Triad pairs are great for creating some amazing modern sounding jazz lines! You can really apply it to any genre but they are most common in Jazz. In this lesson, I am going to first play a 2 chorus solo on a Cm Blues and then I will break down the solo and show you what and how I am using the triad pairs. Talk about which scale they come from, how they fit on the chord and also how I make licks with them.
Some of this is going to be in position and some of it is also along the neck using triad pairs with major, minor, augmented and diminished triads. In the video, I cover 5 types of triad pairs and also give some exercises to help you get them into your system.
If you want to study more material on triad pairs I have this playlist: Triad Pairs
0:25 What I am cover with Triad Pairs and the Minor Blues Solo
0:44 The Minor Blues Solo
1:31 A Longer Video with more details and exercises.
1:57 Triad Pairs – a basic overview
2:23 Diatonic Triads of C melodic minor
3:03 The first triad pair: Eb augmented, F
4:34 C7alt: E augmented, Gb
6:06 E augmented Gb Exercise
6:16 F Dorian Triad Pair and exercise
7:16 Fm, Gm Exercise
7:21 How The Line is constructed
7:53 Cm: Cm Dm
8:29 The Triad Pair Hack
8:45 Two-string sets for triad pairs
9:12 Cm Dm – Two String exercise
10:10 Ab7 triad pair –
11:14 7-note groupings
11:42 G7alt Triad Pair
11:42 Dorian Triad pair on Cm13
12:27 B augmented, Db Exercise
12:32 Cm Dorian Triad Pair
13:26 2nd Chorus: Using a String set and inversion across several chords
14:02 The 3 Triad Pairs and exercises
14:53 Fm triad pair: Fm, Gm
15:39 Great CmMaj(13) triad pair
16:18 How Augmented Triads are practical
17:04 Exercises and moving across the neck
19:08 Minor Triad pair for G7alt
19:38 Lydian Dominant Exercise
20:02 Like The Video? Check out my Patreon Page
Minor Blues – Melodic Minor Boost!
If you want to check out more on Minor Blues you can also check out this WebStore lesson:
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