Vlog: Advanced ideas: Triads and Spread Triads on Out Of Nowhere

Triads and Spread Triads are invaluable as tools for making jazz lines, especially in the realm of more modern sounding melodies. The video is in three main parts: An analysis of the chord progression, Finding triads that can be used and discussing outside or exotic scale choices, and finally making lines with the material and talking about the colors of the superimposed jazz guitar triads. How to make guitar licks and what rules come into play when using triad pairs and spread triads in jazz guitar solos.

This video turned out to be a lot longer than I thought, but especially the ending I think is a good documentation of how I write lines and you see me experiment with the material I find through the analysis and the triad options.

There’s also a lot of good discussion on melodies and how you write strong melodies with material like this.

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0:00 Intro

Analysis:

1:01 Analysis of chords and form
1:28 Key and form
1:56 The Chords and their function
2:14 The mysterious Eb7 German Augmented Sixth Chord
2:43 The Double Diminished #IV explanation
3:45 Back to the Harmonic Analysis
4:49 How Out Of Nowhere is about Eb7 in G major
5:46 Analysis of The 2nd half of the song
7:02 A modal aspect of Out Of Nowhere
7:46 Why Triads and Diatonic triads are so great for solos

Finding Options Triads for the chords

8:44 Selecting Triads
9:16 Triad options for Gmaj7

10:17 adding the Lydian Options to Gmaj7
11:56 Harmonizing the melody with a lydian sound
12:51 Lydian Augmented triads on Gmaj7
13:48 Augmented Scale on Gmaj7
14:30 Bbm7 Eb7
16:45 C7(#11)
17:15 Bm7
17:32 E7 altered
18:53 Am
22:07 Am7 D7
22:54 D7 altered
23:26 D7 Diminished

Making Lines:

24:48 Making lines with triads
26:31 Extensions in the melody of Out Of Nowhere
26:48 G major/ B minor triad over Gmaj7
29:21 Voice-leading B minor to Bb minor
31:11 Bbm Eb7
33:48 Connecting Gmaj7 C7
34:47 G major – Melodic Minor Hack
37:13 Bm7 E7alt – E7 triad pairs
38:48 Ab+ and Bb major
41:21 Am
42:18 The might Am triad
43:26 Making D7 altered lines
45:18 D7 Diminished Line Ideas

46:15 Exotic scales and Spread Triads

47:24 Spread Triads On Gmaj7
51:33 Bbm Eb7 ideas with Open Triads
52:41 Spread triad ideas for E7alt
53:40 Rules of melodic movement in a Jazz Lick
56:06 Mark Turner and Kurt Rosenwinkel
57:30 Emphasizing upper structures and extensions
58:51 Resolving into the Lydian Augmented sound

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