23 C major triad and not having the 3rd in the arpeggio.
12:14 Solo using D minor triad
12:32 Finding associations with the different arpeggios and the sound they make
13:48 Quartal Harmony
15:19 Solo using Quartal Arp from G
15:34 DIfferent fingerings and mixing it with other things
16:27 Solo using Quartal Arp from A
16:53 Connecting to the chord, using chord tones
17:28 Solo using Quartal Arp from D
17:46 Emphasizing the intervals in the arpeggio
18:32 Solo using Quartal Arp from E
18:53 Different patterns of the Arpeggio
19:37Other options like spread voicing, drop2 and inversions..
20:27 Solo using Dm Pentatonic
20:47 Choosing pentatonic scales for a chord
21:48 Solo using Am Pentatonic
22:13 The “other”Pentatonic scales lesson series
22:48 Shell Voicings – Finding Useable
24:10 Solo using Fmaj7 Shell Voicing
24:51 Solo using Am7 Shell Voicing
25:05 Ways to practice shell voicings in postition and along the neck
26:26 Solo using Dm7 Shell Voicing
27:38 Solo using Em7b5 Shell Voicing
27:55 Compensating for the lack of chord tones in the arpeggio
28:44 What am I trying to do when practicing with these arpeggios
29:26 Sus4 triads and Mark Turner
30:03 Finding useable Sus4 triads
30:38 Difference between Sus4 and Quartal Harmony?
32:02 Solo using Gsus4 triads
32:33 Solo using Asus4 triads 32.49 The sound of the sus4 triad
33:35 Solo using Csus4 triads
33:51 Using the resolution of the sus chord in the melody as well.
34:42 Solo using Dsus4 triads
35:05 Sus4 triads as voicings.
35:33 Using this approach to develop and understand your own taste